Enhancing Heritage fruition through 3D semantic modelling and digital tools: the INCEPTION project

The INCEPTION project, “Inclusive Cultural Heritage in Europe through 3D Semantic Modelling”, started in June 2015 and lasting four years, aims at developing advanced 3D modelling for accessing and understanding European cultural assets. One of the main challenges of the project is to close the gap between effective user experiences of Cultural Heritage via digital tools and representations, and the enrichment of the scientific knowledge. Within this framework, the INCEPTION project goals are consistently aligned while accomplishing the main objectives of accessing, understanding and strengthening European cultural heritage by means of enriched 3D models. At the end of the third year of activity, the project is now facing different challenging actions starting from already developed advancement in 3D data capturing and holistic digital documentation, under interdisciplinary and cross-cutting fields of knowledge. In this direction, the approach and the methodology for semantic organization and data management toward H-BIM modelling will be presented, as well as a preliminary nomenclature for semantic enrichment of heritage 3D models. According to the overall INCEPTION workflow, the H-BIM modelling procedure starts with documenting user needs, including experts and non-experts. The identification of the Cultural Heritage buildings semantic ontology and data structure for information catalogue will allow the integration of semantic attributes with hierarchically and mutually aggregated 3D digital geometric models for management of heritage information

Workflow for an evidence-based virtual reconstruction: the marbles of the ciborium of the early medieval Monte Sorbo church

1noThe paper presents a practical approach to define a hypothetical virtual reconstruction of the ciborium and pergola of Monte Sorbo's Church. The high accuracy of archaeological fragments, digitally acquired, allowed to hypothesize the entire sequences of decorations of architectural elements and to define their geometrical rules. Starting from the acquisition to the 3d modelling phase, the proposed virtual reconstruction combines original fragments with their lost parts modelled in a digital environment. Digital technologies offer nowadays the great possibility to visualize and understand cultural heritage in a new and attractive way. Digital models and virtual reconstructions have a key role in encouraging and promoting the development of good practices for recording, documenting, and making accessible scientific processes beyond visual appearance. The term virtual reconstruction, within the project, is used to describe a procedure that consists of making a 3D model that reproduces a digital copy of the original, assembling digitally acquired fragments with elements philologically reconstructed following the evidence-based geometrical rules. This study aims to contribute to this growing area of research by exploring possibilities on digital integration of different 3d models to re-define a visual appearance of lost architectural elements.openopenGiovannini, Elisabetta CaterinaGiovannini, Elisabetta Caterin

AUGMENTED TURIN BAROQUE ATRIA: AR EXPERIENCES FOR ENHANCING CULTURAL HERITAGE

Abstract. This paper presents the most recent developments in a project aimed to the documentation, storage and dissemination of the cultural heritage. The subject of the project are more than 70 Baroque atria in Turin, recognized by critics for their particular unitary vaulted systems Our research team is currently working on digitizing documents and studying ways to enhance and share these results through ICT. In particular, we want to explore possibilities for recognizing and tracing three-dimensional objects in augmented reality (AR) applications connected to the collected data. Recent developments in this field relate to the technology available on widespread mobile devices such as tablets and smartphones, allowing for real-time 3D scanning. Using software prototypes, we want to introduce some problems involved in integrating this technology into digital archives.</p

Information scraps: how and why information eludes our personal information management tools

In this paper we describe information scraps -- a class of personal information whose content is scribbled on Post-it notes, scrawled on corners of random sheets of paper, buried inside the bodies of e-mail messages sent to ourselves, or typed haphazardly into text files. Information scraps hold our great ideas, sketches, notes, reminders, driving directions, and even our poetry. We define information scraps to be the body of personal information that is held outside of its natural or We have much still to learn about these loose forms of information capture. Why are they so often held outside of our traditional PIM locations and instead on Post-its or in text files? Why must we sometimes go around our traditional PIM applications to hold on to our scraps, such as by e-mailing ourselves? What are information scraps' role in the larger space of personal information management, and what do they uniquely offer that we find so appealing? If these unorganized bits truly indicate the failure of our PIM tools, how might we begin to build better tools? We have pursued these questions by undertaking a study of 27 knowledge workers. In our findings we describe information scraps from several angles: their content, their location, and the factors that lead to their use, which we identify as ease of capture, flexibility of content and organization, and avilability at the time of need. We also consider the personal emotive responses around scrap management. We present a set of design considerations that we have derived from the analysis of our study results. We present our work on an application platform, jourknow, to test some of these design and usability findings