Semantic spaces revisited: investigating the performance of auto-annotation and semantic retrieval using semantic spaces

Semantic spaces encode similarity relationships between objects as a function of position in a mathematical space. This paper discusses three different formulations for building semantic spaces which allow the automatic-annotation and semantic retrieval of images. The models discussed in this paper require that the image content be described in the form of a series of visual-terms, rather than as a continuous feature-vector. The paper also discusses how these term-based models compare to the latest state-of-the-art continuous feature models for auto-annotation and retrieval

Saliency for Image Description and Retrieval

We live in a world where we are surrounded by ever increasing numbers of images. More often than not, these images have very little metadata by which they can be indexed and searched. In order to avoid information overload, techniques need to be developed to enable these image collections to be searched by their content. Much of the previous work on image retrieval has used global features such as colour and texture to describe the content of the image. However, these global features are insufficient to accurately describe the image content when different parts of the image have different characteristics. This thesis initially discusses how this problem can be circumvented by using salient interest regions to select the areas of the image that are most interesting and generate local descriptors to describe the image characteristics in that region. The thesis discusses a number of different saliency detectors that are suitable for robust retrieval purposes and performs a comparison between a number of these region detectors. The thesis then discusses how salient regions can be used for image retrieval using a number of techniques, but most importantly, two techniques inspired from the field of textual information retrieval. Using these robust retrieval techniques, a new paradigm in image retrieval is discussed, whereby the retrieval takes place on a mobile device using a query image captured by a built-in camera. This paradigm is demonstrated in the context of an art gallery, in which the device can be used to find more information about particular images. The final chapter of the thesis discusses some approaches to bridging the semantic gap in image retrieval. The chapter explores ways in which un-annotated image collections can be searched by keyword. Two techniques are discussed; the first explicitly attempts to automatically annotate the un-annotated images so that the automatically applied annotations can be used for searching. The second approach does not try to explicitly annotate images, but rather, through the use of linear algebra, it attempts to create a semantic space in which images and keywords are positioned such that images are close to the keywords that represent them within the space

Unifying Two-Stream Encoders with Transformers for Cross-Modal Retrieval

Most existing cross-modal retrieval methods employ two-stream encoders with different architectures for images and texts, \textit{e.g.}, CNN for images and RNN/Transformer for texts. Such discrepancy in architectures may induce different semantic distribution spaces and limit the interactions between images and texts, and further result in inferior alignment between images and texts. To fill this research gap, inspired by recent advances of Transformers in vision tasks, we propose to unify the encoder architectures with Transformers for both modalities. Specifically, we design a cross-modal retrieval framework purely based on two-stream Transformers, dubbed \textbf{Hierarchical Alignment Transformers (HAT)}, which consists of an image Transformer, a text Transformer, and a hierarchical alignment module. With such identical architectures, the encoders could produce representations with more similar characteristics for images and texts, and make the interactions and alignments between them much easier. Besides, to leverage the rich semantics, we devise a hierarchical alignment scheme to explore multi-level correspondences of different layers between images and texts. To evaluate the effectiveness of the proposed HAT, we conduct extensive experiments on two benchmark datasets, MSCOCO and Flickr30K. Experimental results demonstrate that HAT outperforms SOTA baselines by a large margin. Specifically, on two key tasks, \textit{i.e.}, image-to-text and text-to-image retrieval, HAT achieves 7.6\% and 16.7\% relative score improvement of Recall@1 on MSCOCO, and 4.4\% and 11.6\% on Flickr30k respectively. The code is available at \url{https://github.com/LuminosityX/HAT}.Comment: Accepted at ACM Multimedia 202

Horror image recognition based on context-aware multi-instance learning

Horror content sharing on the Web is a growing phenomenon that can interfere with our daily life and affect the mental health of those involved. As an important form of expression, horror images have their own characteristics that can evoke extreme emotions. In this paper, we present a novel context-aware multi-instance learning (CMIL) algorithm for horror image recognition. The CMIL algorithm identifies horror images and picks out the regions that cause the sensation of horror in these horror images. It obtains contextual cues among adjacent regions in an image using a random walk on a contextual graph. Borrowing the strength of the Fuzzy Support Vector Machine (FSVM), we define a heuristic optimization procedure based on the FSVM to search for the optimal classifier for the CMIL. To improve the initialization of the CMIL, we propose a novel visual saliency model based on tensor analysis. The average saliency value of each segmented region is set as its initial fuzzy membership in the CMIL. The advantage of the tensor-based visual saliency model is that it not only adaptively selects features, but also dynamically determines fusion weights for saliency value combination from different feature subspaces. The effectiveness of the proposed CMIL model is demonstrated by its use in horror image recognition on two large scale image sets collected from the Internet