Stylization and Trajectory Modelling of Short and Long Term Speech Prosody Variations

International audienceIn this paper, a unified trajectory model based on the stylization and the modelling of f0 variations simultaneously over various temporal domains is proposed. The syllable is used as the minimal temporal domain for the description of speech prosody, and short-term and long-term f0 variations are stylized and modelled simultaneously over various temporal domains. During the training, a context-dependent model is estimated according to the joint stylized f0 contours over the syllable and a set of long-term temporal domains. During the synthesis, f0 variations are determined using the long-term variations as trajectory constraints. In a subjective evaluation in speech synthesis, the stylization and trajectory modelling of short and long term speech prosody variations is shown to consistently model speech prosody and to outperform the conventional short-term modelling

A Multi-Level Representation of f0 using the Continuous Wavelet Transform and the Discrete Cosine Transform

We propose a representation of f0 using the Continuous Wavelet Transform (CWT) and the Discrete Cosine Trans-form (DCT). The CWT decomposes the signal into various scales of selected frequencies, while the DCT compactly represents complex contours as a weighted sum of cosine functions. The proposed approach has the advantage of combining signal decomposition and higher-level represen-tations, thus modeling low-frequencies at higher levels and high-frequencies at lower-levels. Objective results indicate that this representation improves f0 prediction over tradi-tional short-term approaches. Subjective results show that improvements are seen over the typical MSD-HMM and are comparable to the recently proposed CWT-HMM, while us-ing less parameters. These results are discussed and future lines of research are proposed. Index Terms — prosody, HMM-based synthesis, f0 mod-eling, continuous wavelet transform, discrete cosine trans-form 1

Reconstructing intelligible audio speech from visual speech features

This work describes an investigation into the feasibility of producing intelligible audio speech from only visual speech fea- tures. The proposed method aims to estimate a spectral enve- lope from visual features which is then combined with an arti- ficial excitation signal and used within a model of speech pro- duction to reconstruct an audio signal. Different combinations of audio and visual features are considered, along with both a statistical method of estimation and a deep neural network. The intelligibility of the reconstructed audio speech is measured by human listeners, and then compared to the intelligibility of the video signal only and when combined with the reconstructed audio

Convolutional Pitch Target Approximation Model for Speech Synthesis

In this paper, we investigate pitch contour modelling in speech synthesis based on segmental units. A convolutional pitch target approximation model is proposed. This model allows jointly stochastic modelling of framewise pitch and pitch contour of longer units, of which the intuitive relations are revealed by a convolutional target approximation filter. The pitch contour is stylized by a linear representation called pitch target. In synthesis stage, the likelihood of the framewise model and the pitch target model are jointly maximized using a Toeplitz matrix representing the discrete convolutional filter

Hardward and algorithm architectures for real-time additive synthesis

Additive synthesis is a fundamental computer music synthesis paradigm tracing its origins to the work of Fourier and Helmholtz. Rudimentary implementation linearly combines harmonic sinusoids (or partials) to generate tones whose perceived timbral characteristics are a strong function of the partial amplitude spectrum. Having evolved over time, additive synthesis describes a collection of algorithms each characterised by the time-varying linear combination of basis components to generate temporal evolution of timbre. Basis components include exactly harmonic partials, inharmonic partials with time-varying frequency or non-sinusoidal waveforms each with distinct spectral characteristics. Additive synthesis of polyphonic musical instrument tones requires a large number of independently controlled partials incurring a large computational overhead whose investigation and reduction is a key motivator for this work. The thesis begins with a review of prevalent synthesis techniques setting additive synthesis in context and introducing the spectrum modelling paradigm which provides baseline spectral data to the additive synthesis process obtained from the analysis of natural sounds. We proceed to investigate recursive and phase accumulating digital sinusoidal oscillator algorithms, defining specific metrics to quantify relative performance. The concepts of phase accumulation, table lookup phase-amplitude mapping and interpolated fractional addressing are introduced and developed and shown to underpin an additive synthesis subclass - wavetable lookup synthesis (WLS). WLS performance is simulated against specific metrics and parameter conditions peculiar to computer music requirements. We conclude by presenting processing architectures which accelerate computational throughput of specific WLS operations and the sinusoidal additive synthesis model. In particular, we introduce and investigate the concept of phase domain processing and present several “pipeline friendly” arithmetic architectures using this technique which implement the additive synthesis of sinusoidal partials

Fundamental frequency modelling: an articulatory perspective with target approximation and deep learning

Current statistical parametric speech synthesis (SPSS) approaches typically aim at state/frame-level acoustic modelling, which leads to a problem of frame-by-frame independence. Besides that, whichever learning technique is used, hidden Markov model (HMM), deep neural network (DNN) or recurrent neural network (RNN), the fundamental idea is to set up a direct mapping from linguistic to acoustic features. Although progress is frequently reported, this idea is questionable in terms of biological plausibility. This thesis aims at addressing the above issues by integrating dynamic mechanisms of human speech production as a core component of F0 generation and thus developing a more human-like F0 modelling paradigm. By introducing an articulatory F0 generation model – target approximation (TA) – between text and speech that controls syllable-synchronised F0 generation, contextual F0 variations are processed in two separate yet integrated stages: linguistic to motor, and motor to acoustic. With the goal of demonstrating that human speech movement can be considered as a dynamic process of target approximation and that the TA model is a valid F0 generation model to be used at the motor-to-acoustic stage, a TA-based pitch control experiment is conducted first to simulate the subtle human behaviour of online compensation for pitch-shifted auditory feedback. Then, the TA parameters are collectively controlled by linguistic features via a deep or recurrent neural network (DNN/RNN) at the linguistic-to-motor stage. We trained the systems on a Mandarin Chinese dataset consisting of both statements and questions. The TA-based systems generally outperformed the baseline systems in both objective and subjective evaluations. Furthermore, the amount of required linguistic features were reduced first to syllable level only (with DNN) and then with all positional information removed (with RNN). Fewer linguistic features as input with limited number of TA parameters as output led to less training data and lower model complexity, which in turn led to more efficient training and faster synthesis

Signal modulation and processing in nonlinear fibre channels by employing the Riemann-Hilbert problem

Most of the nonlinear Fourier transform (NFT) based optical communication systems studied so far deal with the burst mode operation that substantially reduce achievable spectral efficiency. The burst mode requirement emerges due to the very nature of the commonly used version of the NFT processing method: it can process only rapidly decaying signals, requires zero-padding guard intervals for processing of dispersion-induced channel memory, and does not allow one to control the time-domain occupation well. Some of the limitations and drawbacks imposed by this approach can be rectified by the recently-introduced more mathematicallydemanding periodic NFT processing tools. However, the studies incorporating the signals with cyclic prefix extension into the NFT transmission framework have so far lacked the efficient digital signal processing (DSP) method of synthesising an optical signal, the shortcoming that diminishes the approach flexibility. In this work we introduce the Riemann-Hilbert problem (RHP) based DSP method as a flexible and expandable tool that would allow one to utilise the periodic NFT spectrum for transmission purposes without former restrictions. First, we outline the theoretical framework and clarify the implementation underlying the proposed new DSP method. Then we present the results of numerical modelling quantifying the performance of longhaul RHP-based transmission with the account of optical noise, demonstrating the good performance quality and potential of RHP-based optical communication systems

Prosody generation for text-to-speech synthesis

The absence of convincing intonation makes current parametric speech synthesis systems sound dull and lifeless, even when trained on expressive speech data. Typically, these systems use regression techniques to predict the fundamental frequency (F0) frame-by-frame. This approach leads to overlysmooth pitch contours and fails to construct an appropriate prosodic structure across the full utterance. In order to capture and reproduce larger-scale pitch patterns, we propose a template-based approach for automatic F0 generation, where per-syllable pitch-contour templates (from a small, automatically learned set) are predicted by a recurrent neural network (RNN). The use of syllable templates mitigates the over-smoothing problem and is able to reproduce pitch patterns observed in the data. The use of an RNN, paired with connectionist temporal classification (CTC), enables the prediction of structure in the pitch contour spanning the entire utterance. This novel F0 prediction system is used alongside separate LSTMs for predicting phone durations and the other acoustic features, to construct a complete text-to-speech system. Later, we investigate the benefits of including long-range dependencies in duration prediction at frame-level using uni-directional recurrent neural networks. Since prosody is a supra-segmental property, we consider an alternate approach to intonation generation which exploits long-term dependencies of F0 by effective modelling of linguistic features using recurrent neural networks. For this purpose, we propose a hierarchical encoder-decoder and multi-resolution parallel encoder where the encoder takes word and higher level linguistic features at the input and upsamples them to phone-level through a series of hidden layers and is integrated into a Hybrid system which is then submitted to Blizzard challenge workshop. We then highlight some of the issues in current approaches and a plan for future directions of investigation is outlined along with on-going work

Reconstruction of intelligible audio speech from visual speech information

The aim of the work conducted in this thesis is to reconstruct audio speech signals using information which can be extracted solely from a visual stream of a speaker's face, with application for surveillance scenarios and silent speech interfaces. Visual speech is limited to that which can be seen of the mouth, lips, teeth, and tongue, where the visual articulators convey considerably less information than in the audio domain, leading to the task being difficult. Accordingly, the emphasis is on the reconstruction of intelligible speech, with less regard given to quality. A speech production model is used to reconstruct audio speech, where methods are presented in this work for generating or estimating the necessary parameters for the model. Three approaches are explored for producing spectral-envelope estimates from visual features as this parameter provides the greatest contribution to speech intelligibility. The first approach uses regression to perform the visual-to-audio mapping, and then two further approaches are explored using vector quantisation techniques and classification models, with long-range temporal information incorporated at the feature and model-level. Excitation information, namely fundamental frequency and aperiodicity, is generated using artificial methods and joint-feature clustering approaches. Evaluations are first performed using mean squared error analyses and objective measures of speech intelligibility to refine the various system configurations, and then subjective listening tests are conducted to determine word-level accuracy, giving real intelligibility scores, of reconstructed speech. The best performing visual-to-audio domain mapping approach, using a clustering-and-classification framework with feature-level temporal encoding, is able to achieve audio-only intelligibility scores of 77 %, and audiovisual intelligibility scores of 84 %, on the GRID dataset. Furthermore, the methods are applied to a larger and more continuous dataset, with less favourable results, but with the belief that extensions to the work presented will yield a further increase in intelligibility

In search of the optimal acoustic features for statistical parametric speech synthesis

In the Statistical Parametric Speech Synthesis (SPSS) paradigm, speech is generally represented as acoustic features and the waveform is generated by a vocoder. A comprehensive summary of state-of-the-art vocoding techniques is presented, highlighting their characteristics, advantages, and drawbacks, primarily when used in SPSS. We conclude that state-of-the-art vocoding methods are suboptimal and are a cause of significant loss of quality, even though numerous vocoders have been proposed in the last decade. In fact, it seems that the most complicated methods perform worse than simpler ones based on more robust analysis/synthesis algorithms. Typical methods, based on the source-filter or sinusoidal models, rely on excessive simplifying assumptions. They perform what we call an "extreme decomposition" of speech (e.g., source+filter or sinusoids+ noise), which we believe to be a major drawback. Problems include: difficulties in the estimation of components; modelling of complex non-linear mechanisms; a lack of ground truth. In addition, the statistical dependence that exists between stochastic and deterministic components of speech is not modelled. We start by improving just the waveform generation stage of SPSS, using standard acoustic features. We propose a new method of waveform generation tailored for SPSS, based on neither source-filter separation nor sinusoidal modelling. The proposed waveform generator avoids unnecessary assumptions and decompositions as far as possible, and uses only the fundamental frequency and spectral envelope as acoustic features. A very small speech database is used as a source of base speech signals which are subsequently \reshaped" to match the specifications output by the acoustic model in the SPSS framework. All of this is done without any decomposition, such as source+filter or harmonics+noise. A comprehensive description of the waveform generation process is presented, along with implementation issues. Two SPSS voices, a female and a male, were built to test the proposed method by using a standard TTS toolkit, Merlin. In a subjective evaluation, listeners preferred the proposed waveform generator over a state-of-the-art vocoder, STRAIGHT. Even though the proposed \waveform reshaping" generator generates higher speech quality than STRAIGHT, the improvement is not large enough. Consequently, we propose a new acoustic representation, whose implementation involves feature extraction and waveform generation, i.e., a complete vocoder. The new representation encodes the complex spectrum derived from the Fourier Transform in a way explicitly designed for SPSS, rather than for speech coding or copy-synthesis. The feature set comprises four feature streams describing magnitude spectrum, phase spectrum, and fundamental frequency; all of these are represented by real numbers. It avoids heuristics or unstable methods for phase unwrapping. The new feature extraction does not attempt to decompose the speech structure and thus the "phasiness" and "buzziness" found in a typical vocoder, such as STRAIGHT, is dramatically reduced. Our method works at a lower frame rate than a typical vocoder. To demonstrate the proposed method, two DNN-based voices, a male and a female, were built using the Merlin toolkit. Subjective comparisons were performed with a state-of-the-art baseline. The proposed vocoder substantially outperformed the baseline for both voices and under all configurations tested. Furthermore, several enhancements were made over the original design, which are beneficial for either sound quality or compatibility with other tools. In addition to its use in SPSS, the proposed vocoder is also demonstrated being used for join smoothing in unit selection-based systems, and can be used for voice conversion or automatic speech recognition