Improving Self-Supervised Single View Depth Estimation by Masking Occlusion

Single view depth estimation models can be trained from video footage using a self-supervised end-to-end approach with view synthesis as the supervisory signal. This is achieved with a framework that predicts depth and camera motion, with a loss based on reconstructing a target video frame from temporally adjacent frames. In this context, occlusion relates to parts of a scene that can be observed in the target frame but not in a frame used for image reconstruction. Since the image reconstruction is based on sampling from the adjacent frame, and occluded areas by definition cannot be sampled, reconstructed occluded areas corrupt to the supervisory signal. In previous work arXiv:1806.01260 occlusion is handled based on reconstruction error; at each pixel location, only the reconstruction with the lowest error is included in the loss. The current study aims to determine whether performance improvements of depth estimation models can be gained by during training only ignoring those regions that are affected by occlusion. In this work we introduce occlusion mask, a mask that during training can be used to specifically ignore regions that cannot be reconstructed due to occlusions. Occlusion mask is based entirely on predicted depth information. We introduce two novel loss formulations which incorporate the occlusion mask. The method and implementation of arXiv:1806.01260 serves as the foundation for our modifications as well as the baseline in our experiments. We demonstrate that (i) incorporating occlusion mask in the loss function improves the performance of single image depth prediction models on the KITTI benchmark. (ii) loss functions that select from reconstructions based on error are able to ignore some of the reprojection error caused by object motion

Multiple View Geometry For Video Analysis And Post-production

Multiple view geometry is the foundation of an important class of computer vision techniques for simultaneous recovery of camera motion and scene structure from a set of images. There are numerous important applications in this area. Examples include video post-production, scene reconstruction, registration, surveillance, tracking, and segmentation. In video post-production, which is the topic being addressed in this dissertation, computer analysis of the motion of the camera can replace the currently used manual methods for correctly aligning an artificially inserted object in a scene. However, existing single view methods typically require multiple vanishing points, and therefore would fail when only one vanishing point is available. In addition, current multiple view techniques, making use of either epipolar geometry or trifocal tensor, do not exploit fully the properties of constant or known camera motion. Finally, there does not exist a general solution to the problem of synchronization of N video sequences of distinct general scenes captured by cameras undergoing similar ego-motions, which is the necessary step for video post-production among different input videos. This dissertation proposes several advancements that overcome these limitations. These advancements are used to develop an efficient framework for video analysis and post-production in multiple cameras. In the first part of the dissertation, the novel inter-image constraints are introduced that are particularly useful for scenes where minimal information is available. This result extends the current state-of-the-art in single view geometry techniques to situations where only one vanishing point is available. The property of constant or known camera motion is also described in this dissertation for applications such as calibration of a network of cameras in video surveillance systems, and Euclidean reconstruction from turn-table image sequences in the presence of zoom and focus. We then propose a new framework for the estimation and alignment of camera motions, including both simple (panning, tracking and zooming) and complex (e.g. hand-held) camera motions. Accuracy of these results is demonstrated by applying our approach to video post-production applications such as video cut-and-paste and shadow synthesis. As realistic image-based rendering problems, these applications require extreme accuracy in the estimation of camera geometry, the position and the orientation of the light source, and the photometric properties of the resulting cast shadows. In each case, the theoretical results are fully supported and illustrated by both numerical simulations and thorough experimentation on real data

Video Primal Sketch: A Unified Middle-Level Representation for Video

This paper presents a middle-level video representation named Video Primal Sketch (VPS), which integrates two regimes of models: i) sparse coding model using static or moving primitives to explicitly represent moving corners, lines, feature points, etc., ii) FRAME /MRF model reproducing feature statistics extracted from input video to implicitly represent textured motion, such as water and fire. The feature statistics include histograms of spatio-temporal filters and velocity distributions. This paper makes three contributions to the literature: i) Learning a dictionary of video primitives using parametric generative models; ii) Proposing the Spatio-Temporal FRAME (ST-FRAME) and Motion-Appearance FRAME (MA-FRAME) models for modeling and synthesizing textured motion; and iii) Developing a parsimonious hybrid model for generic video representation. Given an input video, VPS selects the proper models automatically for different motion patterns and is compatible with high-level action representations. In the experiments, we synthesize a number of textured motion; reconstruct real videos using the VPS; report a series of human perception experiments to verify the quality of reconstructed videos; demonstrate how the VPS changes over the scale transition in videos; and present the close connection between VPS and high-level action models

Text-based Editing of Talking-head Video

Editing talking-head video to change the speech content or to remove filler words is challenging. We propose a novel method to edit talking-head video based on its transcript to produce a realistic output video in which the dialogue of the speaker has been modified, while maintaining a seamless audio-visual flow (i.e. no jump cuts). Our method automatically annotates an input talking-head video with phonemes, visemes, 3D face pose and geometry, reflectance, expression and scene illumination per frame. To edit a video, the user has to only edit the transcript, and an optimization strategy then chooses segments of the input corpus as base material. The annotated parameters corresponding to the selected segments are seamlessly stitched together and used to produce an intermediate video representation in which the lower half of the face is rendered with a parametric face model. Finally, a recurrent video generation network transforms this representation to a photorealistic video that matches the edited transcript. We demonstrate a large variety of edits, such as the addition, removal, and alteration of words, as well as convincing language translation and full sentence synthesis

Frame Interpolation with Multi-Scale Deep Loss Functions and Generative Adversarial Networks

Frame interpolation attempts to synthesise frames given one or more consecutive video frames. In recent years, deep learning approaches, and notably convolutional neural networks, have succeeded at tackling low- and high-level computer vision problems including frame interpolation. These techniques often tackle two problems, namely algorithm efficiency and reconstruction quality. In this paper, we present a multi-scale generative adversarial network for frame interpolation (\mbox{FIGAN}). To maximise the efficiency of our network, we propose a novel multi-scale residual estimation module where the predicted flow and synthesised frame are constructed in a coarse-to-fine fashion. To improve the quality of synthesised intermediate video frames, our network is jointly supervised at different levels with a perceptual loss function that consists of an adversarial and two content losses. We evaluate the proposed approach using a collection of 60fps videos from YouTube-8m. Our results improve the state-of-the-art accuracy and provide subjective visual quality comparable to the best performing interpolation method at x47 faster runtime

HeadOn: Real-time Reenactment of Human Portrait Videos

We propose HeadOn, the first real-time source-to-target reenactment approach for complete human portrait videos that enables transfer of torso and head motion, face expression, and eye gaze. Given a short RGB-D video of the target actor, we automatically construct a personalized geometry proxy that embeds a parametric head, eye, and kinematic torso model. A novel real-time reenactment algorithm employs this proxy to photo-realistically map the captured motion from the source actor to the target actor. On top of the coarse geometric proxy, we propose a video-based rendering technique that composites the modified target portrait video via view- and pose-dependent texturing, and creates photo-realistic imagery of the target actor under novel torso and head poses, facial expressions, and gaze directions. To this end, we propose a robust tracking of the face and torso of the source actor. We extensively evaluate our approach and show significant improvements in enabling much greater flexibility in creating realistic reenacted output videos.Comment: Video: https://www.youtube.com/watch?v=7Dg49wv2c_g Presented at Siggraph'1

Multi-Scale Video Frame-Synthesis Network with Transitive Consistency Loss

Traditional approaches to interpolate/extrapolate frames in a video sequence require accurate pixel correspondences between images, e.g., using optical flow. Their results stem on the accuracy of optical flow estimation, and could generate heavy artifacts when flow estimation failed. Recently methods using auto-encoder has shown impressive progress, however they are usually trained for specific interpolation/extrapolation settings and lack of flexibility and In order to reduce these limitations, we propose a unified network to parameterize the interest frame position and therefore infer interpolate/extrapolate frames within the same framework. To achieve this, we introduce a transitive consistency loss to better regularize the network. We adopt a multi-scale structure for the network so that the parameters can be shared across multi-layers. Our approach avoids expensive global optimization of optical flow methods, and is efficient and flexible for video interpolation/extrapolation applications. Experimental results have shown that our method performs favorably against state-of-the-art methods

DeepFaceFlow: In-the-wild Dense 3D Facial Motion Estimation

Dense 3D facial motion capture from only monocular in-the-wild pairs of RGB images is a highly challenging problem with numerous applications, ranging from facial expression recognition to facial reenactment. In this work, we propose DeepFaceFlow, a robust, fast, and highly-accurate framework for the dense estimation of 3D non-rigid facial flow between pairs of monocular images. Our DeepFaceFlow framework was trained and tested on two very large-scale facial video datasets, one of them of our own collection and annotation, with the aid of occlusion-aware and 3D-based loss function. We conduct comprehensive experiments probing different aspects of our approach and demonstrating its improved performance against state-of-the-art flow and 3D reconstruction methods. Furthermore, we incorporate our framework in a full-head state-of-the-art facial video synthesis method and demonstrate the ability of our method in better representing and capturing the facial dynamics, resulting in a highly-realistic facial video synthesis. Given registered pairs of images, our framework generates 3D flow maps at ~60 fps.Comment: to be published in the IEEE conference on Computer Vision and Pattern Recognition (CVPR). 202

Dynamic Facial Expression Generation on Hilbert Hypersphere with Conditional Wasserstein Generative Adversarial Nets

In this work, we propose a novel approach for generating videos of the six basic facial expressions given a neutral face image. We propose to exploit the face geometry by modeling the facial landmarks motion as curves encoded as points on a hypersphere. By proposing a conditional version of manifold-valued Wasserstein generative adversarial network (GAN) for motion generation on the hypersphere, we learn the distribution of facial expression dynamics of different classes, from which we synthesize new facial expression motions. The resulting motions can be transformed to sequences of landmarks and then to images sequences by editing the texture information using another conditional Generative Adversarial Network. To the best of our knowledge, this is the first work that explores manifold-valued representations with GAN to address the problem of dynamic facial expression generation. We evaluate our proposed approach both quantitatively and qualitatively on two public datasets; Oulu-CASIA and MUG Facial Expression. Our experimental results demonstrate the effectiveness of our approach in generating realistic videos with continuous motion, realistic appearance and identity preservation. We also show the efficiency of our framework for dynamic facial expressions generation, dynamic facial expression transfer and data augmentation for training improved emotion recognition models

Constructing Human Motion Manifold with Sequential Networks

This paper presents a novel recurrent neural network-based method to construct a latent motion manifold that can represent a wide range of human motions in a long sequence. We introduce several new components to increase the spatial and temporal coverage in motion space while retaining the details of motion capture data. These include new regularization terms for the motion manifold, combination of two complementary decoders for predicting joint rotations and joint velocities, and the addition of the forward kinematics layer to consider both joint rotation and position errors. In addition, we propose a set of loss terms that improve the overall quality of the motion manifold from various aspects, such as the capability of reconstructing not only the motion but also the latent manifold vector, and the naturalness of the motion through adversarial loss. These components contribute to creating compact and versatile motion manifold that allows for creating new motions by performing random sampling and algebraic operations, such as interpolation and analogy, in the latent motion manifold.Comment: 11 pages, It will be published at Computer Graphics Foru