Documentary production in Australia: a collection of key data

Summary HOURS PRODUCED AND PRODUCTION BUDGETS Documentary production in Australia is estimated at around 296 hours (326 commercial broadcast hours), with production costs of $62 million a year. It makes up 3 per cent of total audiovisual production in Australia. DOCUMENTARY BUDGETS Not including broadcaster-produced titles, 89 per cent of single documentaries made between 1996/97 and 2005/06 had budgets of less than$500,000, with more than half made for less than $200,000. ACTIVITY BY STATE Most documentaries (55 per cent of titles, 61 per cent of hours) are made by production companies based in NSW, followed by Victoria, Queensland and Western Australia. DOCUMENTARY FILMMAKERS There are around 400 producers, 330 directors and 300 writers currently making documentary films/programs in Australia. DOCUMENTARY FILMMAKING ACTIVITY Sixty-two per cent of documentary producers, 63 per cent of directors and 68 per cent of writers made only one documentary between 1990 and 2006, as did 63 per cent of production companies. GOVERNMENT FILM AGENCY FUNDING In the past 13 years, federal and state government agencies have provided an average$1.5 million annually for documentary development and an average $19.8 million annually for documentary production. SOURCES OF FINANCE Government sources provide the highest proportion of funding to the annual documentary slate in Australia (48.8 per cent), with broadcasters (including public broadcasters) providing 23.5 per cent and foreign finance 14.1 per cent. TV RELEASE A total of 300 hours of first-release Australian documentaries were broadcast on Australian free-to-air TV in 2006. PROGRAM SPENDING BY COMMERCIAL BROADCASTERS Australian commercial free-to-air broadcasters spent$12.4 million on Australian documentary programming in 2005/06, representing a 35.2 per cent increase on 2004/05. TOP-RATING DOCUMENTARIES ON TV On Sydney TV, the Australian documentary series RPA was either the no. 1 or no. 2 documentary overall between 1998 and 2003, while Border Security topped the national ratings for documentaries in 2005 and 2006. Other top-rating Australian documentaries in recent years include Who Killed Dr Bogle and Mrs Chandler? and episodes of Australian Story and Dynasties. TOP DOCUMENTARIES AT THE BOX OFFICE The most successful non-IMAX Australian documentary of all time at the Australian box office is Bra Boys, which has grossed $1,698,976 since its release in March 2007. DOCUMENTARIES ON VIDEO Of the top 500 documentaries sold on video in 2007, 19.2 per cent were Australian titles. FESTIVALS AND AWARDS In the ten years between 1997 and 2006, Australian documentaries won an average of 27 international awards each year, peaking at 48 in 2000

Even non-extremists get the blues: the rhetoric of copyright

The participants in this dialogue are Wendy Gordon and Lois Wasoff. Each is an intellectual property expert who has immersed herself in copyright law and policy for over twenty years. Neither sits at an extreme end of the policy spectrum, yet the two disagree over a wide range of issues. The editors of this volume thought their discussions could prove useful to others struggling with copyright dilemmas. Accordingly, Gordon and Wasoff sat down with a tape recorder for us. In edited form, their dialogue follows here

The ISCIP Analyst, Volume V, Issue 8

This repository item contains a single issue of The ISCIP Analyst, an analytical review journal published from 1996 to 2010 by the Boston University Institute for the Study of Conflict, Ideology, and Policy

The ISCIP Analyst, Volume V, Issue 8

This repository item contains a single issue of The ISCIP Analyst, an analytical review journal published from 1996 to 2010 by the Boston University Institute for the Study of Conflict, Ideology, and Policy

Spartan Daily, March 5, 2004

Volume 122, Issue 25https://scholarworks.sjsu.edu/spartandaily/9960/thumbnail.jp

Spartan Daily, March 5, 2004

Volume 122, Issue 25https://scholarworks.sjsu.edu/spartandaily/9960/thumbnail.jp