Deep Cross-Modal Correlation Learning for Audio and Lyrics in Music Retrieval

Deep cross-modal learning has successfully demonstrated excellent performance in cross-modal multimedia retrieval, with the aim of learning joint representations between different data modalities. Unfortunately, little research focuses on cross-modal correlation learning where temporal structures of different data modalities such as audio and lyrics should be taken into account. Stemming from the characteristic of temporal structures of music in nature, we are motivated to learn the deep sequential correlation between audio and lyrics. In this work, we propose a deep cross-modal correlation learning architecture involving two-branch deep neural networks for audio modality and text modality (lyrics). Data in different modalities are converted to the same canonical space where inter modal canonical correlation analysis is utilized as an objective function to calculate the similarity of temporal structures. This is the first study that uses deep architectures for learning the temporal correlation between audio and lyrics. A pre-trained Doc2Vec model followed by fully-connected layers is used to represent lyrics. Two significant contributions are made in the audio branch, as follows: i) We propose an end-to-end network to learn cross-modal correlation between audio and lyrics, where feature extraction and correlation learning are simultaneously performed and joint representation is learned by considering temporal structures. ii) As for feature extraction, we further represent an audio signal by a short sequence of local summaries (VGG16 features) and apply a recurrent neural network to compute a compact feature that better learns temporal structures of music audio. Experimental results, using audio to retrieve lyrics or using lyrics to retrieve audio, verify the effectiveness of the proposed deep correlation learning architectures in cross-modal music retrieval

Multimodal music information processing and retrieval: survey and future challenges

Towards improving the performance in various music information processing tasks, recent studies exploit different modalities able to capture diverse aspects of music. Such modalities include audio recordings, symbolic music scores, mid-level representations, motion, and gestural data, video recordings, editorial or cultural tags, lyrics and album cover arts. This paper critically reviews the various approaches adopted in Music Information Processing and Retrieval and highlights how multimodal algorithms can help Music Computing applications. First, we categorize the related literature based on the application they address. Subsequently, we analyze existing information fusion approaches, and we conclude with the set of challenges that Music Information Retrieval and Sound and Music Computing research communities should focus in the next years

Audio-Visual Embedding for Cross-Modal MusicVideo Retrieval through Supervised Deep CCA

Deep learning has successfully shown excellent performance in learning joint representations between different data modalities. Unfortunately, little research focuses on cross-modal correlation learning where temporal structures of different data modalities, such as audio and video, should be taken into account. Music video retrieval by given musical audio is a natural way to search and interact with music contents. In this work, we study cross-modal music video retrieval in terms of emotion similarity. Particularly, audio of an arbitrary length is used to retrieve a longer or full-length music video. To this end, we propose a novel audio-visual embedding algorithm by Supervised Deep CanonicalCorrelation Analysis (S-DCCA) that projects audio and video into a shared space to bridge the semantic gap between audio and video. This also preserves the similarity between audio and visual contents from different videos with the same class label and the temporal structure. The contribution of our approach is mainly manifested in the two aspects: i) We propose to select top k audio chunks by attention-based Long Short-Term Memory (LSTM)model, which can represent good audio summarization with local properties. ii) We propose an end-to-end deep model for cross-modal audio-visual learning where S-DCCA is trained to learn the semantic correlation between audio and visual modalities. Due to the lack of music video dataset, we construct 10K music video dataset from YouTube 8M dataset. Some promising results such as MAP and precision-recall show that our proposed model can be applied to music video retrieval.Comment: 8 pages, 9 figures. Accepted by ISM 201

DanceReProducer: An Automatic Mashup Music Video Generation System by Reusing Dance Video Clips on the Web

(Abstract to follow

Does My Dog ''Speak'' Like Me? The Acoustic Correlation between Pet Dogs and Their Human Owners

How hosts language influence their pets' vocalization is an interesting yet underexplored problem. This paper presents a preliminary investigation into the possible correlation between domestic dog vocal expressions and their human host's language environment. We first present a new dataset of Shiba Inu dog vocals from YouTube, which provides 7500 clean sound clips, including their contextual information of these vocals and their owner's speech clips with a carefully-designed data processing pipeline. The contextual information includes the scene category in which the vocal was recorded, the dog's location and activity. With a classification task and prominent factor analysis, we discover significant acoustic differences in the dog vocals from the two language environments. We further identify some acoustic features from dog vocalizations that are potentially correlated to their host language patterns

Role Recognition in Broadcast News Using Social Network Analysis and Duration Distribution Modeling

This paper presents two approaches for speaker role recognition in multiparty audio recordings. The experiments are performed over a corpus of 96 radio bulletins corresponding to roughly 19 hours of material. Each recording involves, on average, eleven speakers playing one among six roles belonging to a predefined set. Both proposed approaches start by segmenting automatically the recordings into single speaker segments, but perform role recognition using different techniques. The first approach is based on Social Network Analysis, the second relies on the intervention duration distribution across different speakers. The two approaches are used separately and combined and the results show that around 85 percent of the recordings time can be labeled correctly in terms of role