Science and technology roadmap for graphene, related two-dimensional crystals, and hybrid systems

We present the science and technology roadmap for graphene, related two-dimensional crystals, and hybrid systems, targeting an evolution in technology, that might lead to impacts and benefits reaching into most areas of society. This roadmap was developed within the framework of the European Graphene Flagship and outlines the main targets and research areas as best understood at the start of this ambitious project. We provide an overview of the key aspects of graphene and related materials (GRMs), ranging from fundamental research challenges to a variety of applications in a large number of sectors, highlighting the steps necessary to take GRMs from a state of raw potential to a point where they might revolutionize multiple industries. We also define an extensive list of acronyms in an effort to standardize the nomenclature in this emerging field.Peer ReviewedPostprint (published version

EVALITA Evaluation of NLP and Speech Tools for Italian - December 17th, 2020

Welcome to EVALITA 2020! EVALITA is the evaluation campaign of Natural Language Processing and Speech Tools for Italian. EVALITA is an initiative of the Italian Association for Computational Linguistics (AILC, http://www.ai-lc.it) and it is endorsed by the Italian Association for Artificial Intelligence (AIxIA, http://www.aixia.it) and the Italian Association for Speech Sciences (AISV, http://www.aisv.it)

MC 2019 Berlin Microscopy Conference - Abstracts

Das Dokument enthält die Kurzfassungen der Beiträge aller Teilnehmer an der Mikroskopiekonferenz "MC 2019", die vom 01. bis 05.09.2019, in Berlin stattfand

Proceedings of the 10th International Chemical and Biological Engineering Conference - CHEMPOR 2008

This volume contains full papers presented at the 10th International Chemical and Biological Engineering Conference - CHEMPOR 2008, held in Braga, Portugal, between September 4th and 6th, 2008.FC

Cultural Dynamics in a Globalized World

The book contains essays on current issues in arts and humanities in which peoples and cultures compete as well as collaborate in globalizing the world while maintaining their uniqueness as viewed from cross- and inter-disciplinary perspectives. The book covers areas such as literature, cultural studies, archaeology, philosophy, history, language studies, information and literacy studies, and area studies. Asia and the Pacific are the particular regions that the conference focuses on as they have become new centers of knowledge production in arts and humanities and, in the future, seem to be able to grow significantly as a major contributor of culture, science and arts to the globalized world. The book will help shed light on what arts and humanities scholars in Asia and the Pacific have done in terms of research and knowledge development, as well as the new frontiers of research that have been explored and opening up, which can connect the two regions with the rest of the globe

How not to return to normal

In a March 2020 article published in Le Monde, Bruno Latour defined the Covid-19 emergency as "the big rehearsal" for the larger disaster to come: one that extends to all forms of life on Earth. The ongoing crisis, in his eyes, becomes both a risk and an opportunity to trial and develop new action plans necessary for the continuation of life. "The pandemic is a portal," wrote author Arundhati Roy a few days later, calling for a more equitable and sustainable post-pandemic future. The pandemic is an opportunity for un-learning and changing direction, particularly in how we approach risk and disaster. The dominant narrative for politicians and the media, however, is one of “returning to normal” as soon as possible, bouncing back, relying on established models of resilience based on the management of economic risk. They are also rehearsing, or modelling, worst- or best-case scenarios. Artists, designers, and institutions are shaping discourses around the growing extinguishment of our resources, but also performing, visualising, simulating and modelling responses to possible risks and imagining resilience differently. Design and art can foster new visions, pilot new modes of communication and knowledge sharing, and drive the interdisciplinary collaborations necessary to address common issues. This panel explores ways in which art and design practices can be mobilized to transform current approaches to risk and disaster in imaginative, sustainable and equitable ways. The papers selected for this session reflect a need to reassess, reframe, and reimagine the roles of museums, art and design, and thus contribute to a space for critical reflection to inform action, strategy, and practices. It is important to remember that our fields are far from immune from being complicit in the creation and reinforcement of the kinds of inequalities and injustices that have been made even more unmistakably clear in the last year: as Sasha Costanza-Shock, author of the book Design Justice, has pointed out, designers are ‘often unwittingly reproducing the existing structure of [...] who's going to benefit the most and who's going to be harmed the most by the tools or the objects or the systems or the buildings or spaces that we're designing.’ The urge to respond in an emergency, whether it's a design challenge in the context of COVID 19 or exhibition on climate change, requires space for critical thinking, inclusive conversation and production. This necessity comes across on the three papers brought together for this panel, and in the opening presentation by Emily Candela and Francesca Cavallo

Proceedings of the 21st International Congress of Aesthetics, Possible Worlds of Contemporary Aesthetics Aesthetics Between History, Geography and Media

The Faculty of Architecture, University of Belgrade and the Society for Aesthetics of Architecture and Visual Arts of Serbia (DEAVUS) are proud to be able to organize the 21st ICA Congress on “Possible Worlds of Contemporary Aesthetics: Aesthetics Between History, Geography and Media”. We are proud to announce that we received over 500 submissions from 56 countries, which makes this Congress the greatest gathering of aestheticians in this region in the last 40 years. The ICA 2019 Belgrade aims to map out contemporary aesthetics practices in a vivid dialogue of aestheticians, philosophers, art theorists, architecture theorists, culture theorists, media theorists, artists, media entrepreneurs, architects, cultural activists and researchers in the fields of humanities and social sciences. More precisely, the goal is to map the possible worlds of contemporary aesthetics in Europe, Asia, North and South America, Africa and Australia. The idea is to show, interpret and map the unity and diverseness in aesthetic thought, expression, research, and philosophies on our shared planet. Our goal is to promote a dialogue concerning aesthetics in those parts of the world that have not been involved with the work of the International Association for Aesthetics to this day. Global dialogue, understanding and cooperation are what we aim to achieve. That said, the 21st ICA is the first Congress to highlight the aesthetic issues of marginalised regions that have not been fully involved in the work of the IAA. This will be accomplished, among others, via thematic round tables discussing contemporary aesthetics in East Africa and South America. Today, aesthetics is recognized as an important philosophical, theoretical and even scientific discipline that aims at interpreting the complexity of phenomena in our contemporary world. People rather talk about possible worlds or possible aesthetic regimes rather than a unique and consistent philosophical, scientific or theoretical discipline