1,366 research outputs found

    Evaluation of Psychoacoustic Sound Parameters for Sonification

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    Sonification designers have little theory or experimental evidence to guide the design of data-to-sound mappings. Many mappings use acoustic representations of data values which do not correspond with the listener's perception of how that data value should sound during sonification. This research evaluates data-to-sound mappings that are based on psychoacoustic sensations, in an attempt to move towards using data-to-sound mappings that are aligned with the listener's perception of the data value's auditory connotations. Multiple psychoacoustic parameters were evaluated over two experiments, which were designed in the context of a domain-specific problem - detecting the level of focus of an astronomical image through auditory display. Recommendations for designing sonification systems with psychoacoustic sound parameters are presented based on our results

    New Datasets, Models, and Optimization

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    ํ•™์œ„๋…ผ๋ฌธ(๋ฐ•์‚ฌ) -- ์„œ์šธ๋Œ€ํ•™๊ต๋Œ€ํ•™์› : ๊ณต๊ณผ๋Œ€ํ•™ ์ „๊ธฐยท์ •๋ณด๊ณตํ•™๋ถ€, 2021.8. ์†ํ˜„ํƒœ.์‚ฌ์ง„ ์ดฌ์˜์˜ ๊ถ๊ทน์ ์ธ ๋ชฉํ‘œ๋Š” ๊ณ ํ’ˆ์งˆ์˜ ๊นจ๋—ํ•œ ์˜์ƒ์„ ์–ป๋Š” ๊ฒƒ์ด๋‹ค. ํ˜„์‹ค์ ์œผ๋กœ, ์ผ์ƒ์˜ ์‚ฌ์ง„์€ ์ž์ฃผ ํ”๋“ค๋ฆฐ ์นด๋ฉ”๋ผ์™€ ์›€์ง์ด๋Š” ๋ฌผ์ฒด๊ฐ€ ์žˆ๋Š” ๋™์  ํ™˜๊ฒฝ์—์„œ ์ฐ๋Š”๋‹ค. ๋…ธ์ถœ์‹œ๊ฐ„ ์ค‘์˜ ์นด๋ฉ”๋ผ์™€ ํ”ผ์‚ฌ์ฒด๊ฐ„์˜ ์ƒ๋Œ€์ ์ธ ์›€์ง์ž„์€ ์‚ฌ์ง„๊ณผ ๋™์˜์ƒ์—์„œ ๋ชจ์…˜ ๋ธ”๋Ÿฌ๋ฅผ ์ผ์œผํ‚ค๋ฉฐ ์‹œ๊ฐ์ ์ธ ํ™”์งˆ์„ ์ €ํ•˜์‹œํ‚จ๋‹ค. ๋™์  ํ™˜๊ฒฝ์—์„œ ๋ธ”๋Ÿฌ์˜ ์„ธ๊ธฐ์™€ ์›€์ง์ž„์˜ ๋ชจ์–‘์€ ๋งค ์ด๋ฏธ์ง€๋งˆ๋‹ค, ๊ทธ๋ฆฌ๊ณ  ๋งค ํ”ฝ์…€๋งˆ๋‹ค ๋‹ค๋ฅด๋‹ค. ๊ตญ์ง€์ ์œผ๋กœ ๋ณ€ํ™”ํ•˜๋Š” ๋ธ”๋Ÿฌ์˜ ์„ฑ์งˆ์€ ์‚ฌ์ง„๊ณผ ๋™์˜์ƒ์—์„œ์˜ ๋ชจ์…˜ ๋ธ”๋Ÿฌ ์ œ๊ฑฐ๋ฅผ ์‹ฌ๊ฐํ•˜๊ฒŒ ํ’€๊ธฐ ์–ด๋ ค์šฐ๋ฉฐ ํ•ด๋‹ต์ด ํ•˜๋‚˜๋กœ ์ •ํ•ด์ง€์ง€ ์•Š์€, ์ž˜ ์ •์˜๋˜์ง€ ์•Š์€ ๋ฌธ์ œ๋กœ ๋งŒ๋“ ๋‹ค. ๋ฌผ๋ฆฌ์ ์ธ ์›€์ง์ž„ ๋ชจ๋ธ๋ง์„ ํ†ตํ•ด ํ•ด์„์ ์ธ ์ ‘๊ทผ๋ฒ•์„ ์„ค๊ณ„ํ•˜๊ธฐ๋ณด๋‹ค๋Š” ๋จธ์‹ ๋Ÿฌ๋‹ ๊ธฐ๋ฐ˜์˜ ์ ‘๊ทผ๋ฒ•์€ ์ด๋Ÿฌํ•œ ์ž˜ ์ •์˜๋˜์ง€ ์•Š์€ ๋ฌธ์ œ๋ฅผ ํ‘ธ๋Š” ๋ณด๋‹ค ํ˜„์‹ค์ ์ธ ๋‹ต์ด ๋  ์ˆ˜ ์žˆ๋‹ค. ํŠนํžˆ ๋”ฅ ๋Ÿฌ๋‹์€ ์ตœ๊ทผ ์ปดํ“จํ„ฐ ๋น„์ „ ํ•™๊ณ„์—์„œ ํ‘œ์ค€์ ์ธ ๊ธฐ๋ฒ•์ด ๋˜์–ด ๊ฐ€๊ณ  ์žˆ๋‹ค. ๋ณธ ํ•™์œ„๋…ผ๋ฌธ์€ ์‚ฌ์ง„ ๋ฐ ๋น„๋””์˜ค ๋””๋ธ”๋Ÿฌ๋ง ๋ฌธ์ œ์— ๋Œ€ํ•ด ๋”ฅ ๋Ÿฌ๋‹ ๊ธฐ๋ฐ˜ ์†”๋ฃจ์…˜์„ ๋„์ž…ํ•˜๋ฉฐ ์—ฌ๋Ÿฌ ํ˜„์‹ค์ ์ธ ๋ฌธ์ œ๋ฅผ ๋‹ค๊ฐ์ ์œผ๋กœ ๋‹ค๋ฃฌ๋‹ค. ์ฒซ ๋ฒˆ์งธ๋กœ, ๋””๋ธ”๋Ÿฌ๋ง ๋ฌธ์ œ๋ฅผ ๋‹ค๋ฃจ๊ธฐ ์œ„ํ•œ ๋ฐ์ดํ„ฐ์…‹์„ ์ทจ๋“ํ•˜๋Š” ์ƒˆ๋กœ์šด ๋ฐฉ๋ฒ•์„ ์ œ์•ˆํ•œ๋‹ค. ๋ชจ์…˜ ๋ธ”๋Ÿฌ๊ฐ€ ์žˆ๋Š” ์ด๋ฏธ์ง€์™€ ๊นจ๋—ํ•œ ์ด๋ฏธ์ง€๋ฅผ ์‹œ๊ฐ„์ ์œผ๋กœ ์ •๋ ฌ๋œ ์ƒํƒœ๋กœ ๋™์‹œ์— ์ทจ๋“ํ•˜๋Š” ๊ฒƒ์€ ์‰ฌ์šด ์ผ์ด ์•„๋‹ˆ๋‹ค. ๋ฐ์ดํ„ฐ๊ฐ€ ๋ถ€์กฑํ•œ ๊ฒฝ์šฐ ๋””๋ธ”๋Ÿฌ๋ง ์•Œ๊ณ ๋ฆฌ์ฆ˜๋“ค์„ ํ‰๊ฐ€ํ•˜๋Š” ๊ฒƒ ๋ฟ๋งŒ ์•„๋‹ˆ๋ผ ์ง€๋„ํ•™์Šต ๊ธฐ๋ฒ•์„ ๊ฐœ๋ฐœํ•˜๋Š” ๊ฒƒ๋„ ๋ถˆ๊ฐ€๋Šฅํ•ด์ง„๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ๊ณ ์† ๋น„๋””์˜ค๋ฅผ ์‚ฌ์šฉํ•˜์—ฌ ์นด๋ฉ”๋ผ ์˜์ƒ ์ทจ๋“ ํŒŒ์ดํ”„๋ผ์ธ์„ ๋ชจ๋ฐฉํ•˜๋ฉด ์‹ค์ œ์ ์ธ ๋ชจ์…˜ ๋ธ”๋Ÿฌ ์ด๋ฏธ์ง€๋ฅผ ํ•ฉ์„ฑํ•˜๋Š” ๊ฒƒ์ด ๊ฐ€๋Šฅํ•˜๋‹ค. ๊ธฐ์กด์˜ ๋ธ”๋Ÿฌ ํ•ฉ์„ฑ ๊ธฐ๋ฒ•๋“ค๊ณผ ๋‹ฌ๋ฆฌ ์ œ์•ˆํ•˜๋Š” ๋ฐฉ๋ฒ•์€ ์—ฌ๋Ÿฌ ์›€์ง์ด๋Š” ํ”ผ์‚ฌ์ฒด๋“ค๊ณผ ๋‹ค์–‘ํ•œ ์˜์ƒ ๊นŠ์ด, ์›€์ง์ž„ ๊ฒฝ๊ณ„์—์„œ์˜ ๊ฐ€๋ฆฌ์›Œ์ง ๋“ฑ์œผ๋กœ ์ธํ•œ ์ž์—ฐ์Šค๋Ÿฌ์šด ๊ตญ์†Œ์  ๋ธ”๋Ÿฌ์˜ ๋ณต์žก๋„๋ฅผ ๋ฐ˜์˜ํ•  ์ˆ˜ ์žˆ๋‹ค. ๋‘ ๋ฒˆ์งธ๋กœ, ์ œ์•ˆ๋œ ๋ฐ์ดํ„ฐ์…‹์— ๊ธฐ๋ฐ˜ํ•˜์—ฌ ์ƒˆ๋กœ์šด ๋‹จ์ผ์˜์ƒ ๋””๋ธ”๋Ÿฌ๋ง์„ ์œ„ํ•œ ๋‰ด๋Ÿด ๋„คํŠธ์›Œํฌ ๊ตฌ์กฐ๋ฅผ ์ œ์•ˆํ•œ๋‹ค. ์ตœ์ ํ™”๊ธฐ๋ฒ• ๊ธฐ๋ฐ˜ ์ด๋ฏธ์ง€ ๋””๋ธ”๋Ÿฌ๋ง ๋ฐฉ์‹์—์„œ ๋„๋ฆฌ ์“ฐ์ด๊ณ  ์žˆ๋Š” ์ ์ฐจ์  ๋ฏธ์„ธํ™” ์ ‘๊ทผ๋ฒ•์„ ๋ฐ˜์˜ํ•˜์—ฌ ๋‹ค์ค‘๊ทœ๋ชจ ๋‰ด๋Ÿด ๋„คํŠธ์›Œํฌ๋ฅผ ์„ค๊ณ„ํ•œ๋‹ค. ์ œ์•ˆ๋œ ๋‹ค์ค‘๊ทœ๋ชจ ๋ชจ๋ธ์€ ๋น„์Šทํ•œ ๋ณต์žก๋„๋ฅผ ๊ฐ€์ง„ ๋‹จ์ผ๊ทœ๋ชจ ๋ชจ๋ธ๋“ค๋ณด๋‹ค ๋†’์€ ๋ณต์› ์ •ํ™•๋„๋ฅผ ๋ณด์ธ๋‹ค. ์„ธ ๋ฒˆ์งธ๋กœ, ๋น„๋””์˜ค ๋””๋ธ”๋Ÿฌ๋ง์„ ์œ„ํ•œ ์ˆœํ™˜ ๋‰ด๋Ÿด ๋„คํŠธ์›Œํฌ ๋ชจ๋ธ ๊ตฌ์กฐ๋ฅผ ์ œ์•ˆํ•œ๋‹ค. ๋””๋ธ”๋Ÿฌ๋ง์„ ํ†ตํ•ด ๊ณ ํ’ˆ์งˆ์˜ ๋น„๋””์˜ค๋ฅผ ์–ป๊ธฐ ์œ„ํ•ด์„œ๋Š” ๊ฐ ํ”„๋ ˆ์ž„๊ฐ„์˜ ์‹œ๊ฐ„์ ์ธ ์ •๋ณด์™€ ํ”„๋ ˆ์ž„ ๋‚ด๋ถ€์ ์ธ ์ •๋ณด๋ฅผ ๋ชจ๋‘ ์‚ฌ์šฉํ•ด์•ผ ํ•œ๋‹ค. ์ œ์•ˆํ•˜๋Š” ๋‚ด๋ถ€ํ”„๋ ˆ์ž„ ๋ฐ˜๋ณต์  ์—ฐ์‚ฐ๊ตฌ์กฐ๋Š” ๋‘ ์ •๋ณด๋ฅผ ํšจ๊ณผ์ ์œผ๋กœ ํ•จ๊ป˜ ์‚ฌ์šฉํ•จ์œผ๋กœ์จ ๋ชจ๋ธ ํŒŒ๋ผ๋ฏธํ„ฐ ์ˆ˜๋ฅผ ์ฆ๊ฐ€์‹œํ‚ค์ง€ ์•Š๊ณ ๋„ ๋””๋ธ”๋Ÿฌ ์ •ํ™•๋„๋ฅผ ํ–ฅ์ƒ์‹œํ‚จ๋‹ค. ๋งˆ์ง€๋ง‰์œผ๋กœ, ์ƒˆ๋กœ์šด ๋””๋ธ”๋Ÿฌ๋ง ๋ชจ๋ธ๋“ค์„ ๋ณด๋‹ค ์ž˜ ์ตœ์ ํ™”ํ•˜๊ธฐ ์œ„ํ•ด ๋กœ์Šค ํ•จ์ˆ˜๋ฅผ ์ œ์•ˆํ•œ๋‹ค. ๊นจ๋—ํ•˜๊ณ  ๋˜๋ ทํ•œ ์‚ฌ์ง„ ํ•œ ์žฅ์œผ๋กœ๋ถ€ํ„ฐ ์ž์—ฐ์Šค๋Ÿฌ์šด ๋ชจ์…˜ ๋ธ”๋Ÿฌ๋ฅผ ๋งŒ๋“ค์–ด๋‚ด๋Š” ๊ฒƒ์€ ๋ธ”๋Ÿฌ๋ฅผ ์ œ๊ฑฐํ•˜๋Š” ๊ฒƒ๊ณผ ๋งˆ์ฐฌ๊ฐ€์ง€๋กœ ์–ด๋ ค์šด ๋ฌธ์ œ์ด๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ํ†ต์ƒ ์‚ฌ์šฉํ•˜๋Š” ๋กœ์Šค ํ•จ์ˆ˜๋กœ ์–ป์€ ๋””๋ธ”๋Ÿฌ๋ง ๋ฐฉ๋ฒ•๋“ค์€ ๋ธ”๋Ÿฌ๋ฅผ ์™„์ „ํžˆ ์ œ๊ฑฐํ•˜์ง€ ๋ชปํ•˜๋ฉฐ ๋””๋ธ”๋Ÿฌ๋œ ์ด๋ฏธ์ง€์˜ ๋‚จ์•„์žˆ๋Š” ๋ธ”๋Ÿฌ๋กœ๋ถ€ํ„ฐ ์›๋ž˜์˜ ๋ธ”๋Ÿฌ๋ฅผ ์žฌ๊ฑดํ•  ์ˆ˜ ์žˆ๋‹ค. ์ œ์•ˆํ•˜๋Š” ๋ฆฌ๋ธ”๋Ÿฌ๋ง ๋กœ์Šค ํ•จ์ˆ˜๋Š” ๋””๋ธ”๋Ÿฌ๋ง ์ˆ˜ํ–‰์‹œ ๋ชจ์…˜ ๋ธ”๋Ÿฌ๋ฅผ ๋ณด๋‹ค ์ž˜ ์ œ๊ฑฐํ•˜๋„๋ก ์„ค๊ณ„๋˜์—ˆ๋‹ค. ์ด์— ๋‚˜์•„๊ฐ€ ์ œ์•ˆํ•œ ์ž๊ธฐ์ง€๋„ํ•™์Šต ๊ณผ์ •์œผ๋กœ๋ถ€ํ„ฐ ํ…Œ์ŠคํŠธ์‹œ ๋ชจ๋ธ์ด ์ƒˆ๋กœ์šด ๋ฐ์ดํ„ฐ์— ์ ์‘ํ•˜๋„๋ก ํ•  ์ˆ˜ ์žˆ๋‹ค. ์ด๋ ‡๊ฒŒ ์ œ์•ˆ๋œ ๋ฐ์ดํ„ฐ์…‹, ๋ชจ๋ธ ๊ตฌ์กฐ, ๊ทธ๋ฆฌ๊ณ  ๋กœ์Šค ํ•จ์ˆ˜๋ฅผ ํ†ตํ•ด ๋”ฅ ๋Ÿฌ๋‹์— ๊ธฐ๋ฐ˜ํ•˜์—ฌ ๋‹จ์ผ ์˜์ƒ ๋ฐ ๋น„๋””์˜ค ๋””๋ธ”๋Ÿฌ๋ง ๊ธฐ๋ฒ•๋“ค์„ ์ œ์•ˆํ•œ๋‹ค. ๊ด‘๋ฒ”์œ„ํ•œ ์‹คํ—˜ ๊ฒฐ๊ณผ๋กœ๋ถ€ํ„ฐ ์ •๋Ÿ‰์  ๋ฐ ์ •์„ฑ์ ์œผ๋กœ ์ตœ์ฒจ๋‹จ ๋””๋ธ”๋Ÿฌ๋ง ์„ฑ๊ณผ๋ฅผ ์ฆ๋ช…ํ•œ๋‹ค.Obtaining a high-quality clean image is the ultimate goal of photography. In practice, daily photography is often taken in dynamic environments with moving objects as well as shaken cameras. The relative motion between the camera and the objects during the exposure causes motion blur in images and videos, degrading the visual quality. The degree of blur strength and the shape of motion trajectory varies by every image and every pixel in dynamic environments. The locally-varying property makes the removal of motion blur in images and videos severely ill-posed. Rather than designing analytic solutions with physical modelings, using machine learning-based approaches can serve as a practical solution for such a highly ill-posed problem. Especially, deep-learning has been the recent standard in computer vision literature. This dissertation introduces deep learning-based solutions for image and video deblurring by tackling practical issues in various aspects. First, a new way of constructing the datasets for dynamic scene deblurring task is proposed. It is nontrivial to simultaneously obtain a pair of the blurry and the sharp image that are temporally aligned. The lack of data prevents the supervised learning techniques to be developed as well as the evaluation of deblurring algorithms. By mimicking the camera image pipeline with high-speed videos, realistic blurry images could be synthesized. In contrast to the previous blur synthesis methods, the proposed approach can reflect the natural complex local blur from and multiple moving objects, varying depth, and occlusion at motion boundaries. Second, based on the proposed datasets, a novel neural network architecture for single-image deblurring task is presented. Adopting the coarse-to-fine approach that is widely used in energy optimization-based methods for image deblurring, a multi-scale neural network architecture is derived. Compared with the single-scale model with similar complexity, the multi-scale model exhibits higher accuracy and faster speed. Third, a light-weight recurrent neural network model architecture for video deblurring is proposed. In order to obtain a high-quality video from deblurring, it is important to exploit the intrinsic information in the target frame as well as the temporal relation between the neighboring frames. Taking benefits from both sides, the proposed intra-frame iterative scheme applied to the RNNs achieves accuracy improvements without increasing the number of model parameters. Lastly, a novel loss function is proposed to better optimize the deblurring models. Estimating a dynamic blur for a clean and sharp image without given motion information is another ill-posed problem. While the goal of deblurring is to completely get rid of motion blur, conventional loss functions fail to train neural networks to fulfill the goal, leaving the trace of blur in the deblurred images. The proposed reblurring loss functions are designed to better eliminate the motion blur and to produce sharper images. Furthermore, the self-supervised learning process facilitates the adaptation of the deblurring model at test-time. With the proposed datasets, model architectures, and the loss functions, the deep learning-based single-image and video deblurring methods are presented. Extensive experimental results demonstrate the state-of-the-art performance both quantitatively and qualitatively.1 Introduction 1 2 Generating Datasets for Dynamic Scene Deblurring 7 2.1 Introduction 7 2.2 GOPRO dataset 9 2.3 REDS dataset 11 2.4 Conclusion 18 3 Deep Multi-Scale Convolutional Neural Networks for Single Image Deblurring 19 3.1 Introduction 19 3.1.1 Related Works 21 3.1.2 Kernel-Free Learning for Dynamic Scene Deblurring 23 3.2 Proposed Method 23 3.2.1 Model Architecture 23 3.2.2 Training 26 3.3 Experiments 29 3.3.1 Comparison on GOPRO Dataset 29 3.3.2 Comparison on Kohler Dataset 33 3.3.3 Comparison on Lai et al. [54] dataset 33 3.3.4 Comparison on Real Dynamic Scenes 34 3.3.5 Effect of Adversarial Loss 34 3.4 Conclusion 41 4 Intra-Frame Iterative RNNs for Video Deblurring 43 4.1 Introduction 43 4.2 Related Works 46 4.3 Proposed Method 50 4.3.1 Recurrent Video Deblurring Networks 51 4.3.2 Intra-Frame Iteration Model 52 4.3.3 Regularization by Stochastic Training 56 4.4 Experiments 58 4.4.1 Datasets 58 4.4.2 Implementation details 59 4.4.3 Comparisons on GOPRO [72] dataset 59 4.4.4 Comparisons on [97] Dataset and Real Videos 60 4.5 Conclusion 61 5 Learning Loss Functions for Image Deblurring 67 5.1 Introduction 67 5.2 Related Works 71 5.3 Proposed Method 73 5.3.1 Clean Images are Hard to Reblur 73 5.3.2 Supervision from Reblurring Loss 75 5.3.3 Test-time Adaptation by Self-Supervision 76 5.4 Experiments 78 5.4.1 Effect of Reblurring Loss 78 5.4.2 Effect of Sharpness Preservation Loss 80 5.4.3 Comparison with Other Perceptual Losses 81 5.4.4 Effect of Test-time Adaptation 81 5.4.5 Comparison with State-of-The-Art Methods 82 5.4.6 Real World Image Deblurring 85 5.4.7 Combining Reblurring Loss with Other Perceptual Losses 86 5.4.8 Perception vs. Distortion Trade-Off 87 5.4.9 Visual Comparison of Loss Function 88 5.4.10 Implementation Details 89 5.4.11 Determining Reblurring Module Size 94 5.5 Conclusion 95 6 Conclusion 97 ๊ตญ๋ฌธ ์ดˆ๋ก 115 ๊ฐ์‚ฌ์˜ ๊ธ€ 117๋ฐ•

    Perceptual Image Quality Of Launch Vehicle Imaging Telescopes

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    A large fleet (in the hundreds) of high quality telescopes are used for tracking and imaging of launch vehicles during ascent from Cape Canaveral Air Force Station and Kennedy Space Center. A maintenance tool has been development for use with these telescopes. The tool requires rankings of telescope condition in terms of the ability to generate useful imagery. It is thus a case of ranking telescope conditions on the basis of the perceptual image quality of their imagery. Perceptual image quality metrics that are well-correlated to observer opinions of image quality have been available for several decades. However, these are quite limited in their applications, not being designed to compare various optical systems. The perceptual correlation of the metrics implies that a constant image quality curve (such as the boundary between two qualitative categories labeled as excellent and good) would have a constant value of the metric. This is not the case if the optical system parameters (such as object distance or aperture diameter) are varied. No published data on such direct variation is available and this dissertation presents an investigation made into the perceptual metric responses as system parameters are varied. This investigation leads to some non-intuitive conclusions. The perceptual metrics are reviewed as well as more common metrics and their inability to perform in the necessary manner for the research of interest. Perceptual test methods are also reviewed, as is the human visual system. iv Image formation theory is presented in a non-traditional form, yielding the surprising result that perceptual image quality is invariant under changes in focal length if the final displayed image remains constant. Experimental results are presented of changes in perceived image quality as aperture diameter is varied. Results are analyzed and shortcomings in the process and metrics are discussed. Using the test results, predictions are made about the form of the metric response to object distance variations, and subsequent testing was conducted to validate the predictions. The utility of the results, limitations of applicability, and the immediate ability to further generalize the results is presented

    Scene classification with respect to image quality measurements

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    Psychophysical image quality assessments have shown that subjective quality depended upon the pictorial content of the test images. This study is concerned with the nature of scene dependency, which causes problems in modeling and predicting image quality. This paper focuses on scene classification to resolve this issue and used K-means clustering to classify test scenes. The aim was to classify thirty two original test scenes that were previously used in a psychophysical investigation conducted by the authors, according to their susceptibility to sharpness and noisiness. The objective scene classification involved: 1) investigation of various scene descriptors, derived to describe properties that influence image quality, and 2) investigation of the degree of correlation between scene descriptors and scene susceptibility parameters. Scene descriptors that correlated with scene susceptibility in sharpness and in noisiness are assumed to be useful in the objective scene classification. The work successfully derived three groups of scenes. The findings indicate that there is a potential for tackling the problem of sharpness and noisiness scene susceptibility when modeling image quality. In addition, more extensive investigations of scene descriptors would be required at global and local image levels in order to achieve sufficient accuracy of objective scene classification

    Quality Assessment for CRT and LCD Color Reproduction Using a Blind Metric

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    This paper deals with image quality assessment that is capturing the focus of several research teams from academic and industrial parts. This field has an important role in various applications related to image from acquisition to projection. A large numbers of objective image quality metrics have been developed during the last decade. These metrics are more or less correlated to end-user feedback and can be separated in three categories: 1) Full Reference (FR) trying to evaluate the impairment in comparison to the reference image, 2) Reduced Reference (RR) using some features extracted from an image to represent it and compare it with the distorted one and 3) No Reference (NR) measures known as distortions such as blockiness, blurriness,. . .without the use of a reference. Unfortunately, the quality assessment community have not achieved a universal image quality model and only empiricalmodels established on psychophysical experimentation are generally used. In this paper, we focus only on the third category to evaluate the quality of CRT (Cathode Ray Tube) and LCD (Liquid Crystal Display) color reproduction where a blind metric is, based on modeling a part of the human visual system behavior. The objective results are validated by single-media and cross-media subjective tests. This allows to study the ability of simulating displays on a reference one

    Augmented reality fonts with enhanced out-of-focus text legibility

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    In augmented reality, information is often distributed between real and virtual contexts, and often appears at different distances from the viewer. This raises the issues of (1) context switching, when attention is switched between real and virtual contexts, (2) focal distance switching, when the eye accommodates to see information in sharp focus at a new distance, and (3) transient focal blur, when information is seen out of focus, during the time interval of focal distance switching. This dissertation research has quantified the impact of context switching, focal distance switching, and transient focal blur on human performance and eye fatigue in both monocular and binocular viewing conditions. Further, this research has developed a novel font that when seen out-of-focus looks sharper than standard fonts. This SharpView font promises to mitigate the effect of transient focal blur. Developing this font has required (1) mathematically modeling out-of-focus blur with Zernike polynomials, which model focal deficiencies of human vision, (2) developing a focus correction algorithm based on total variation optimization, which corrects out-of-focus blur, and (3) developing a novel algorithm for measuring font sharpness. Finally, this research has validated these fonts through simulation and optical camera-based measurement. This validation has shown that, when seen out of focus, SharpView fonts are as much as 40 to 50% sharper than standard fonts. This promises to improve font legibility in many applications of augmented reality
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