End-to-end Source Separation with Adaptive Front-Ends

Source separation and other audio applications have traditionally relied on the use of short-time Fourier transforms as a front-end frequency domain representation step. The unavailability of a neural network equivalent to forward and inverse transforms hinders the implementation of end-to-end learning systems for these applications. We present an auto-encoder neural network that can act as an equivalent to short-time front-end transforms. We demonstrate the ability of the network to learn optimal, real-valued basis functions directly from the raw waveform of a signal and further show how it can be used as an adaptive front-end for supervised source separation. In terms of separation performance, these transforms significantly outperform their Fourier counterparts. Finally, we also propose a novel source to distortion ratio based cost function for end-to-end source separation.Comment: 4 figures, 4 page

Real-time Sound Source Separation For Music Applications

Sound source separation refers to the task of extracting individual sound sources from some number of mixtures of those sound sources. In this thesis, a novel sound source separation algorithm for musical applications is presented. It leverages the fact that the vast majority of commercially recorded music since the 1950s has been mixed down for two channel reproduction, more commonly known as stereo. The algorithm presented in Chapter 3 in this thesis requires no prior knowledge or learning and performs the task of separation based purely on azimuth discrimination within the stereo field. The algorithm exploits the use of the pan pot as a means to achieve image localisation within stereophonic recordings. As such, only an interaural intensity difference exists between left and right channels for a single source. We use gain scaling and phase cancellation techniques to expose frequency dependent nulls across the azimuth domain, from which source separation and resynthesis is carried out. The algorithm is demonstrated to be state of the art in the field of sound source separation but also to be a useful pre-process to other tasks such as music segmentation and surround sound upmixing

Demucs: Deep Extractor for Music Sources with extra unlabeled data remixed

We study the problem of source separation for music using deep learning with four known sources: drums, bass, vocals and other accompaniments. State-of-the-art approaches predict soft masks over mixture spectrograms while methods working on the waveform are lagging behind as measured on the standard MusDB benchmark. Our contribution is two fold. (i) We introduce a simple convolutional and recurrent model that outperforms the state-of-the-art model on waveforms, that is, Wave-U-Net, by 1.6 points of SDR (signal to distortion ratio). (ii) We propose a new scheme to leverage unlabeled music. We train a first model to extract parts with at least one source silent in unlabeled tracks, for instance without bass. We remix this extract with a bass line taken from the supervised dataset to form a new weakly supervised training example. Combining our architecture and scheme, we show that waveform methods can play in the same ballpark as spectrogram ones