On the role of metaphor in creative cognition

Abstract. We consider some examples of creativity in a number of diverse cognitive domains like art, science, mathematics, product development, legal reasoning, etc. to articulate an operational account of creative cognition. We present a model of cognition that explains how metaphor creates new insights into an object or a situation. The model is based on assuming that cognition invariably leads to a loss of information and that metaphor can recover some of this lost information. In this model we also contrast the role of traditional analogy (mapping based on existing conceptualization) with the role of metaphor (destroying existing conceptualizations in order to create new conceptualizations)

Intelligence level and the allocation of resources for creative tasks : a pupillometry study

This pupillometry study examined the relationship between intelligence and creative cognition from the resource allocation perspective. It was hypothesized that, during a creative metaphor task, individuals with higher intelligence scores would have different resource allocation patterns than individuals with lower intelligence scores. The study also examined the influence of intelligence in language and visuo-spatial domains on the resource allocation mechanism of verbal and visual creativity. The results suggested that individuals with higher intelligence scores allocated more cognitive resources for creative tasks than those with lower intelligence scores but not for non- creative tasks. The findings of this study support the view that creativity requires allocation of several cognitive faculties and may share underlying cognitive and neural mechanisms with intelligence. Domain-specific intelligence did not seem to play a significant role in the same domain, as individuals with higher scores in both domains showed similar resource allocation patterns. However, individuals with higher intelligence scores in the visuo-spatial domain generated more creative metaphorical interpretations in both verbal and visual creative metaphor tasks suggesting its importance in creative cognition

Embodied Metaphors and Creative “Acts”

Creativity is a highly sought after skill. To inspire people’s creativity, prescriptive advice in the form of metaphors abound: We are encouraged to think outside the box, to consider the problem on one hand, then on the other hand, and to put two and two together to achieve creative breakthroughs. These metaphors suggest a connection between concrete bodily experiences and creative cognition. Inspired by recent advances on body-mind linkages under the emerging vernacular of embodied cognition, we explored for the first time whether enacting metaphors for creativity enhances creative problem-solving. In five studies, findings revealed that both physically and psychologically embodying creative metaphors promote fluency, flexibility, and/or originality in problem-solving. Going beyond prior research that focused primarily on the kind of embodiment that primes preexisting knowledge, we provide the first evidence that embodiment can also activate cognitive processes conducive for generating previously unknown ideas and connections

Metaphor. The good argument in science communication

The relation between metaphor and argumentation in science communication is becoming a crucial tool for critical metaphor studies. In this article, by means of a crossed analysis (epistemological, cognitive and linguistic), I focus especially on a peculiar dynamic of metaphor use in scientific communication showing opposite, paradoxical attitudes towards the use of metaphors, respectively, ubiquity vs. invisibility, inclination vs. resistance, deliberate vs. non-deliberate. In this way, an overall philosophical reflection about the underlying reasons for the ambivalence in the use of metaphor in scientific communication would be proposed and discussed

Abstraction as a basis for the computational interpretation of creative cross-modal metaphor

Various approaches to computational metaphor interpretation are based on pre-existing similarities between source and target domains and/or are based on metaphors already observed to be prevalent in the language. This paper addresses similarity-creating cross-modal metaphoric expressions. It is shown how the “abstract concept as object” (or reification) metaphor plays a central role in a large class of metaphoric extensions. The described approach depends on the imposition of abstract ontological components, which represent source concepts, onto target concepts. The challenge of such a system is to represent both denotative and connotative components which are extensible, together with a framework of general domains between which such extensions can conceivably occur. An existing ontology of this kind, consistent with some mathematic concepts and widely held linguistic notions, is outlined. It is suggested that the use of such an abstract representation system is well adapted to the interpretation of both conventional and unconventional metaphor that is similarity-creating

Understanding analogical reasoning : viewpoints from psychology and related disciplines

Analogy and metaphor have a long history of study in linguistics, education, philosophy and psychology. Consensus over what analogy is or how analogy functions in language and thought, however, has been elusive. This paper, the first in a two part series, examines these various research traditions, attempting to bring out major lines of agreement over the role of analogy in individual human experience. As well as being a general literature review which may be helpful for newcomers to the study of analogy, this paper attempts to extract from these literatures existing theories, models and concepts which may be interesting or useful for computational studies of analogical reasoning

Discourse metaphors: the link between figurative language and habitual analogies

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Dread Hermeneutics: Bob Marley, Paul Ricoeur and the Productive Imagination.

This article presents Paul Ricœur’s hermeneutic of the productive imagination as a methodological tool for understanding the innovative social function of texts that in exceeding their semantic meaning, iconically augment reality. Through the reasoning of Rastafari elder Mortimo Planno’s unpublished text, Rastafarian: The Earth’s Most Strangest Man, and the religious and biblical signification from the music of his most famous postulate, Bob Marley, this article applies Paul Ricœur’s schema of the religious productive imagination to conceptualize the metaphoric transfer from text to life of verbal and iconic images of Rastafari’s hermeneutic of word, sound and power. This transformation is accomplished through what Ricœur terms the phenomenology of the iconic augmentation of reality. Understanding this semantic innovation is critical to understanding the capacity of the religious imagination to transform reality as a proclamation of hope in the midst of despair