Foundations and Recent Trends in Multimodal Machine Learning: Principles, Challenges, and Open Questions

Multimodal machine learning is a vibrant multi-disciplinary research field that aims to design computer agents with intelligent capabilities such as understanding, reasoning, and learning through integrating multiple communicative modalities, including linguistic, acoustic, visual, tactile, and physiological messages. With the recent interest in video understanding, embodied autonomous agents, text-to-image generation, and multisensor fusion in application domains such as healthcare and robotics, multimodal machine learning has brought unique computational and theoretical challenges to the machine learning community given the heterogeneity of data sources and the interconnections often found between modalities. However, the breadth of progress in multimodal research has made it difficult to identify the common themes and open questions in the field. By synthesizing a broad range of application domains and theoretical frameworks from both historical and recent perspectives, this paper is designed to provide an overview of the computational and theoretical foundations of multimodal machine learning. We start by defining two key principles of modality heterogeneity and interconnections that have driven subsequent innovations, and propose a taxonomy of 6 core technical challenges: representation, alignment, reasoning, generation, transference, and quantification covering historical and recent trends. Recent technical achievements will be presented through the lens of this taxonomy, allowing researchers to understand the similarities and differences across new approaches. We end by motivating several open problems for future research as identified by our taxonomy

Emotion Quantification Using Variational Quantum State Fidelity Estimation

Sentiment analysis has been instrumental in developing artificial intelligence when applied to various domains. However, most sentiments and emotions are temporal and often exist in a complex manner. Several emotions can be experienced at the same time. Instead of recognizing only categorical information about emotions, there is a need to understand and quantify the intensity of emotions. The proposed research intends to investigate a quantum-inspired approach for quantifying emotional intensities in runtime. The inspiration comes from manifesting human cognition and decision-making capabilities, which may adopt a brief explanation through quantum theory. Quantum state fidelity was used to characterize states and estimate emotion intensities rendered by subjects from the Amsterdam Dynamic Facial Expression Set (ADFES) dataset. The Quantum variational classifier technique was used to perform this experiment on the IBM Quantum Experience platform. The proposed method successfully quantifies the intensities of joy, sadness, contempt, anger, surprise, and fear emotions of labelled subjects from the ADFES dataset

Towards uncertainty-aware and label-efficient machine learning of human expressive behaviour

The ability to recognise emotional expressions from non-verbal behaviour plays a key role in human-human interaction. Endowing machines with the same ability is critical to enriching human-computer interaction. Despite receiving widespread attention so far, human-level automatic recognition of affective expressions is still an elusive task for machines. Towards improving the current state of machine learning methods applied to affect recognition, this thesis identifies two challenges: label ambiguity and label scarcity. Firstly, this thesis notes that it is difficult to establish a clear one-to-one mapping between inputs (face images or speech segments) and their target emotion labels, considering that emotion perception is inherently subjective. As a result, the problem of label ambiguity naturally arises in the manual annotations of affect. Ignoring this fundamental problem, most existing affect recognition methods implicitly assume a one-to-one input-target mapping and use deterministic function learning. In contrast, this thesis proposes to learn non-deterministic functions based on uncertainty-aware probabilistic models, as they can naturally accommodate the one-to-many input-target mapping. Besides improving the affect recognition performance, the proposed uncertainty-aware models in this thesis demonstrate three important applications: adaptive multimodal affect fusion, human-in-the-loop learning of affect, and improved performance on downstream behavioural analysis tasks like personality traits estimation. Secondly, this thesis aims to address the challenge of scarcity of affect labelled datasets, caused by the cumbersome and time-consuming nature of the affect annotation process. To this end, this thesis notes that audio and visual feature encoders used in the existing models are label-inefficient i.e. learning them requires large amounts of labelled training data. As a solution, this thesis proposes to pre-train the feature encoders using unlabelled data to make them more label-efficient i.e. using as few labelled training examples as possible to achieve good emotion recognition performance. A novel self-supervised pre-training method is proposed in this thesis by posing hand-engineered emotion features as task-specific representation learning priors. By leveraging large amounts of unlabelled audiovisual data, the proposed self-supervised pre-training method demonstrates much better label efficiency compared to the commonly employed pre-training methods

Spectators’ aesthetic experiences of sound and movement in dance performance

In this paper we present a study of spectators’ aesthetic experiences of sound and movement in live dance performance. A multidisciplinary team comprising a choreographer, neuroscientists and qualitative researchers investigated the effects of different sound scores on dance spectators. What would be the impact of auditory stimulation on kinesthetic experience and/or aesthetic appreciation of the dance? What would be the effect of removing music altogether, so that spectators watched dance while hearing only the performers’ breathing and footfalls? We investigated audience experience through qualitative research, using post-performance focus groups, while a separately conducted functional brain imaging (fMRI) study measured the synchrony in brain activity across spectators when they watched dance with sound or breathing only. When audiences watched dance accompanied by music the fMRI data revealed evidence of greater intersubject synchronisation in a brain region consistent with complex auditory processing. The audience research found that some spectators derived pleasure from finding convergences between two complex stimuli (dance and music). The removal of music and the resulting audibility of the performers’ breathing had a significant impact on spectators’ aesthetic experience. The fMRI analysis showed increased synchronisation among observers, suggesting greater influence of the body when interpreting the dance stimuli. The audience research found evidence of similar corporeally focused experience. The paper discusses possible connections between the findings of our different approaches, and considers the implications of this study for interdisciplinary research collaborations between arts and sciences

A review of affective computing: From unimodal analysis to multimodal fusion

Affective computing is an emerging interdisciplinary research field bringing together researchers and practitioners from various fields, ranging from artificial intelligence, natural language processing, to cognitive and social sciences. With the proliferation of videos posted online (e.g., on YouTube, Facebook, Twitter) for product reviews, movie reviews, political views, and more, affective computing research has increasingly evolved from conventional unimodal analysis to more complex forms of multimodal analysis. This is the primary motivation behind our first of its kind, comprehensive literature review of the diverse field of affective computing. Furthermore, existing literature surveys lack a detailed discussion of state of the art in multimodal affect analysis frameworks, which this review aims to address. Multimodality is defined by the presence of more than one modality or channel, e.g., visual, audio, text, gestures, and eye gage. In this paper, we focus mainly on the use of audio, visual and text information for multimodal affect analysis, since around 90% of the relevant literature appears to cover these three modalities. Following an overview of different techniques for unimodal affect analysis, we outline existing methods for fusing information from different modalities. As part of this review, we carry out an extensive study of different categories of state-of-the-art fusion techniques, followed by a critical analysis of potential performance improvements with multimodal analysis compared to unimodal analysis. A comprehensive overview of these two complementary fields aims to form the building blocks for readers, to better understand this challenging and exciting research field

Towards uncertainty-aware and label-efficient machine learning of human expressive behaviour

The ability to recognise emotional expressions from non-verbal behaviour plays a key role in human-human interaction. Endowing machines with the same ability is critical to enriching human-computer interaction. Despite receiving widespread attention so far, human-level automatic recognition of affective expressions is still an elusive task for machines. Towards improving the current state of machine learning methods applied to affect recognition, this thesis identifies two challenges: label ambiguity and label scarcity. Firstly, this thesis notes that it is difficult to establish a clear one-to-one mapping between inputs (face images or speech segments) and their target emotion labels, considering that emotion perception is inherently subjective. As a result, the problem of label ambiguity naturally arises in the manual annotations of affect. Ignoring this fundamental problem, most existing affect recognition methods implicitly assume a one-to-one input-target mapping and use deterministic function learning. In contrast, this thesis proposes to learn non-deterministic functions based on uncertainty-aware probabilistic models, as they can naturally accommodate the one-to-many input-target mapping. Besides improving the affect recognition performance, the proposed uncertainty-aware models in this thesis demonstrate three important applications: adaptive multimodal affect fusion, human-in-the-loop learning of affect, and improved performance on downstream behavioural analysis tasks like personality traits estimation. Secondly, this thesis aims to address the challenge of scarcity of affect labelled datasets, caused by the cumbersome and time-consuming nature of the affect annotation process. To this end, this thesis notes that audio and visual feature encoders used in the existing models are label-inefficient i.e. learning them requires large amounts of labelled training data. As a solution, this thesis proposes to pre-train the feature encoders using unlabelled data to make them more label-efficient i.e. using as few labelled training examples as possible to achieve good emotion recognition performance. A novel self-supervised pre-training method is proposed in this thesis by posing hand-engineered emotion features as task-specific representation learning priors. By leveraging large amounts of unlabelled audiovisual data, the proposed self-supervised pre-training method demonstrates much better label efficiency compared to the commonly employed pre-training methods

Audio-coupled video content understanding of unconstrained video sequences

Unconstrained video understanding is a difficult task. The main aim of this thesis is to recognise the nature of objects, activities and environment in a given video clip using both audio and video information. Traditionally, audio and video information has not been applied together for solving such complex task, and for the first time we propose, develop, implement and test a new framework of multi-modal (audio and video) data analysis for context understanding and labelling of unconstrained videos. The framework relies on feature selection techniques and introduces a novel algorithm (PCFS) that is faster than the well-established SFFS algorithm. We use the framework for studying the benefits of combining audio and video information in a number of different problems. We begin by developing two independent content recognition modules. The first one is based on image sequence analysis alone, and uses a range of colour, shape, texture and statistical features from image regions with a trained classifier to recognise the identity of objects, activities and environment present. The second module uses audio information only, and recognises activities and environment. Both of these approaches are preceded by detailed pre-processing to ensure that correct video segments containing both audio and video content are present, and that the developed system can be made robust to changes in camera movement, illumination, random object behaviour etc. For both audio and video analysis, we use a hierarchical approach of multi-stage classification such that difficult classification tasks can be decomposed into simpler and smaller tasks. When combining both modalities, we compare fusion techniques at different levels of integration and propose a novel algorithm that combines advantages of both feature and decision-level fusion. The analysis is evaluated on a large amount of test data comprising unconstrained videos collected for this work. We finally, propose a decision correction algorithm which shows that further steps towards combining multi-modal classification information effectively with semantic knowledge generates the best possible results

Multi-Sensory Emotion Recognition with Speech and Facial Expression

Emotion plays an important role in human beings’ daily lives. Understanding emotions and recognizing how to react to others’ feelings are fundamental to engaging in successful social interactions. Currently, emotion recognition is not only significant in human beings’ daily lives, but also a hot topic in academic research, as new techniques such as emotion recognition from speech context inspires us as to how emotions are related to the content we are uttering. The demand and importance of emotion recognition have highly increased in many applications in recent years, such as video games, human computer interaction, cognitive computing, and affective computing. Emotion recognition can be done from many sources including text, speech, hand, and body gesture as well as facial expression. Presently, most of the emotion recognition methods only use one of these sources. The emotion of human beings changes every second and using a single way to process the emotion recognition may not reflect the emotion correctly. This research is motivated by the desire to understand and evaluate human beings’ emotion from multiple ways such as speech and facial expressions. In this dissertation, multi-sensory emotion recognition has been exploited. The proposed framework can recognize emotion from speech, facial expression, and both of them. There are three important parts in the design of the system: the facial emotion recognizer, the speech emotion recognizer, and the information fusion. The information fusion part uses the results from the speech emotion recognition and facial emotion recognition. Then, a novel weighted method is used to integrate the results, and a final decision of the emotion is given after the fusion. The experiments show that with the weighted fusion methods, the accuracy can be improved to an average of 3.66% compared to fusion without adding weight. The improvement of the recognition rate can reach 18.27% and 5.66% compared to the speech emotion recognition and facial expression recognition, respectively. By improving the emotion recognition accuracy, the proposed multi-sensory emotion recognition system can help to improve the naturalness of human computer interaction

Multi-Sensory Emotion Recognition with Speech and Facial Expression

Emotion plays an important role in human beings’ daily lives. Understanding emotions and recognizing how to react to others’ feelings are fundamental to engaging in successful social interactions. Currently, emotion recognition is not only significant in human beings’ daily lives, but also a hot topic in academic research, as new techniques such as emotion recognition from speech context inspires us as to how emotions are related to the content we are uttering. The demand and importance of emotion recognition have highly increased in many applications in recent years, such as video games, human computer interaction, cognitive computing, and affective computing. Emotion recognition can be done from many sources including text, speech, hand, and body gesture as well as facial expression. Presently, most of the emotion recognition methods only use one of these sources. The emotion of human beings changes every second and using a single way to process the emotion recognition may not reflect the emotion correctly. This research is motivated by the desire to understand and evaluate human beings’ emotion from multiple ways such as speech and facial expressions. In this dissertation, multi-sensory emotion recognition has been exploited. The proposed framework can recognize emotion from speech, facial expression, and both of them. There are three important parts in the design of the system: the facial emotion recognizer, the speech emotion recognizer, and the information fusion. The information fusion part uses the results from the speech emotion recognition and facial emotion recognition. Then, a novel weighted method is used to integrate the results, and a final decision of the emotion is given after the fusion. The experiments show that with the weighted fusion methods, the accuracy can be improved to an average of 3.66% compared to fusion without adding weight. The improvement of the recognition rate can reach 18.27% and 5.66% compared to the speech emotion recognition and facial expression recognition, respectively. By improving the emotion recognition accuracy, the proposed multi-sensory emotion recognition system can help to improve the naturalness of human computer interaction