The Wives of the Living?: Absence of Dreams in Hawthorne\u27s The Wives of the Dead

Provides information regarding Nathaniel Hawthorne\u27s `The Wives of the Dead.\u27 Criticisms on `The Wives of the Dead\u27 whether it deals with dreams or reality; Characteristics of the short story; Views regarding `The Wives of the Dead.\u2

Implications for Survival: Coping Strategies of the Women in Alice Walker\u27s Novels

Various strategies for coping have surfaced in the uncertain, arduous, and frequently faltering struggle by black Americans for equality of opportunity, coping strategies characterized variously as carefully considered judgments or mere reactions devoid of ideological commitment. These efforts have engaged the attention of historians, sociologists, psychologists, political scientists, and other scholars motivated by a perceived obligation to explicate the nature of the struggle and articulate viable modes for ameliorating the effects of discrimination. Literary artists have also manifested a similar interest by using the medium of imaginative literature to illuminate and dramatize the realities of the historical situation

Transatlantic consumptions: disease, fame and literary nationalisms in the Davidson sisters, Southey, and Poe.

This article supplements Lawlor’s Consumption and Literature by demonstrating the complex relationships between disease and literature. Lawlor shows how the consumptive American poetesses, sisters Margaret and Lucretia Davidson, became famous for their consumptive condition and early deaths on both sides of the Atlantic, and were feted as such by prominent (mostly male) literary figures like British Poet Laureate Robert Southey and the Americans Washington Irving and Samuel Finley Breeze Morse. Edgar Allan Poe took the opportunity to convert the issue of American critics fawning over Southey’s praise from the literary motherland of Britain, into a critical space for distinctively American criticism, as dictated by himself. Poe observed that the actual quality of the Davidson sisters’ poetry was poor and that critics both British and American were seduced by the image (highly popular at the time) of consumptive femininity, poetic or not. Poe, perhaps unusually for the period, argued that a distinction should be made between text and biographical context. Lawlor suggests that the literary disease consumption became a lever for Poe to intervene in the national politics of literary criticism at a time when America was attempting to establish a distinctive national and literary-critical identity for itself

Mythos : A Play in Two Acts About the Ability to Choose

This paper presents a two-act play in the fantasy genre about the ability to choose, titled “Mythos.” The goal of the play is to persuade audience members to consider that regardless of their past, they still have the ability to choose their future. Although this play is written from a Christian perspective, it does not deal directly with Christianity. “Mythos” centers on Margaret, a young woman who is afraid of making the choices necessary to progress her life. Instead, Margaret is waiting on her “call to adventure,” which, according to Joseph Campbell, was the beginning of most heroes’ adventures in Greek mythology. Research comes from a variety of texts on the fantasy genre, myths, and storytelling, as well as Jeffrey Hatcher’s guide The Art & Craft of Playwriting and the English Standard Version of the Bible

Chalk cliff retreat in East Sussex and Kent 1870s to 2001

The retreat of chalk cliffs fringing the eastern English Channel contributes shingle to the beaches which helps to protect the cliffs and slow down erosion. Conversely, cliff retreat endangers settlements and infrastructure on the clifftop. Rates of retreat have been calculated by a variety of methods over the past century, but no attempt has been made to provide a complete coverage that allows for a true comparison of retreat rates over the entire coastline. Using historic maps and recent orthophotos, cliff retreat rates have been calculated for consecutive 50 m sections of chalk cliff along the English side of the entire eastern English Channel for a period of 125 years. The chalk cliffs of East Sussex erode at an average rate of 0.25 - 0.3 m y−1 while those in Kent at a rate of 0.1 m y−1

Margaret Keenan Harrais: A Biography In Four Voices

Thesis (Ph.D.) University of Alaska Fairbanks, 2011Narrative strategies available to biography are explored through the life of Margaret Keenan Harrais---teacher, educational administrator, judge, and activist. Biography is a particular endeavor requiring flexible inquiry and creative presentation. Margaret is viewed through multiple lenses that explore personhood, encourage readers' introspection, and imply the importance of the individual in history. The four voices indicated in the title of this dissertation are editorial, analytical, sparsely Romantic, and expository. This biography aims to complicate readers' notions of what it means to be a person in relation to other people by focusing closely on selected episodes in Margaret's career; analyzing their historical, social, and literary import; and finally broadening the perspective to include the entirety of Margaret's life. The roles of the biographer and the reader are examined throughout in an attempt to explore the interconnections between biography and autobiography. Margaret's life is presented within the contexts of other women teachers in rural areas, as well as other men and women who wrote about territorial Alaska for a non-Alaskan audience. At heart this biography seeks to experiment with the narrative possibilities available to biographers, and to explore the ways in which the effects of these narratives allow for the contribution to general scholarship on the basis of particular experiences

Libby Larsen's Margaret Songs: A Musical Portrait Of Willa Cather's Margaret Elliot

abstract: Libby Larsen is one of the most performed and acclaimed composers today. She is a spirited, compelling, and sensitive composer whose music enhances the poetry of America's most prominent authors. Notable among her works are song cycles for soprano based on the poetry of female writers, among them novelist and poet Willa Cather (1873-1947). Larsen has produced two song cycles on works from Cather's substantial output of fiction: one based on Cather's short story, "Eric Hermannson's Soul," titled Margaret Songs: Three Songs from Willa Cather (1996); and later, My Antonia (2000), based on Cather's novel of the same title. In Margaret Songs, Cather's poetry and short stories--specifically the character of Margaret Elliot--combine with Larsen's unique compositional style to create a surprising collaboration. This study explores how Larsen in these songs delves into the emotional and psychological depths of Margaret's character, not fully formed by Cather. It is only through Larsen's music and Cather's poetry that Margaret's journey through self-discovery and love become fully realized. This song cycle is a glimpse through the eyes of two prominent female artists on the societal pressures placed upon Margaret's character, many of which still resonate with women in today's culture. This study examines the work Margaret Songs by discussing Willa Cather, her musical influences, and the conditions surrounding the writing of "Eric Hermannson's Soul." It looks also into Cather's influence on Libby Larsen and the commission leading to Margaret Songs. Finally, a description of the musical, dramatic, and textual content of the songs completes this interpretation of the interactions of Willa Cather, Libby Larsen, and the character of Margaret Elliot.Dissertation/ThesisD.M.A. Music 201