389 research outputs found

    Anti-spoofing Methods for Automatic SpeakerVerification System

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    Growing interest in automatic speaker verification (ASV)systems has lead to significant quality improvement of spoofing attackson them. Many research works confirm that despite the low equal er-ror rate (EER) ASV systems are still vulnerable to spoofing attacks. Inthis work we overview different acoustic feature spaces and classifiersto determine reliable and robust countermeasures against spoofing at-tacks. We compared several spoofing detection systems, presented so far,on the development and evaluation datasets of the Automatic SpeakerVerification Spoofing and Countermeasures (ASVspoof) Challenge 2015.Experimental results presented in this paper demonstrate that the useof magnitude and phase information combination provides a substantialinput into the efficiency of the spoofing detection systems. Also wavelet-based features show impressive results in terms of equal error rate. Inour overview we compare spoofing performance for systems based on dif-ferent classifiers. Comparison results demonstrate that the linear SVMclassifier outperforms the conventional GMM approach. However, manyresearchers inspired by the great success of deep neural networks (DNN)approaches in the automatic speech recognition, applied DNN in thespoofing detection task and obtained quite low EER for known and un-known type of spoofing attacks.Comment: 12 pages, 0 figures, published in Springer Communications in Computer and Information Science (CCIS) vol. 66

    Percepcijska utemeljenost kepstranih mjera udaljenosti za primjene u obradi govora

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    Currently, one of the most widely used distance measures in speech and speaker recognition is the Euclidean distance between mel frequency cepstral coefficients (MFCC). MFCCs are based on filter bank algorithm whose filters are equally spaced on a perceptually motivated mel frequency scale. The value of mel cepstral vector, as well as the properties of the corresponding cepstral distance, are determined by several parameters used in mel cepstral analysis. The aim of this work is to examine compatibility of MFCC measure with human perception for different values of parameters in the analysis. By analysing mel filter bank parameters it is found that filter bank with 24 bands, 220 mels bandwidth and band overlap coefficient equal and higher than one gives optimal spectral distortion (SD) distance measures. For this kind of mel filter bank, the difference between vowels can be recognised for full-length mel cepstral SD RMS measure higher than 0.4 - 0.5 dB. Further on, we will show that usage of truncated mel cepstral vector (12 coefficients) is justified for speech recognition, but may be arguable for speaker recognition. We also analysed the impact of aliasing in cepstral domain on cepstral distortion measures. The results showed high correlation of SD distances calculated from aperiodic and periodic mel cepstrum, leading to the conclusion that the impact of aliasing is generally minor. There are rare exceptions where aliasing is present, and these were also analysed.Jedna od danas najčešće korištenih mjera u automatskom prepoznavanju govora i govornika je mjera euklidske udaljenosti MFCC vektora. Algoritam za izračunavanje mel frekvencijskih kepstralnih koeficijenata zasniva se na filtarskom slogu kod kojeg su pojasi ekvidistantno raspoređeni na percepcijski motiviranoj mel skali. Na vrijednost mel kepstralnog vektora, a samim time i na svojstva kepstralne mjere udaljenosti glasova, utječe veći broj parametara sustava za kepstralnu analizu. Tema ovog rada je ispitati usklađenost MFCC mjere sa stvarnim percepcijskim razlikama za različite vrijednosti parametara analize. Analizom parametara mel filtarskog sloga utvrdili smo da filtar sa 24 pojasa, širine 220 mel-a i faktorom preklapanja filtra većim ili jednakim jedan, daje optimalne SD mjere koje se najbolje slažu s percepcijom. Za takav mel filtarski slog granica čujnosti razlike između glasova je 0.4-0.5 dB, mjereno SD RMS razlikom potpunih mel kepstralnih vektora. Također, pokazat ćemo da je korištenje mel kepstralnog vektora odrezanog na konačnu dužinu (12 koeficijenata) opravdano za prepoznavanje govora, ali da bi moglo biti upitno u primjenama prepoznavanja govornika. Analizirali smo i utjecaj preklapanja spektara u kepstralnoj domeni na mjere udaljenosti glasova. Utvrđena je izrazita koreliranost SD razlika izračunatih iz aperiodskog i periodičkog mel kepstra iz čega zaključujemo da je utjecaj preklapanja spektara generalno zanemariv. Postoje rijetke iznimke kod kojih je utjecaj preklapanja spektara prisutan, te su one posebno analizirane

    Pole-Zero modeling and its applications to speech processing

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    technical reportAutocorrelation Pole-Zero modeling identifies the parameters of a rational transfer function H(z) whose short time-lag autocorrelations either exactly match (Autocorrelation partial Realization) or closely approximate (Autocorrelation Prediction) those of a given spectrum. As a result, the spectrum of the H(z) obtained from either method approximates the gross structure of the given spectrum. Autocorrelation Partial Realization (APR) uses the Pade approximation to determine the denominator coefficients of H(z). To compute the numerator coefficients of H(z), APR uses an iterative algorithm such as Fejer's or Newton-Raphson's. In contrast, Autocorrelation Prediction (AP) uses only Linear Prediction (LP) to determine both the denominator and numerator coefficients. Therefore, once the autocorrelation function of the given spectrum is known, AP uses only linear operations and no Fourier Transformations to determine the parameters of H(z). Moreover, the resulting rational transfer function is guaranteed to be minimum phase and consequently stable . AP can also automatically determine the least (parsimonious) denominator and numerator orders required to model efficiently a given spectral envelope. A dynamic filtering process, based on Wiener filtering and Autocorrelation Prediction, was developed to suppress the background noise from degraded speech. More important, using AP, a Linear Predictive Vocoder was integrated into the so called "Pole-Zero Vocoder"(PZV). Computer simulations of both, the dynamic filtering process and the PZV were successfully used in speech processing

    Audio Deepfake Detection: A Survey

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    Audio deepfake detection is an emerging active topic. A growing number of literatures have aimed to study deepfake detection algorithms and achieved effective performance, the problem of which is far from being solved. Although there are some review literatures, there has been no comprehensive survey that provides researchers with a systematic overview of these developments with a unified evaluation. Accordingly, in this survey paper, we first highlight the key differences across various types of deepfake audio, then outline and analyse competitions, datasets, features, classifications, and evaluation of state-of-the-art approaches. For each aspect, the basic techniques, advanced developments and major challenges are discussed. In addition, we perform a unified comparison of representative features and classifiers on ASVspoof 2021, ADD 2023 and In-the-Wild datasets for audio deepfake detection, respectively. The survey shows that future research should address the lack of large scale datasets in the wild, poor generalization of existing detection methods to unknown fake attacks, as well as interpretability of detection results

    Singing information processing: techniques and applications

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    Por otro lado, se presenta un método para el cambio realista de intensidad de voz cantada. Esta transformación se basa en un modelo paramétrico de la envolvente espectral, y mejora sustancialmente la percepción de realismo al compararlo con software comerciales como Melodyne o Vocaloid. El inconveniente del enfoque propuesto es que requiere intervención manual, pero los resultados conseguidos arrojan importantes conclusiones hacia la modificación automática de intensidad con resultados realistas. Por último, se propone un método para la corrección de disonancias en acordes aislados. Se basa en un análisis de múltiples F0, y un desplazamiento de la frecuencia de su componente sinusoidal. La evaluación la ha realizado un grupo de músicos entrenados, y muestra un claro incremento de la consonancia percibida después de la transformación propuesta.La voz cantada es una componente esencial de la música en todas las culturas del mundo, ya que se trata de una forma increíblemente natural de expresión musical. En consecuencia, el procesado automático de voz cantada tiene un gran impacto desde la perspectiva de la industria, la cultura y la ciencia. En este contexto, esta Tesis contribuye con un conjunto variado de técnicas y aplicaciones relacionadas con el procesado de voz cantada, así como con un repaso del estado del arte asociado en cada caso. En primer lugar, se han comparado varios de los mejores estimadores de tono conocidos para el caso de uso de recuperación por tarareo. Los resultados demuestran que \cite{Boersma1993} (con un ajuste no obvio de parámetros) y \cite{Mauch2014}, tienen un muy buen comportamiento en dicho caso de uso dada la suavidad de los contornos de tono extraídos. Además, se propone un novedoso sistema de transcripción de voz cantada basada en un proceso de histéresis definido en tiempo y frecuencia, así como una herramienta para evaluación de voz cantada en Matlab. El interés del método propuesto es que consigue tasas de error cercanas al estado del arte con un método muy sencillo. La herramienta de evaluación propuesta, por otro lado, es un recurso útil para definir mejor el problema, y para evaluar mejor las soluciones propuestas por futuros investigadores. En esta Tesis también se presenta un método para evaluación automática de la interpretación vocal. Usa alineamiento temporal dinámico para alinear la interpretación del usuario con una referencia, proporcionando de esta forma una puntuación de precisión de afinación y de ritmo. La evaluación del sistema muestra una alta correlación entre las puntuaciones dadas por el sistema, y las puntuaciones anotadas por un grupo de músicos expertos
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