Unmasking Hybridity in Popular Performance

This paper explores cultural hybridization in popular music and the eroticization of the exotic eastern aesthetic. Using musicology and anthropology as tools, the paper examines varying perspectives of the artists, audience and marginalized groups. Although cultural appropriation has been used recently as a blanket buzzword in mainstream dialogue, it does provide a platform to discuss complex issues on gender, race and sexuality that has been muddled by colonial mentalities

Empirical Challenges in Organizational Aesthetics Research: Towards a Sensual Methodology

Despite growing scholarly interest in aesthetic dimensions of organizational life, there is a lack of literature expressly engaging with the methodological mechanics of 'doing aesthetics research'. This article addresses that gap. It begins with an overview of the conceptual idiosyncrasies of 'aesthetics' as a facet of human existence and maps out the challenges these pose for empirical research methodology. A review of methodological approaches adopted to date in empirical studies of organizational aesthetics is then presented. The remainder of the article draws on the author's experiences and suggests methods and techniques to address both conceptual and practical challenges encountered during the execution of an organizational aesthetics research project. The article calls for a firmer focus on the aesthetic experiences of organizational members in addition to those of researchers and concludes with some suggestions as to the future of such 'sensual methodologies' </jats:p

'Visibility brings with it responsibility': Using a pragmatic performance approach to explore a political philosophy of technology

With the emergence, suspicion and social acceptance of ubiquitous communications technology thoroughly plumbed and the digital age already wondering what it is going to rename itself in light of ever more fluid and complex technologies, this paper asks: what can theatre and performance provide to the production of a political philosophy of technology? Using the work of Maurice Merleau-Ponty, Michel Foucault and an analysis of a recent inter-cultural adaptation of Jean Genet's The Maids, this study examines the politics of visible theatre technologies in performance and offers a pragmatic, or instrumentalist, approach to developing a political philosophy of technology

Portfolio of compositions

This text contains a short general description of my experience at the University of Birmingham. This is an attempt to communicate how my perception in composing music has changed and evolved. The focus is to introduce briefly my experience before I arrived at the University of Birmingham, then go through all the compositions I have worked on during my PhD programme. This attempt is to explain the main processes I have used for composing, giving a wider view of the issues that I was interested in developing. Furthermore, I will consider some technical aspects with reference to facilities that the University of Birmingham offers to students. This appears to be the right opportunity for them to explore technology almost without any restrictions. I also give some information about other nonmusical issues, which I was interested in developing in order to look into personal aesthetic directions. My main reason for being at the University of Birmingham was to explore compositional processes different from my previous experiences, in order to enlarge my abilities and perspectives in music composition

Research students exhibition catalogue 2013

This exhibition catalogue showcases the work of current UCA research students at various stages of their research journey. The theme of the exhibition and the one day conference is time - place - space and through their practice the research students examine these concepts and realities