WAVELET BASED DATA HIDING OF DEM IN THE CONTEXT OF REALTIME 3D VISUALIZATION (Visualisation 3D Temps-Réel à Distance de MNT par Insertion de Données Cachées Basée Ondelettes)

The use of aerial photographs, satellite images, scanned maps and digital elevation models necessitates the setting up of strategies for the storage and visualization of these data. In order to obtain a three dimensional visualization it is necessary to drape the images, called textures, onto the terrain geometry, called Digital Elevation Model (DEM). Practically, all these information are stored in three different files: DEM, texture and position/projection of the data in a geo-referential system. In this paper we propose to stock all these information in a single file for the purpose of synchronization. For this we have developed a wavelet-based embedding method for hiding the data in a colored image. The texture images containing hidden DEM data can then be sent from the server to a client in order to effect 3D visualization of terrains. The embedding method is integrable with the JPEG2000 coder to accommodate compression and multi-resolution visualization. Résumé L'utilisation de photographies aériennes, d'images satellites, de cartes scannées et de modèles numériques de terrains amène à mettre en place des stratégies de stockage et de visualisation de ces données. Afin d'obtenir une visualisation en trois dimensions, il est nécessaire de lier ces images appelées textures avec la géométrie du terrain nommée Modèle Numérique de Terrain (MNT). Ces informations sont en pratiques stockées dans trois fichiers différents : MNT, texture, position et projection des données dans un système géo-référencé. Dans cet article, nous proposons de stocker toutes ces informations dans un seul fichier afin de les synchroniser. Nous avons développé pour cela une méthode d'insertion de données cachées basée ondelettes dans une image couleur. Les images de texture contenant les données MNT cachées peuvent ensuite être envoyées du serveur au client afin d'effectuer une visualisation 3D de terrains. Afin de combiner une visualisation en multirésolution et une compression, l'insertion des données cachées est intégrable dans le codeur JPEG 2000

Digital video watermarking techniques for secure multimedia creation and delivery.

Chan Pik-Wah.Thesis (M.Phil.)--Chinese University of Hong Kong, 2004.Includes bibliographical references (leaves 111-130).Abstracts in English and Chinese.Abstract --- p.iAcknowledgement --- p.ivChapter 1 --- Introduction --- p.1Chapter 1.1 --- Background --- p.1Chapter 1.2 --- Research Objective --- p.3Chapter 1.3 --- Contributions --- p.4Chapter 1.4 --- The Structure of this Thesis --- p.6Chapter 2 --- Literature Review --- p.7Chapter 2.1 --- Security in Multimedia Communications --- p.8Chapter 2.2 --- Cryptography --- p.11Chapter 2.3 --- Digital Watermarking --- p.14Chapter 2.4 --- Essential Ingredients for Video Watermarking --- p.16Chapter 2.4.1 --- Fidelity --- p.16Chapter 2.4.2 --- Robustness --- p.17Chapter 2.4.3 --- Use of Keys --- p.19Chapter 2.4.4 --- Blind Detection --- p.20Chapter 2.4.5 --- Capacity and Speed --- p.20Chapter 2.4.6 --- Statistical Imperceptibility --- p.21Chapter 2.4.7 --- Low Error Probability --- p.21Chapter 2.4.8 --- Real-time Detector Complexity --- p.21Chapter 2.5 --- Review on Video Watermarking Techniques --- p.22Chapter 2.5.1 --- Video Watermarking --- p.25Chapter 2.5.2 --- Spatial Domain Watermarks --- p.26Chapter 2.5.3 --- Frequency Domain Watermarks --- p.30Chapter 2.5.4 --- Watermarks Based on MPEG Coding Struc- tures --- p.35Chapter 2.6 --- Comparison between Different Watermarking Schemes --- p.38Chapter 3 --- Novel Watermarking Schemes --- p.42Chapter 3.1 --- A Scene-based Video Watermarking Scheme --- p.42Chapter 3.1.1 --- Watermark Preprocess --- p.44Chapter 3.1.2 --- Video Preprocess --- p.46Chapter 3.1.3 --- Watermark Embedding --- p.48Chapter 3.1.4 --- Watermark Detection --- p.50Chapter 3.2 --- Theoretical Analysis --- p.52Chapter 3.2.1 --- Performance --- p.52Chapter 3.2.2 --- Capacity --- p.56Chapter 3.3 --- A Hybrid Watermarking Scheme --- p.60Chapter 3.3.1 --- Visual-audio Hybrid Watermarking --- p.61Chapter 3.3.2 --- Hybrid Approach with Different Water- marking Schemes --- p.69Chapter 3.4 --- A Genetic Algorithm-based Video Watermarking Scheme --- p.73Chapter 3.4.1 --- Watermarking Scheme --- p.75Chapter 3.4.2 --- Problem Modelling --- p.76Chapter 3.4.3 --- Chromosome Encoding --- p.79Chapter 3.4.4 --- Genetic Operators --- p.80Chapter 4 --- Experimental Results --- p.85Chapter 4.1 --- Test on Robustness --- p.85Chapter 4.1.1 --- Experiment with Frame Dropping --- p.87Chapter 4.1.2 --- Experiment with Frame Averaging and Sta- tistical Analysis --- p.89Chapter 4.1.3 --- Experiment with Lossy Compression --- p.90Chapter 4.1.4 --- Test of Robustness with StirMark 4.0 --- p.92Chapter 4.1.5 --- Overall Comparison --- p.98Chapter 4.2 --- Test on Fidelity --- p.100Chapter 4.2.1 --- Parameter(s) Setting --- p.101Chapter 4.2.2 --- Evaluate with PSNR --- p.101Chapter 4.2.3 --- Evaluate with MAD --- p.102Chapter 4.3 --- Other Features of the Scheme --- p.105Chapter 4.4 --- Conclusion --- p.106Chapter 5 --- Conclusion --- p.108Bibliography --- p.11

Information embedding and retrieval in 3D printed objects

Deep learning and convolutional neural networks have become the main tools of computer vision. These techniques are good at using supervised learning to learn complex representations from data. In particular, under limited settings, the image recognition model now performs better than the human baseline. However, computer vision science aims to build machines that can see. It requires the model to be able to extract more valuable information from images and videos than recognition. Generally, it is much more challenging to apply these deep learning models from recognition to other problems in computer vision. This thesis presents end-to-end deep learning architectures for a new computer vision field: watermark retrieval from 3D printed objects. As it is a new area, there is no state-of-the-art on many challenging benchmarks. Hence, we first define the problems and introduce the traditional approach, Local Binary Pattern method, to set our baseline for further study. Our neural networks seem useful but straightfor- ward, which outperform traditional approaches. What is more, these networks have good generalization. However, because our research field is new, the problems we face are not only various unpredictable parameters but also limited and low-quality training data. To address this, we make two observations: (i) we do not need to learn everything from scratch, we know a lot about the image segmentation area, and (ii) we cannot know everything from data, our models should be aware what key features they should learn. This thesis explores these ideas and even explore more. We show how to use end-to-end deep learning models to learn to retrieve watermark bumps and tackle covariates from a few training images data. Secondly, we introduce ideas from synthetic image data and domain randomization to augment training data and understand various covariates that may affect retrieve real-world 3D watermark bumps. We also show how the illumination in synthetic images data to effect and even improve retrieval accuracy for real-world recognization applications

Cyber Law and Espionage Law as Communicating Vessels

Professor Lubin\u27s contribution is Cyber Law and Espionage Law as Communicating Vessels, pp. 203-225. Existing legal literature would have us assume that espionage operations and “below-the-threshold” cyber operations are doctrinally distinct. Whereas one is subject to the scant, amorphous, and under-developed legal framework of espionage law, the other is subject to an emerging, ever-evolving body of legal rules, known cumulatively as cyber law. This dichotomy, however, is erroneous and misleading. In practice, espionage and cyber law function as communicating vessels, and so are better conceived as two elements of a complex system, Information Warfare (IW). This paper therefore first draws attention to the similarities between the practices – the fact that the actors, technologies, and targets are interchangeable, as are the knee-jerk legal reactions of the international community. In light of the convergence between peacetime Low-Intensity Cyber Operations (LICOs) and peacetime Espionage Operations (EOs) the two should be subjected to a single regulatory framework, one which recognizes the role intelligence plays in our public world order and which adopts a contextual and consequential method of inquiry. The paper proceeds in the following order: Part 2 provides a descriptive account of the unique symbiotic relationship between espionage and cyber law, and further explains the reasons for this dynamic. Part 3 places the discussion surrounding this relationship within the broader discourse on IW, making the claim that the convergence between EOs and LICOs, as described in Part 2, could further be explained by an even larger convergence across all the various elements of the informational environment. Parts 2 and 3 then serve as the backdrop for Part 4, which details the attempt of the drafters of the Tallinn Manual 2.0 to compartmentalize espionage law and cyber law, and the deficits of their approach. The paper concludes by proposing an alternative holistic understanding of espionage law, grounded in general principles of law, which is more practically transferable to the cyber realmhttps://www.repository.law.indiana.edu/facbooks/1220/thumbnail.jp

Impact of copyright law in museums and galleries in the digital age

The thesis explores the growing impact of copyright in art museums and galleries in the digital environment. Copyright has a great significance in these institutions but it has not received adequate academic consideration. The aim of this thesis is to examine the role of copyright and underline the foremost copyright challenges to museums and galleries in order to find out the appropriate approach to deal with them. The main argument is that copyright challenges museums and galleries to the extent it could disturb the survival of their mission in the digital domain. It argues that copyright provides insufficient protection to museums and galleries when they are copyright owners of digital and contemporary artistic works in particular. Also, it argues that copyright restricts the capacity of using artistic works by museums and galleries as cultural institutions and therefore it obstructs their activities and mission. Further, it argues that uncertain and deficient copyright policy and management practices represent impediment to the continuity and progress of museums and galleries in the digital era. To this effect, the thesis takes analytical approach and considers the legal primary and secondary resources of relevant laws, cases, academic commentary and journal articles. The legal framework is focused on copyright law of the United Kingdom as stated in the Copyright, Designs and Patents Act 1988 and its amendments. Furthermore, the thesis incorporates a review of an empirical study about the impact of copyright in museums and galleries and which is undertaken for this research purposes. The thesis concludes that it is necessary to deal with the specified copyright challenges in a way that maintains and promotes the mission of museums and galleries and facilitates a broader public access to their collections in the digital environment. In order to achieve this, it is recommended that some copyright law reform is needed concerning in particular copyright protection of artistic works and copyright exceptions available to museums and galleries for specific purposes such as preservation, research, and education. Also, it is proposed that museums and galleries require enhanced understanding of copyright law, more awareness, careful consideration and efficient management of copyright

Display At Your Own Risk: An experimental exhibition of digital cultural heritage

A research-led exhibition experiment concerned with the use and reuse of digital surrogates of public domain works of art produced by cultural heritage institutions of international repute.This publication is issued in conjunction with the exhibition Display At Your Own Risk, held at The Lighthouse in Glasgow and made available as an open source exhibition at displayatyourownrisk.org. The print exhibition is on view in Glasgow on 8 June 2016.This research project is funded by CREATe, University of Glasgow (under a joint grant from Arts and Humanities Research Council AHRC, Economic and Social Research Council ESRC and Engineering and Physical Sciences Research Council EPSRC). The exhibition is supported in part by the National Library of Scotland, the Glasgow Print Studio and the Glasgow University Archive Services. Print services for the exhibition were provided by the National Library of Scotland and the Glasgow Print Studio; digitization services were provided by the University of Glasgow Photographic Unit within the Glasgow University Archive Services

The mixed experience of achieving business benefit from the internet : a multi-disciplinary study

From 1995 the Internet attracted commercial investment, but financially measurable benefits and competitive advantage proved elusive. Usage for personal communication and business information only slowly translated into commercial transactions. This reflects a unique feature of Internet development. Unlike other media of the 19th and 20th centuries, widespread Internet use preceded commercial investment. The early military and research use led to an architecture that poorly supported the certainty and security requirements of commercial transactions. Subsequent attempts to align this architecture with commercial transactional requirements were expensive and mostly unsuccessful. This multi-disciplinary thesis describes these commercial factors from historical, usage, technical, regulatory and commercial perspectives. It provides a new and balanced understanding in a subject area dominated by poor communication between separate perspectives