MULTIMODAL INFORMATION FUSION AND TEMPORAL INTEGRATION FOR VIOLENCE DETECTION IN MOVIES

International audienceThis paper presents a violent shots detection system that studies several methods for introducing temporal and multimodal information in the framework. It also investigates different kinds of Bayesian network structure learning algorithms for modelling these problems. The system is trained and tested using the MediaEval 2011 Affect Task corpus, which comprises of 15 Hollywood movies. It is experimentally shown that both multimodality and temporality add interesting information into the system. Moreover, the analysis of the links between the variables of the resulting graphs yields important observations about the quality of the structure learning algorithms. Overall, our best system achieved 50% false alarms and 3% missed detection, which is among the best submissions in the MediaEval campaign

Modality-Aware Contrastive Instance Learning with Self-Distillation for Weakly-Supervised Audio-Visual Violence Detection

Weakly-supervised audio-visual violence detection aims to distinguish snippets containing multimodal violence events with video-level labels. Many prior works perform audio-visual integration and interaction in an early or intermediate manner, yet overlooking the modality heterogeneousness over the weakly-supervised setting. In this paper, we analyze the modality asynchrony and undifferentiated instances phenomena of the multiple instance learning (MIL) procedure, and further investigate its negative impact on weakly-supervised audio-visual learning. To address these issues, we propose a modality-aware contrastive instance learning with self-distillation (MACIL-SD) strategy. Specifically, we leverage a lightweight two-stream network to generate audio and visual bags, in which unimodal background, violent, and normal instances are clustered into semi-bags in an unsupervised way. Then audio and visual violent semi-bag representations are assembled as positive pairs, and violent semi-bags are combined with background and normal instances in the opposite modality as contrastive negative pairs. Furthermore, a self-distillation module is applied to transfer unimodal visual knowledge to the audio-visual model, which alleviates noises and closes the semantic gap between unimodal and multimodal features. Experiments show that our framework outperforms previous methods with lower complexity on the large-scale XD-Violence dataset. Results also demonstrate that our proposed approach can be used as plug-in modules to enhance other networks. Codes are available at https://github.com/JustinYuu/MACIL_SD.Comment: ACM MM 202

Learning Weakly Supervised Audio-Visual Violence Detection in Hyperbolic Space

In recent years, the task of weakly supervised audio-visual violence detection has gained considerable attention. The goal of this task is to identify violent segments within multimodal data based on video-level labels. Despite advances in this field, traditional Euclidean neural networks, which have been used in prior research, encounter difficulties in capturing highly discriminative representations due to limitations of the feature space. To overcome this, we propose HyperVD, a novel framework that learns snippet embeddings in hyperbolic space to improve model discrimination. Our framework comprises a detour fusion module for multimodal fusion, effectively alleviating modality inconsistency between audio and visual signals. Additionally, we contribute two branches of fully hyperbolic graph convolutional networks that excavate feature similarities and temporal relationships among snippets in hyperbolic space. By learning snippet representations in this space, the framework effectively learns semantic discrepancies between violent and normal events. Extensive experiments on the XD-Violence benchmark demonstrate that our method outperforms state-of-the-art methods by a sizable margin.Comment: 8 pages, 5 figure

Audio Event Detection in Movies using Multiple Audio Words and Contextual Bayesian Networks

International audienceThis article investigates a novel use of the well known audio words representations to detect specific audio events, namely gunshots and explosions, in order to get more robustness towards soundtrack variability in Hollywood movies. An audio stream is processed as a sequence of stationary segments. Each segment is described by one or several audio words obtained by applying product quantization to standard features. Such a representation using multiple audio words constructed via product quantisation is one of the novelties described in this work. Based on this representation, Bayesian networks are used to exploit the contextual information in order to detect audio events. Experiments are performed on a comprehensive set of 15 movies, made publicly available. Results are comparable to the state of the art results obtained on the same dataset but show increased robustness to decision thresholds, however limiting the range of possible operating points in some conditions. Late fusion provides a solution to this issue

Technicolor and INRIA/IRISA at MediaEval 2011: learning temporal modality integration with Bayesian Networks

International audienceThis paper presents the work done in Technicolor and INRIA regarding the A ffect Task at MediaEval 2011. This task aims at detecting violent shots in movies. We studied a bayesian network framework, and several ways of introducing temporality and multimodality in the framework

Deep Sentiment Features of Context and Faces for Affective Video Analysis

Given the huge quantity of hours of video available on video sharing platforms such as YouTube, Vimeo, etc. development of automatic tools that help users nd videos that t their interests has attracted the attention of both scienti c and industrial communities. So far the majority of the works have addressed semantic analysis, to identify objects, scenes and events depicted in videos, but more recently a ective analysis of videos has started to gain more at- tention. In this work we investigate the use of sentiment driven features to classify the induced sentiment of a video, i.e. the senti- ment reaction of the user. Instead of using standard computer vision features such as CNN features or SIFT features trained to recognize objects and scenes, we exploit sentiment related features such as the ones provided by Deep-SentiBank [4], and features extracted from models that exploit deep networks trained on face expressions. We experiment on two recently introduced datasets: LIRIS-ACCEDE [2] and MEDIAEVAL-2015, that provide sentiment annotations of a large set of short videos. We show that our approach not only outperforms the current state-of-the-art in terms of valence and arousal classi cation accuracy, but it also uses a smaller number of features, requiring thus less video processing

Aesthetic Highlight Detection in Movies Based on Synchronization of Spectators’ Reactions.

Detection of aesthetic highlights is a challenge for understanding the affective processes taking place during movie watching. In this paper we study spectators’ responses to movie aesthetic stimuli in a social context. Moreover, we look for uncovering the emotional component of aesthetic highlights in movies. Our assumption is that synchronized spectators’ physiological and behavioral reactions occur during these highlights because: (i) aesthetic choices of filmmakers are made to elicit specific emotional reactions (e.g. special effects, empathy and compassion toward a character, etc.) and (ii) watching a movie together causes spectators’ affective reactions to be synchronized through emotional contagion. We compare different approaches to estimation of synchronization among multiple spectators’ signals, such as pairwise, group and overall synchronization measures to detect aesthetic highlights in movies. The results show that the unsupervised architecture relying on synchronization measures is able to capture different properties of spectators’ synchronization and detect aesthetic highlights based on both spectators’ electrodermal and acceleration signals. We discover that pairwise synchronization measures perform the most accurately independently of the category of the highlights and movie genres. Moreover, we observe that electrodermal signals have more discriminative power than acceleration signals for highlight detection

Spatio-temporal action localization with Deep Learning

Dissertação de mestrado em Engenharia InformáticaThe system that detects and identifies human activities are named human action recognition. On the video approach, human activity is classified into four different categories, depending on the complexity of the steps and the number of body parts involved in the action, namely gestures, actions, interactions, and activities, which is challenging for video Human action recognition to capture valuable and discriminative features because of the human body’s variations. So, deep learning techniques have provided practical applications in multiple fields of signal processing, usually surpassing traditional signal processing on a large scale. Recently, several applications, namely surveillance, human-computer interaction, and video recovery based on its content, have studied violence’s detection and recognition. In recent years there has been a rapid growth in the production and consumption of a wide variety of video data due to the popularization of high quality and relatively low-price video devices. Smartphones and digital cameras contributed a lot to this factor. At the same time, there are about 300 hours of video data updates every minute on YouTube. Along with the growing production of video data, new technologies such as video captioning, answering video surveys, and video-based activity/event detection are emerging every day. From the video input data, the detection of human activity indicates which activity is contained in the video and locates the regions in the video where the activity occurs. This dissertation has conducted an experiment to identify and detect violence with spatial action localization, adapting a public dataset for effect. The idea was used an annotated dataset of general action recognition and adapted only for violence detection.O sistema que deteta e identifica as atividades humanas é denominado reconhecimento da ação humana. Na abordagem por vídeo, a atividade humana é classificada em quatro categorias diferentes, dependendo da complexidade das etapas e do número de partes do corpo envolvidas na ação, a saber, gestos, ações, interações e atividades, o que é desafiador para o reconhecimento da ação humana do vídeo para capturar características valiosas e discriminativas devido às variações do corpo humano. Portanto, as técnicas de deep learning forneceram aplicações práticas em vários campos de processamento de sinal, geralmente superando o processamento de sinal tradicional em grande escala. Recentemente, várias aplicações, nomeadamente na vigilância, interação humano computador e recuperação de vídeo com base no seu conteúdo, estudaram a deteção e o reconhecimento da violência. Nos últimos anos, tem havido um rápido crescimento na produção e consumo de uma ampla variedade de dados de vídeo devido à popularização de dispositivos de vídeo de alta qualidade e preços relativamente baixos. Smartphones e cameras digitais contribuíram muito para esse fator. Ao mesmo tempo, há cerca de 300 horas de atualizações de dados de vídeo a cada minuto no YouTube. Junto com a produção crescente de dados de vídeo, novas tecnologias, como legendagem de vídeo, respostas a pesquisas de vídeo e deteção de eventos / atividades baseadas em vídeo estão surgindo todos os dias. A partir dos dados de entrada de vídeo, a deteção de atividade humana indica qual atividade está contida no vídeo e localiza as regiões no vídeo onde a atividade ocorre. Esta dissertação conduziu uma experiência para identificar e detetar violência com localização espacial, adaptando um dataset público para efeito. A ideia foi usada um conjunto de dados anotado de reconhecimento de ações gerais e adaptá-la apenas para deteção de violência