LEARNING TO RIG CHARACTERS

With the emergence of 3D virtual worlds, 3D social media, and massive online games, the need for diverse, high-quality, animation-ready characters and avatars is greater than ever. To animate characters, artists hand-craft articulation structures, such as animation skeletons and part deformers, which require significant amount of manual and laborious interaction with 2D/3D modeling interfaces. This thesis presents deep learning methods that are able to significantly automate the process of character rigging. First, the thesis introduces RigNet, a method capable of predicting an animation skeleton for an input static 3D shape in the form of a polygon mesh. The predicted skeletons match the animator expectations in joint placement and topology. RigNet also estimates surface skin weights which determine how the mesh is animated given the different skeletal poses. In contrast to prior work that fits pre-defined skeletal templates with hand-tuned objectives, RigNet is able to automatically rig diverse characters, such as humanoids, quadrupeds, toys, birds, with varying articulation structure and geometry. RigNet is based on a deep neural architecture that directly operates on the mesh representation. The architecture is trained on a diverse dataset of rigged models that we mined online and curated. The dataset includes 2.7K polygon meshes, along with their associated skeletons and corresponding skin weights. Second, the thesis introduces Morig, a method that automatically rigs character meshes driven by single-view point cloud streams capturing the motion of performing characters. Compared to RigNet, MoRig\u27s rigging is \emph{motion-aware}: its neural network encodes motion cues from the point clouds into compact feature representations that are informative about the articulated parts of the performing character. These motion-aware features guide the inference of an appropriate skeletal rig for the input mesh. Furthermore, Morig is able to animate the rig according to the captured point cloud motion. Morig can handle diverse characters with different morphologies (e.g., humanoids, quadrupeds, toy characters). It also accounts for occluded regions in the point clouds and mismatches in the part proportions between the input mesh and captured character. Third, the thesis introduces APES, a method that takes as input 2D raster images depicting a small set of poses of a character shown in a sprite sheet, and identifies articulated parts useful for rigging the character. APES uses a combination of neural network inference and integer linear programming to identify a compact set of articulated body parts, e.g. head, torso and limbs, that best reconstruct the input poses. Compared to Morig and RigNet that require a large collection of training models with associated skeletons and skinning weights, APES\u27 neural architecture relies on less effortful supervision from (i) pixel correspondences readily available in existing large cartoon image datasets (e.g., Creative Flow), (ii) a relatively small dataset of 57 cartoon characters segmented into moving parts. Finally, the thesis discusses future research directions related to combining neural rigging with 3D and 4D reconstruction of characters from point cloud data and 2D video as well as automating the process of motion synthesis for 3D characters

Image-based rendering and synthesis

Multiview imaging (MVI) is currently the focus of some research as it has a wide range of applications and opens up research in other topics and applications, including virtual view synthesis for three-dimensional (3D) television (3DTV) and entertainment. However, a large amount of storage is needed by multiview systems and are difficult to construct. The concept behind allowing 3D scenes and objects to be visualized in a realistic way without full 3D model reconstruction is image-based rendering (IBR). Using images as the primary substrate, IBR has many potential applications including for video games, virtual travel and others. The technique creates new views of scenes which are reconstructed from a collection of densely sampled images or videos. The IBR concept has different classification such as knowing 3D models and the lighting conditions and be rendered using conventional graphic techniques. Another is lightfield or lumigraph rendering which depends on dense sampling with no or very little geometry for rendering without recovering the exact 3D-models.published_or_final_versio

Temporally Coherent Video Stylization

International audienceThe transformation of video clips into stylized animations remains an active research topic in Computer Graphics. A key challenge is to reproduce the look of traditional artistic styles whilst minimizing distracting flickering and sliding artifacts; i.e. with temporal coherence. This chapter surveys the spectrum of available video stylization techniques, focusing on algorithms encouraging the temporally coherent placement of rendering marks, and discusses the trade-offs necessary to achieve coherence. We begin with flow-based adaptations of stroke based rendering (SBR) and texture advection capable of painting video. We then chart the development of the field, and its fusion with Computer Vision, to deliver coherent mid-level scene representations. These representations enable the rotoscoping of rendering marks on to temporally coherent video regions, enhancing the diversity and temporal coherence of stylization. In discussing coherence, we formalize the problem of temporal coherence in terms of three defined criteria, and compare and contrast video stylization using these

Colour videos with depth : acquisition, processing and evaluation

The human visual system lets us perceive the world around us in three dimensions by integrating evidence from depth cues into a coherent visual model of the world. The equivalent in computer vision and computer graphics are geometric models, which provide a wealth of information about represented objects, such as depth and surface normals. Videos do not contain this information, but only provide per-pixel colour information. In this dissertation, I hence investigate a combination of videos and geometric models: videos with per-pixel depth (also known as RGBZ videos). I consider the full life cycle of these videos: from their acquisition, via filtering and processing, to stereoscopic display. I propose two approaches to capture videos with depth. The first is a spatiotemporal stereo matching approach based on the dual-cross-bilateral grid – a novel real-time technique derived by accelerating a reformulation of an existing stereo matching approach. This is the basis for an extension which incorporates temporal evidence in real time, resulting in increased temporal coherence of disparity maps – particularly in the presence of image noise. The second acquisition approach is a sensor fusion system which combines data from a noisy, low-resolution time-of-flight camera and a high-resolution colour video camera into a coherent, noise-free video with depth. The system consists of a three-step pipeline that aligns the video streams, efficiently removes and fills invalid and noisy geometry, and finally uses a spatiotemporal filter to increase the spatial resolution of the depth data and strongly reduce depth measurement noise. I show that these videos with depth empower a range of video processing effects that are not achievable using colour video alone. These effects critically rely on the geometric information, like a proposed video relighting technique which requires high-quality surface normals to produce plausible results. In addition, I demonstrate enhanced non-photorealistic rendering techniques and the ability to synthesise stereoscopic videos, which allows these effects to be applied stereoscopically. These stereoscopic renderings inspired me to study stereoscopic viewing discomfort. The result of this is a surprisingly simple computational model that predicts the visual comfort of stereoscopic images. I validated this model using a perceptual study, which showed that it correlates strongly with human comfort ratings. This makes it ideal for automatic comfort assessment, without the need for costly and lengthy perceptual studies

Improving the Tractography Pipeline: on Evaluation, Segmentation, and Visualization

Recent advances in tractography allow for connectomes to be constructed in vivo. These have applications for example in brain tumor surgery and understanding of brain development and diseases. The large size of the data produced by these methods lead to a variety problems, including how to evaluate tractography outputs, development of faster processing algorithms for tractography and clustering, and the development of advanced visualization methods for verification and exploration. This thesis presents several advances in these fields. First, an evaluation is presented for the robustness to noise of multiple commonly used tractography algorithms. It employs a Monte–Carlo simulation of measurement noise on a constructed ground truth dataset. As a result of this evaluation, evidence for obustness of global tractography is found, and algorithmic sources of uncertainty are identified. The second contribution is a fast clustering algorithm for tractography data based on k–means and vector fields for representing the flow of each cluster. It is demonstrated that this algorithm can handle large tractography datasets due to its linear time and memory complexity, and that it can effectively integrate interrupted fibers that would be rejected as outliers by other algorithms. Furthermore, a visualization for the exploration of structural connectomes is presented. It uses illustrative rendering techniques for efficient presentation of connecting fiber bundles in context in anatomical space. Visual hints are employed to improve the perception of spatial relations. Finally, a visualization method with application to exploration and verification of probabilistic tractography is presented, which improves on the previously presented Fiber Stippling technique. It is demonstrated that the method is able to show multiple overlapping tracts in context, and correctly present crossing fiber configurations

Combinatorial Solutions for Shape Optimization in Computer Vision

This thesis aims at solving so-called shape optimization problems, i.e. problems where the shape of some real-world entity is sought, by applying combinatorial algorithms. I present several advances in this field, all of them based on energy minimization. The addressed problems will become more intricate in the course of the thesis, starting from problems that are solved globally, then turning to problems where so far no global solutions are known. The first two chapters treat segmentation problems where the considered grouping criterion is directly derived from the image data. That is, the respective data terms do not involve any parameters to estimate. These problems will be solved globally. The first of these chapters treats the problem of unsupervised image segmentation where apart from the image there is no other user input. Here I will focus on a contour-based method and show how to integrate curvature regularity into a ratio-based optimization framework. The arising optimization problem is reduced to optimizing over the cycles in a product graph. This problem can be solved globally in polynomial, effectively linear time. As a consequence, the method does not depend on initialization and translational invariance is achieved. This is joint work with Daniel Cremers and Simon Masnou. I will then proceed to the integration of shape knowledge into the framework, while keeping translational invariance. This problem is again reduced to cycle-finding in a product graph. Being based on the alignment of shape points, the method actually uses a more sophisticated shape measure than most local approaches and still provides global optima. It readily extends to tracking problems and allows to solve some of them in real-time. I will present an extension to highly deformable shape models which can be included in the global optimization framework. This method simultaneously allows to decompose a shape into a set of deformable parts, based only on the input images. This is joint work with Daniel Cremers. In the second part segmentation is combined with so-called correspondence problems, i.e. the underlying grouping criterion is now based on correspondences that have to be inferred simultaneously. That is, in addition to inferring the shapes of objects, one now also tries to put into correspondence the points in several images. The arising problems become more intricate and are no longer optimized globally. This part is divided into two chapters. The first chapter treats the topic of real-time motion segmentation where objects are identified based on the observations that the respective points in the video will move coherently. Rather than pre-estimating motion, a single energy functional is minimized via alternating optimization. The main novelty lies in the real-time capability, which is achieved by exploiting a fast combinatorial segmentation algorithm. The results are furthermore improved by employing a probabilistic data term. This is joint work with Daniel Cremers. The final chapter presents a method for high resolution motion layer decomposition and was developed in combination with Daniel Cremers and Thomas Pock. Layer decomposition methods support the notion of a scene model, which allows to model occlusion and enforce temporal consistency. The contributions are twofold: from a practical point of view the proposed method allows to recover fine-detailed layer images by minimizing a single energy. This is achieved by integrating a super-resolution method into the layer decomposition framework. From a theoretical viewpoint the proposed method introduces layer-based regularity terms as well as a graph cut-based scheme to solve for the layer domains. The latter is combined with powerful continuous convex optimization techniques into an alternating minimization scheme. Lastly I want to mention that a significant part of this thesis is devoted to the recent trend of exploiting parallel architectures, in particular graphics cards: many combinatorial algorithms are easily parallelized. In Chapter 3 we will see a case where the standard algorithm is hard to parallelize, but easy for the respective problem instances

Raum-Zeit Interpolationstechniken

The photo-realistic modeling and animation of complex scenes in 3D requires a lot of work and skill of artists even with modern acquisition techniques. This is especially true if the rendering should additionally be performed in real-time. In this thesis we follow another direction in computer graphics to generate photo-realistic results based on recorded video sequences of one or multiple cameras. We propose several methods to handle scenes showing natural phenomena and also multi-view footage of general complex 3D scenes. In contrast to other approaches, we make use of relaxed geometric constraints and focus especially on image properties important to create perceptually plausible in-between images. The results are novel photo-realistic video sequences rendered in real-time allowing for interactive manipulation or to interactively explore novel view and time points.Das Modellieren und die Animation von 3D Szenen in fotorealistischer Qualität ist sehr arbeitsaufwändig, auch wenn moderne Verfahren benutzt werden. Wenn die Bilder in Echtzeit berechnet werden sollen ist diese Aufgabe um so schwieriger zu lösen. In dieser Dissertation verfolgen wir einen alternativen Ansatz der Computergrafik, um neue photorealistische Ergebnisse aus einer oder mehreren aufgenommenen Videosequenzen zu gewinnen. Es werden mehrere Methoden entwickelt die für natürlicher Phänomene und für generelle Szenen einsetzbar sind. Im Unterschied zu anderen Verfahren nutzen wir abgeschwächte geometrische Einschränkungen und berechnen eine genaue Lösung nur dort wo sie wichtig für die menschliche Wahrnehmung ist. Die Ergebnisse sind neue fotorealistische Videosequenzen, die in Echtzeit berechnet und interaktiv manipuliert, oder in denen neue Blick- und Zeitpunkte der Szenen frei erkundet werden können