24,588 research outputs found
Performance Studies of Bulk Micromegas of Different Design Parameters
The present work involves the comparison of various bulk Micromegas detectors
having different design parameters. Six detectors with amplification gaps of
and mesh hole pitch of were tested at room temperature and normal gas pressure. Two
setups were built to evaluate the effect of the variation of the amplification
gap and mesh hole pitch on different detector characteristics. The gain, energy
resolution and electron transmission of these Micromegas detectors were
measured in Argon-Isobutane (90:10) gas mixture while the measurements of the
ion backflow were carried out in P10 gas. These measured characteristics have
been compared in detail to the numerical simulations using the Garfield
framework that combines packages such as neBEM, Magboltz and Heed.Comment: arXiv admin note: text overlap with arXiv:1605.0289
Deep Learning Techniques for Music Generation -- A Survey
This paper is a survey and an analysis of different ways of using deep
learning (deep artificial neural networks) to generate musical content. We
propose a methodology based on five dimensions for our analysis:
Objective - What musical content is to be generated? Examples are: melody,
polyphony, accompaniment or counterpoint. - For what destination and for what
use? To be performed by a human(s) (in the case of a musical score), or by a
machine (in the case of an audio file).
Representation - What are the concepts to be manipulated? Examples are:
waveform, spectrogram, note, chord, meter and beat. - What format is to be
used? Examples are: MIDI, piano roll or text. - How will the representation be
encoded? Examples are: scalar, one-hot or many-hot.
Architecture - What type(s) of deep neural network is (are) to be used?
Examples are: feedforward network, recurrent network, autoencoder or generative
adversarial networks.
Challenge - What are the limitations and open challenges? Examples are:
variability, interactivity and creativity.
Strategy - How do we model and control the process of generation? Examples
are: single-step feedforward, iterative feedforward, sampling or input
manipulation.
For each dimension, we conduct a comparative analysis of various models and
techniques and we propose some tentative multidimensional typology. This
typology is bottom-up, based on the analysis of many existing deep-learning
based systems for music generation selected from the relevant literature. These
systems are described and are used to exemplify the various choices of
objective, representation, architecture, challenge and strategy. The last
section includes some discussion and some prospects.Comment: 209 pages. This paper is a simplified version of the book: J.-P.
Briot, G. Hadjeres and F.-D. Pachet, Deep Learning Techniques for Music
Generation, Computational Synthesis and Creative Systems, Springer, 201
Multimodal music information processing and retrieval: survey and future challenges
Towards improving the performance in various music information processing
tasks, recent studies exploit different modalities able to capture diverse
aspects of music. Such modalities include audio recordings, symbolic music
scores, mid-level representations, motion, and gestural data, video recordings,
editorial or cultural tags, lyrics and album cover arts. This paper critically
reviews the various approaches adopted in Music Information Processing and
Retrieval and highlights how multimodal algorithms can help Music Computing
applications. First, we categorize the related literature based on the
application they address. Subsequently, we analyze existing information fusion
approaches, and we conclude with the set of challenges that Music Information
Retrieval and Sound and Music Computing research communities should focus in
the next years
Restructurable Controls
Restructurable control system theory, robust reconfiguration for high reliability and survivability for advanced aircraft, restructurable controls problem definition and research, experimentation, system identification methods applied to aircraft, a self-repairing digital flight control system, and state-of-the-art theory application are addressed
Belle II Technical Design Report
The Belle detector at the KEKB electron-positron collider has collected
almost 1 billion Y(4S) events in its decade of operation. Super-KEKB, an
upgrade of KEKB is under construction, to increase the luminosity by two orders
of magnitude during a three-year shutdown, with an ultimate goal of 8E35 /cm^2
/s luminosity. To exploit the increased luminosity, an upgrade of the Belle
detector has been proposed. A new international collaboration Belle-II, is
being formed. The Technical Design Report presents physics motivation, basic
methods of the accelerator upgrade, as well as key improvements of the
detector.Comment: Edited by: Z. Dole\v{z}al and S. Un
Idealized computational models for auditory receptive fields
This paper presents a theory by which idealized models of auditory receptive
fields can be derived in a principled axiomatic manner, from a set of
structural properties to enable invariance of receptive field responses under
natural sound transformations and ensure internal consistency between
spectro-temporal receptive fields at different temporal and spectral scales.
For defining a time-frequency transformation of a purely temporal sound
signal, it is shown that the framework allows for a new way of deriving the
Gabor and Gammatone filters as well as a novel family of generalized Gammatone
filters, with additional degrees of freedom to obtain different trade-offs
between the spectral selectivity and the temporal delay of time-causal temporal
window functions.
When applied to the definition of a second-layer of receptive fields from a
spectrogram, it is shown that the framework leads to two canonical families of
spectro-temporal receptive fields, in terms of spectro-temporal derivatives of
either spectro-temporal Gaussian kernels for non-causal time or the combination
of a time-causal generalized Gammatone filter over the temporal domain and a
Gaussian filter over the logspectral domain. For each filter family, the
spectro-temporal receptive fields can be either separable over the
time-frequency domain or be adapted to local glissando transformations that
represent variations in logarithmic frequencies over time. Within each domain
of either non-causal or time-causal time, these receptive field families are
derived by uniqueness from the assumptions.
It is demonstrated how the presented framework allows for computation of
basic auditory features for audio processing and that it leads to predictions
about auditory receptive fields with good qualitative similarity to biological
receptive fields measured in the inferior colliculus (ICC) and primary auditory
cortex (A1) of mammals.Comment: 55 pages, 22 figures, 3 table
Modelling Instrumental Gestures and Techniques: A Case Study of Piano Pedalling
PhD ThesisIn this thesis we propose a bottom-up approach for modelling instrumental gestures and techniques, using piano pedalling as a case study. Pedalling gestures play a vital role in expressive piano performance. They can be categorised into di erent pedalling techniques. We propose several methods for the indirect acquisition of sustain-pedal techniques using audio signal analyses, complemented by the direct measurement of gestures with sensors. A novel measurement system is rst developed to synchronously collect pedalling gestures and piano sound. Recognition of pedalling techniques starts by using the gesture data. This yields high accuracy and facilitates the construction of a ground truth dataset for evaluating the audio-based pedalling detection algorithms. Studies in the audio domain rely on the knowledge of piano acoustics and physics. New audio features are designed through the analysis of isolated notes with di erent pedal e ects. The features associated with a measure of sympathetic resonance are used together with a machine learning classi er to detect the presence of legato-pedal onset in the recordings from a speci c piano. To generalise the detection, deep learning methods are proposed and investigated. Deep Neural Networks are trained using a large synthesised dataset obtained through a physical-modelling synthesiser for feature learning. Trained models serve as feature extractors for frame-wise sustain-pedal detection from acoustic piano recordings in a proposed transfer learning framework. Overall, this thesis demonstrates that recognising sustain-pedal techniques is possible to a high degree of accuracy using sensors and also from audio recordings alone. As the rst study that undertakes pedalling technique detection in real-world piano performance, it complements piano transcription methods. Moreover, the underlying relations between pedalling gestures, piano acoustics and audio features are identi ed. The varying e ectiveness of the presented features and models can also be explained by di erences in pedal use between composers and musical eras
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