8,445 research outputs found
Developing serious games for cultural heritage: a state-of-the-art review
Although the widespread use of gaming for leisure purposes has been well documented, the use of games to support cultural heritage purposes, such as historical teaching and learning, or for enhancing museum visits, has been less well considered. The state-of-the-art in serious game technology is identical to that of the state-of-the-art in entertainment games technology. As a result, the field of serious heritage games concerns itself with recent advances in computer games, real-time computer graphics, virtual and augmented reality and artificial intelligence. On the other hand, the main strengths of serious gaming applications may be generalised as being in the areas of communication, visual expression of information, collaboration mechanisms, interactivity and entertainment. In this report, we will focus on the state-of-the-art with respect to the theories, methods and technologies used in serious heritage games. We provide an overview of existing literature of relevance to the domain, discuss the strengths and weaknesses of the described methods and point out unsolved problems and challenges. In addition, several case studies illustrating the application of methods and technologies used in cultural heritage are presented
CREATe 2012-2016: Impact on society, industry and policy through research excellence and knowledge exchange
On the eve of the CREATe Festival May 2016, the Centre published this legacy report (edited by Kerry Patterson & Sukhpreet Singh with contributions from consortium researchers)
Serious Games in Cultural Heritage
Although the widespread use of gaming for leisure purposes has been well documented, the use of games to support cultural heritage purposes, such as historical teaching and learning, or for enhancing museum visits, has been less well considered. The state-of-the-art in serious game technology is identical to that of the state-of-the-art in entertainment games technology. As a result the field of serious heritage games concerns itself with recent advances in computer games, real-time computer graphics, virtual and augmented reality and artificial intelligence. On the other hand, the main strengths of serious gaming applications may be generalised as being in the areas of communication, visual expression of information, collaboration mechanisms, interactivity and entertainment. In this report, we will focus on the state-of-the-art with respect to the theories, methods and technologies used in serious heritage games. We provide an overview of existing literature of relevance to the domain, discuss the strengths and weaknesses of the described methods and point out unsolved problems and challenges. In addition, several case studies illustrating the application of methods and technologies used in cultural heritage are presented
Report of the Stanford Linked Data Workshop
The Stanford University Libraries and Academic Information Resources (SULAIR) with the Council on Library and Information Resources (CLIR) conducted at week-long workshop on the prospects for a large scale, multi-national, multi-institutional prototype of a Linked Data environment for discovery of and navigation among the rapidly, chaotically expanding array of academic information resources. As preparation for the workshop, CLIR sponsored a survey by Jerry Persons, Chief Information Architect emeritus of SULAIR that was published originally for workshop participants as background to the workshop and is now publicly available. The original intention of the workshop was to devise a plan for such a prototype. However, such was the diversity of knowledge, experience, and views of the potential of Linked Data approaches that the workshop participants turned to two more fundamental goals: building common understanding and enthusiasm on the one hand and identifying opportunities and challenges to be confronted in the preparation of the intended prototype and its operation on the other. In pursuit of those objectives, the workshop participants produced:1. a value statement addressing the question of why a Linked Data approach is worth prototyping;2. a manifesto for Linked Libraries (and Museums and Archives and …);3. an outline of the phases in a life cycle of Linked Data approaches;4. a prioritized list of known issues in generating, harvesting & using Linked Data;5. a workflow with notes for converting library bibliographic records and other academic metadata to URIs;6. examples of potential “killer apps” using Linked Data: and7. a list of next steps and potential projects.This report includes a summary of the workshop agenda, a chart showing the use of Linked Data in cultural heritage venues, and short biographies and statements from each of the participants
Analysis of Visualisation and Interaction Tools Authors
This document provides an in-depth analysis of visualization and interaction tools employed in the context of Virtual Museum. This analysis is required to identify and design the tools and the different components that will be part of the Common Implementation Framework (CIF). The CIF will be the base of the web-based services and tools to support the development of Virtual Museums with particular attention to online Virtual Museum.The main goal is to provide to the stakeholders and developers an useful platform to support and help them in the development of their projects, despite the nature of the project itself. The design of the Common Implementation Framework (CIF) is based on an analysis of the typical workflow ofthe V-MUST partners and their perceived limitations of current technologies. This document is based also on the results of the V-MUST technical questionnaire (presented in the Deliverable 4.1). Based on these two source of information, we have selected some important tools (mainly visualization tools) and services and we elaborate some first guidelines and ideas for the design and development of the CIF, that shall provide a technological foundation for the V-MUST Platform, together with the V-MUST repository/repositories and the additional services defined in the WP4. Two state of the art reports, one about user interface design and another one about visualization technologies have been also provided in this document
Metric documentation of cultural heritage: Research directions from the Italian gamher project
GAMHer is a collaborative project that aims at exploiting and validating Geomatics algorithms, methodologies and procedures in the framework of new European regulations, which require a more extensive and productive use of digital information, as requested by the Digital Agenda for Europe as one of the seven pillars of the Europe 2020 Strategy. To this aim, GAMHer focuses on the need of a certified accuracy for surveying and monitoring projects with photogrammetry and laser scanning technologies, especially when used in a multiscale approach for landscape and built heritage documentation, conservation, and management. The approach used follows a multi-LoD (level of detail) transition that exploits GIS systems at the landscape scale, BIM technology and "point cloud based" 3d modelling for the scale of the building, and an innovative BIM/GIS integrated approach to foster innovation, promote users' collaboration and encourage communication between users. The outcomes of GAMHer are not intended to be used only by a community of Geomatics specialists, but also by a heterogeneous user community that exploit images and laser scans in their professional activities
Fleeting Film: Using Story to Seek Archival Permanence in the Transitory and Globalized Digital Visual Effects Industry
© 2018 Walter de Gruyter GmbH, Berlin/Boston. Archiving is a long-standing vocation, founded on principles such as provenance, original order, truth, evidence, preservation and permanence. A far cry from the visual spectacle and movable feast of film visual effects (VFX) - a transitory and globalized industry of disposable firms, ever-advancing technologies and a roving workforce which craft digital animations and seamless effects for the big screen. In this paper we utilize the concept of "story" as a premise to bring together the seemingly different vocations of archival science and film VFX. Through an exploration of digital film production and archival practice under the context of storytelling, we aim to highlight the need for archivists to work with the VFX industry to ensure evidence of this culturally significant aspect of filmmaking and cinema discourse is preserved into the future. As well present the argument that archives are more than collections of historical evidence. Archives are story - and archivists are storytellers
METRIC DOCUMENTATION OF CULTURAL HERITAGE: RESEARCH DIRECTIONS FROM THE ITALIAN GAMHER PROJECT
GAMHer is a collaborative project that aims at exploiting and validating Geomatics algorithms, methodologies and procedures in the framework of new European regulations, which require a more extensive and productive use of digital information, as requested by the Digital Agenda for Europe as one of the seven pillars of the Europe 2020 Strategy. To this aim, GAMHer focuses on the need of a certified accuracy for surveying and monitoring projects with photogrammetry and laser scanning technologies, especially when used in a multiscale approach for landscape and built heritage documentation, conservation, and management. The approach used follows a multi-LoD (level of detail) transition that exploits GIS systems at the landscape scale, BIM technology and "point cloud based" 3d modelling for the scale of the building, and an innovative BIM/GIS integrated approach to foster innovation, promote users' collaboration and encourage communication between users. The outcomes of GAMHer are not intended to be used only by a community of Geomatics specialists, but also by a heterogeneous user community that exploit images and laser scans in their professional activities
3D photogrammetric data modeling and optimization for multipurpose analysis and representation of Cultural Heritage assets
This research deals with the issues concerning the processing, managing, representation
for further dissemination of the big amount of 3D data today achievable and storable with
the modern geomatic techniques of 3D metric survey. In particular, this thesis is focused
on the optimization process applied to 3D photogrammetric data of Cultural Heritage
assets.
Modern Geomatic techniques enable the acquisition and storage of a big amount of data,
with high metric and radiometric accuracy and precision, also in the very close range
field, and to process very detailed 3D textured models. Nowadays, the photogrammetric
pipeline has well-established potentialities and it is considered one of the principal
technique to produce, at low cost, detailed 3D textured models.
The potentialities offered by high resolution and textured 3D models is today well-known
and such representations are a powerful tool for many multidisciplinary purposes, at
different scales and resolutions, from documentation, conservation and restoration to
visualization and education. For example, their sub-millimetric precision makes them
suitable for scientific studies applied to the geometry and materials (i.e. for structural and
static tests, for planning restoration activities or for historical sources); their high fidelity
to the real object and their navigability makes them optimal for web-based visualization
and dissemination applications. Thanks to the improvement made in new visualization
standard, they can be easily used as visualization interface linking different kinds of
information in a highly intuitive way. Furthermore, many museums look today for more
interactive exhibitions that may increase the visitors’ emotions and many recent
applications make use of 3D contents (i.e. in virtual or augmented reality applications and
through virtual museums).
What all of these applications have to deal with concerns the issue deriving from the
difficult of managing the big amount of data that have to be represented and navigated.
Indeed, reality based models have very heavy file sizes (also tens of GB) that makes them
difficult to be handled by common and portable devices, published on the internet or
managed in real time applications. Even though recent advances produce more and more
sophisticated and capable hardware and internet standards, empowering the ability to
easily handle, visualize and share such contents, other researches aim at define a common
pipeline for the generation and optimization of 3D models with a reduced number of
polygons, however able to satisfy detailed radiometric and geometric requests.
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This thesis is inserted in this scenario and focuses on the 3D modeling process of
photogrammetric data aimed at their easy sharing and visualization. In particular, this
research tested a 3D models optimization, a process which aims at the generation of Low
Polygons models, with very low byte file size, processed starting from the data of High
Poly ones, that nevertheless offer a level of detail comparable to the original models. To
do this, several tools borrowed from the game industry and game engine have been used.
For this test, three case studies have been chosen, a modern sculpture of a contemporary
Italian artist, a roman marble statue, preserved in the Civic Archaeological Museum of
Torino, and the frieze of the Augustus arch preserved in the city of Susa (Piedmont-
Italy). All the test cases have been surveyed by means of a close range photogrammetric
acquisition and three high detailed 3D models have been generated by means of a
Structure from Motion and image matching pipeline. On the final High Poly models
generated, different optimization and decimation tools have been tested with the final aim
to evaluate the quality of the information that can be extracted by the final optimized
models, in comparison to those of the original High Polygon one. This study showed how
tools borrowed from the Computer Graphic offer great potentialities also in the Cultural
Heritage field. This application, in fact, may meet the needs of multipurpose and
multiscale studies, using different levels of optimization, and this procedure could be
applied to different kind of objects, with a variety of different sizes and shapes, also on
multiscale and multisensor data, such as buildings, architectural complexes, data from
UAV surveys and so on
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