Materials and production methods in 17th century portuguese illuminated cartography: a study of the maps in António Bocarro's "Book of the Plans of all Fortresses, Towns and Villages of the East Indies"

This thesis presents an interdisciplinary, multianalytical investigation of the early 17th-century illuminated maps of Pedro Baretto de Resende in the Antonio Bocarro’s Livro das plantas de todas as fortalezas, a codex made in Goa and currently housed at the Biblioteca Pública de Évora in Portugal. The work addresses previously unexplored aspects of the maps, including issues of authorship, the possibility of cross-cultural collaboration during their production, and the way their design and use of map signs depict late-stage empire. Using technical photography, FORS, h-XRF, Raman microscopy, μ-FT-IR, LC-DAD-MS, and vp-SEM-EDS, the maps’ materials and production methods were revealed and contextualized. The results are relevant to research concerning the connections between decorative cartography, economic and social history, and fine art. In addition, the findings contribute to the small but growing literature on the material characteristics of cartographic works. Finally, the work suggests a more holistic approach to the study of maps; RESUMO: Nesta tese é apresentada uma investigação interdisciplinar e multi-analítica dos mapas iluminados datados do início do século XVII de Pedro Baretto Resende no Livro de plantas de todas as fortalezas de António Bocarro, um códice produzido em Goa e que pode ser encontrado na Biblioteca Pública de Évora. O trabalho aborda aspectos anteriormente inexplorados destes mapas, incluindo questões de autoria, a possibilidade de colaboração intercultural durante sua produção e a forma como o design e o uso de sinalética são influenciados por um império em decadência. Usando técnicas de fotografia, FORS, FRX, microscopia Raman, micro-IV-TF, LC-DAD-MS e MEV-EDS, os materiais e métodos de produção dos mapas foram revelados e contextualizados. Os resultados são relevantes para o estudo das relações entre a cartografia decorativa, a económica e a história social, e as belas artes. Esta tese sugere ainda uma abordagem mais holística ao estudo de obras cartográficas

The Sheremetevs and the Argunovs: Art, Serfdom, and Enlightenment in Eighteenth-Century Russia

This dissertation studies a case of Enlightenment art created in feudal conditions of servitude. The Sheremetevs, one of the richest and most powerful families in eighteenth-century Russia, had some of their hundreds of thousands of serfs trained as painters, architects, opera singers, and musicians. Two of these serfs, Ivan and Nikolai Argunov, became successful portraitists who painted a range of sitters from Empresses to fellow serfs. Tensions between social rank and individuality, already a preoccupation for eighteenth-century portrait painters, became particularly pronounced in this situation. While recent scholarship has focused on the Argunovs' cosmopolitan influences, their paintings of fellow serfs and others of low rank are sometimes visually and iconographically distinct from their usual output. This category of portrait, this dissertation argues, should be considered within the context of the other artistic projects of the Sheremetev household. Despite strong Western European influences on the Argunovs, the painters were also exposed to extremely personal and local precedents. These include earlier portraits, garden prints, an atlas project, the Sheremetevs' many collections, and operas staged by the family's renowned serf theater. Working within this visual environment, Ivan and Nikolai Argunov painted their subjects in intricately allusive ways. Their portraits represented and negotiated the complications of serfdom in a setting where unusual social change was possible

Animal ethics and contemporary art:an exploration of the intersections between ethics and aesthetics, humans and animals, human and animal injustices

This research provides artistic interventions into the question of institutionalised violence against animals. With a relational and holistic vision in mind, this artistic enquiry explores the intersections between ethics and aesthetics, humans and animals, human and animal injustices. It is dualistic and anthropocentric thinking that underlies both human and animal oppression. A Derridean approach invites us to think about the shared vulnerability among all beings through the presence of the animal other, calling our infinite responsibility towards the animal and dismantling entwined dualisms. With regard and respect, we are encouraged to appreciate the animal as a singular, specific, valuable being, rather than a predetermined, dualistic category. Formally and conceptually informed by contemporary art addressing both human and animal oppression, this enquiry critically reflects on the invisibility of violence towards animals which contributes collective ignorance and indifference to animal suffering. Translating the testimony of animal’s plight into poetic representation, I propose three pieces of large-scale, mixed-media installation works, combining aesthetic elements such as paintings, feathers, fabrics, lights, spaces, and audience experiences to confront the viewer with this question. In so doing, I believe that the poetics of art has the potential of transforming public consciousness of thinking about animals in non-binary and non-instrumental terms

Antiquity and Empire: The Construction of History in Western European Representations of the Ottoman Empire, 1650-1830

European interest in antiquities, particularly those associated with the Greco-Roman past or biblical geography, flourished in the early modern period. Travelers, as well as merchants and diplomats, increasingly sought out new sites in Anatolia and the Middle East wherein to study, draw, and collect a variety of ancient objects, from small coins and sculptural fragments to monumental architecture. Beginning with sixteenth-century Ottoman expansion into Attica and Syria and ending with the French and British excavations near Mosul in the 1840s, this dissertation examines how Europeans and Ottomans represented and claimed antiquity at Palmyra (Tadmor), Aleppo, Nineveh (Mosul), and Athens using images, texts, and collections. Although each chapter focuses on a specific site, the project conceptualizes Palmyra, Aleppo, Nineveh, and Athens as physical and discursive nodes in unwieldy antiquarian, mercantile, and political networks. Tracing the movement of individuals and objects through these networks is central to understanding how ideas about antiquity circulated in this period. By incorporating the sites’ ancient cultural heritage into their own narratives about the past, both materially and discursively, early modern artists, authors, and collectors justified European and Ottoman imperial claims to antiquities and the sites themselves. The first chapter on Palmyra examines visual and textual accounts created after Europeans “rediscovered” the desert city’s monumental classical architecture in the late seventeenth century. Chapter two analyzes the construction of Aleppo as a place of mercantile and cultural exchange in early modern art, architecture, travel literature, and collections. The third chapter proposes that Nineveh and Mosul were particularly flexible as formal and historical signs before the nineteenth-century excavations of Assyrian art and architecture. Chapter four argues early modern Athens functioned as a physical and discursive battleground over Hellenic antiquity because Europeans and Ottomans both creatively integrated the city’s ancient monuments into their own nationalistic narratives and religious practices. Lastly, the conclusion addresses how the images and objects considered in the project continue to inform current representations of and debates about ancient cultural heritage—both material and intangible—in Greece, Turkey, Syria, and Iraq.Doctor of Philosoph

TECHNART 2017. Non-destructive and microanalytical techniques in art and cultural heritage. Book of abstracts

440 p.TECHNART2017 is the international biannual congress on the application of Analytical Techniques in Art and Cultural Heritage. The aim of this European conference is to provide a scientific forum to present and promote the use of analytical spectroscopic techniques in cultural heritage on a worldwide scale to stimulate contacts and exchange experiences, making a bridge between science and art. This conference builds on the momentum of the previous TECHNART editions of Lisbon, Athens, Berlin, Amsterdam and Catania, offering an outstanding and unique opportunity for exchanging knowledge on leading edge developments. Cultural heritage studies are interpreted in a broad sense, including pigments, stones, metal, glass, ceramics, chemometrics on artwork studies, resins, fibers, forensic applications in art, history, archaeology and conservation science. The meeting is focused in different aspects: - X-ray analysis (XRF, PIXE, XRD, SEM-EDX). - Confocal X-ray microscopy (3D Micro-XRF, 3D Micro-PIXE). - Synchrotron, ion beam and neutron based techniques/instrumentation. - FT-IR and Raman spectroscopy. - UV-Vis and NIR absorption/reflectance and fluorescence. - Laser-based analytical techniques (LIBS, etc.). - Magnetic resonance techniques. - Chromatography (GC, HPLC) and mass spectrometry. - Optical imaging and coherence techniques. - Mobile spectrometry and remote sensing

Textile Society of America- Seventh Biennial Symposium 2000 WHOLE ISSUE

Approaching Textiles, Varying Viewpoints Proceedings of the Seventh Biennial Symposium of the Textile Society of America Santa Fe, New Mexico 2000 The papers are unedited and reproduced as submitted. No part of this book may be reproduced in any form or by any means without written permission from the author. Students and researchers wishing to cite specific authors are encouraged to contact those individuals, as many of these papers represent work in progress, or work which has been committed for publication elsewhere. Contents Prefac

1971-1973 Catalog

This catalog lists available courses for the 1971-1972 and 1972-1973 terms. It also lists trustees, officers, faculty, scholarships, and other information about the College of the Holy Cross. An addendum was created for Volume 67, which is included as a supplemental file.https://crossworks.holycross.edu/course_catalog/1097/thumbnail.jp