From Nascar to Cirque du Soleil: Lessons in Audience Development

Examines marketing trends and principles in entertainment and performance. Case studies include nonprofit arts organizations, mega-concert promoters, for-profit entertainment conglomerates, sports promoters and religious organizations

Symbolic capital and the production discourse of The American Music Show: a microhistory of Atlanta cable access

The American Music Show, an Atlanta cable public access television show that ran from 1981 to 2005, is not only a forgotten piece of production history but also a fertile case study. This article—situated in both local Atlanta and national cable access contexts in which the show began—uses the tools of production studies to construct a microhistory of local cable access, analyzing the hopes, ideals, ethos, and actual production practices that surrounded the show. The producers of The American Music Show refl ect on their work in the initial years of the show as creatively avant-garde but ultimately limited within the commercial structures of television. It is that tension that has enabled them to claim part of the show’s symbolic capital.Published versio

Youth Culture in Great Britain: The Effect of the Rapidly Growing Universities 1963-1968

Emerging Scholar Winner 2019: This essay focuses on the growth of higher education in Great Britain during the 1960s, specifically, the effect of the Robbins Report on the growth of the universities. The purpose of this essay is to create a correlation between the new universities in Britain and the height of youth culture in the sixties to the growing political activism and involvement of young people in Britain. The research includes what was brought to higher education by the Robbins Report, what the pop cultures and counter-cultures of the time in Britain looked like, and how youth people thrived in this culture and created a political culture that was used for activism of rights, further reflected upon in the essay. The essay, which expresses multiple opinions of historians about whether there is a correlation between new universities and youth cultures, further delves into the opportunity of new curriculum, new opportunity for women, and further expanses on youth cultures to include a sexual counter-culture and a movement of music, which helped show the difference between higher education and youth culture. The use of the differences of the two factors helps create a correlation between the mixture of university life and youth culture, that hence created a politicization of young people in Great Britain. This new political youth, driven by the new universities and sixties culture created political activism that was seen in the sixties British youth

Clubbing masculinities: Gender shifts in gay men's dance floor choreographies

This is an Author's Accepted Manuscript of an article published in Journal of Homosexuality, 58(5), 608-625, 2011 [copyright Taylor & Francis], available online at: http://www.tandfonline.com/10.1080/00918369.2011.563660This article adopts an interdisciplinary approach to understanding the intersections of gender, sexuality, and dance. It examines the expressions of sexuality among gay males through culturally popular forms of club dancing. Drawing on political and musical history, I outline an account of how gay men's gendered choreographies changed throughout the 1970s, 80s, and 90s. Through a notion of “technologies of the body,” I situate these developments in relation to cultural levels of homophobia, exploring how masculine expressions are entangled with and regulated by musical structures. My driving hypothesis is that as perceptions of cultural homophobia decrease, popular choreographies of gay men's dance have become more feminine in expression. Exploring this idea in the context of the first decade of the new millennium, I present a case study of TigerHeat, one of the largest weekly gay dance club events in the United States

From Modern Rock to Postmodern Hard Rock: Cambodian Alternative Music Voices

Cambodian modernity was driven by the political agenda of the Sihanouk government beginning in the 1950s, and Cambodian rock and roll emerged in the 1960s in step with Sihanouk\u27s ambitious national modernization project. Urban rockers were primarily upper-class male youths. In. the postcolonial era rock and roll was appropriated from abroad and given a unique Cambodian sound, while today\u27s emerging hard rock music borrows foreign sociocultural references along with the music. Postmodern Cambodia and its diaspora have seen the evolution of a more diverse music subculture of alternative voices of hard rock bands and hip-hop artists, as well as post-bourgeois and post-male singers and songwriters. Keywords: Modernity, Postmodernity, Cambodian Music, Alternative Voices, Rock, Hard roc

‘More Than Just TV’: Educational broadcasting and popular culture in South Africa

About the book: Yearbook 2002 contains research examples illustrating the role of media globalisation in children's and young people's lives in different parts of the world. The transnational media and media contents - imported television programmes, satellite TV, the Internet, video and computer games, popular music, 'global' advertising and merchandised products - are to a great extent used by children and are, as well, increasingly targeting children. What does this mean for media production? For children's cultural identity and participation in society? For digital and economic divides among children both within and between richer and poorer countries? A separate section of the book presents recent statistics on children in the world and media in the world

“Our Angel of Salvation”- Towards an Understanding of Iranian Cyberspace as an Alternative Sphere of Musical Sociality

This article explores the emergence of the internet as an alternative sphere of musical circulation, focusing on the case of Iran and specifically certain kinds of music for which the internet has become the primary arena of musical sociality, in some cases replacing its physical public presence entirely. In particular, it asks how the spaces opened up by new media technologies have shifted the conceptual boundaries between public and private. The article begins with an overview of recent scholarly work on Iranian cyberspace and on the relationship between “public” and “private,” which provide a grounding for the case examples that follow

'The Coolest Way to Watch Movie Trailers in the World': Trailers in the Digital Age

At a time of uncertainty over film and television texts being transferred online and on to portable media players, this article examines one of the few visual texts that exist comfortably on multiple screen technologies: the trailer. Adopted as an early cross-media text, the trailer now sits across cinema, television, home video, the internet, games consoles, mobile phones and iPods. Exploring the aesthetic and structural changes the trailer has undergone in its journey from the cinema to the iPod screen, the article focuses on the new mobility of these trailers, the shrinking screen size, and how audience participation with these texts has influenced both trailer production and distribution techniques. Exploring these texts, and their technological display, reveals how modern distribution techniques have created a shifting and interactive relationship between film studio and audience

Conflicts, integration, hybridization of subcultures: An ecological approach to the case of queercore

This paper investigates the case study of queercore, providing a socio-historical analysis of its subcultural production, in the terms of what Michel Foucault has called archaeology of knowledge (1969). In particular, we will focus on: the self-definition of the movement; the conflicts between the two merged worlds of punk and queer culture; the \u201cinternal-subcultural\u201d conflicts between both queercore and punk, and between queercore and gay\lesbian music culture; the political aspects of differentiation. In the conclusion, we will offer an innovative theoretical proposal about the interpretation of subcultures in ecological and semiotic terms, combining the contribution of the American sociologist Andrew Abbot and of the Russian semiologist Jurij Michajlovi\u10d Lotma