Three dimensional visualization of the World Wide Web

Although large-scale public hypermedia structures such as the World Wide Web are popularly referred to as "cyberspace", the extent to which they constitute a space in the everyday sense of the word is questionable. This paper reviews recent work in the area of three dimensional (3D) visualization of the Web that has attempted to depict it in the form of a recognizable space; in other words, as a navigable landscape that may be visibly populated by its users. Our review begins by introducing a range of visualizations that address different aspects of using the Web. These include visualizations of Web structure, especially of links, that act as 3D maps; browsing history; searches; evolution of the Web; and the presence and activities of multiple users. We then summarize the different techniques that are employed by these visualizations. We conclude with a discussion of key challenges for the future

Scene understanding through semantic image segmentation in augmented reality

Abstract. Semantic image segmentation, the task of assigning a label to each pixel in an image, is a major challenge in the field of computer vision. Semantic image segmentation using fully convolutional neural networks (FCNNs) offers an online solution to the scene understanding while having a simple training procedure and fast inference speed if designed efficiently. The semantic information provided by the semantic segmentation is a detailed understanding of the current context and this scene understanding is vital for scene modification in augmented reality (AR), especially if one aims to perform destructive scene augmentation. Augmented reality systems, by nature, aim to have a real-time modification of the context through head-mounted see-through or video-see-through displays, thus require efficiency in each step. Although there are many solutions to the semantic image segmentation in the literature such as DeeplabV3+, Deeplab DPC, they fail to offer a low latency inference due to their complex architectures in aim to acquire the best accuracy. As a part of this thesis work, we provide an efficient architecture for semantic image segmentation using an FCNN model and achieve real-time performance on smartphones at 19.65 frames per second (fps) while maintaining a high mean intersection over union (mIOU) of 67.7% on Cityscapes validation set with our "Basic" variant and 15.41 fps and 70.3% mIOU on Cityscapes test set using our "DPC" variant. The implementation is open-sourced and compatible with Tensorflow Lite, thus able to run on embedded and mobile devices. Furthermore, the thesis work demonstrates an augmented reality implementation where semantic segmentation masks are tracked online in a 3D environment using Google ARCore. We show that the frequent calculation of semantic information is not necessary and by tracking the calculated semantic information in 3D space using inertial-visual odometry that is provided by the ARCore framework, we can achieve savings on battery and CPU usage while maintaining a high mIOU. We further demonstrate a possible use case of the system by inpainting the objects in 3D space that are found by the semantic image segmentation network. The implemented Android application performs real-time augmented reality at 30 fps while running the computationally efficient network that was proposed as a part of this thesis work in parallel

Visualising software in cyberspace

The problems of maintaining software systems are well documented. The increasing size and complexity of modern software serves only to worsen matters. Software maintainers are typically confronted with very large and very complex software systems, of which they may have little or no prior knowledge. At this stage they will normally have some maintenance task to perform, though possibly little indication of where or how to start. They need to investigate and understand the software to some extent in order to begin maintenance. This understanding process is termed program comprehension. There are various theories on program comprehension, many of which put emphasis on the construction of a mental model of the software within the mind of the maintainor. These same theories hypothesise a number of techniques employed by the maintainer for the creation and revision of this mental model. Software visualisation attempts to provide tool support for generating, supplementing and verifying the maintainer’s mental model. The majority of software visualisations to date have concentrated on producing two dimensional representations and animations of various aspects of a software system. Very little work has been performed previously regarding the issues involved in visualising software within a virtual reality environment. This research represents a significant first step into this exciting field and offers insight into the problems posed by this new media. This thesis provides an identification of the possibilities afforded byU3D graphics for software visualisation and program comprehension. It begins by defining seven key areas of 3D software visualisation, followed by the definition of two terms, visualisation and representation. These two terms provide a conceptual division between a visualisation and the elements of which it is comprised. This division enables improved discussion of the properties of a 3D visualisation and particularly the idenfification of properties that are desirable for a successful visualisation. A number of such desirable properties are suggested for both visualisations and representations, providing support for the design and evaluation of a 3D software visualisation system. Also presented are a number of prototype visualisations, each providing a different approach to the visualisation of a software system. The prototypes help demonstrate the practicalities and feasibility of 3D software visualisation. Evaluation of these prototypes is performed using a variety of techniques, the results of which emphasise the fact that there is substantial potential for the application of 3D graphics and virtual reality to software visualisation

Seeing the City Digitally

This book explores what's happening to ways of seeing urban spaces in the contemporary moment, when so many of the technologies through which cities are visualised are digital. Cities have always been pictured, in many media and for many different purposes. This edited collection explores how that picturing is changing in an era of digital visual culture. Analogue visual technologies like film cameras were understood as creating some sort of a trace of the real city. Digital visual technologies, in contrast, harvest and process digital data to create images that are constantly refreshed, modified and circulated. Each of the chapters in this volume examines a different example of this processual visuality is reconfiguring the spatial and temporal organisation of urban life

Three dimensional visualization of the World Wide Web

Although large-scale public hypermedia structures such as the World Wide Web are popularly referred to as "cyberspace", the extent to which they constitute a space in the everyday sense of the word is questionable. This paper reviews recent work in the area of three dimensional (3D) visualization of the Web that has attempted to depict it in the form of a recognizable space; in other words, as a navigable landscape that may be visibly populated by its users. Our review begins by introducing a range of visualizations that address different aspects of using the Web. These include visualizations of Web structure, especially of links, that act as 3D maps; browsing history; searches; evolution of the Web; and the presence and activities of multiple users. We then summarize the different techniques that are employed by these visualizations. We conclude with a discussion of key challenges for the future

Seeing the City Digitally

This book explores what's happening to ways of seeing urban spaces in the contemporary moment, when so many of the technologies through which cities are visualised are digital. Cities have always been pictured, in many media and for many different purposes. This edited collection explores how that picturing is changing in an era of digital visual culture. Analogue visual technologies like film cameras were understood as creating some sort of a trace of the real city. Digital visual technologies, in contrast, harvest and process digital data to create images that are constantly refreshed, modified and circulated. Each of the chapters in this volume examines a different example of this processual visuality is reconfiguring the spatial and temporal organisation of urban life

Visual sociology

The article offers an overview of the field of visual sociology. It examines the areas where visu- al sociology can provide an insightful perspective for the study of social reality and serves as an imagina- tive tool to work with a variety of research subjects. It outlines some specific methods for working with visual data and focuses on a few of the many fields where visual sociological methods can fruitfully be applied, such as the study of cities, public events and new media.info:eu-repo/semantics/publishedVersio

Metaphysical detectives and postmodern spaces, or the case of the missing boundaries

Taking as its point of departure Henri Lefebvre\u27s contention that (Social) space is a (social) product, my dissertation explores the contemporary American novels of Pynchon, Acker, Reed, Auster, DeLillo, and McElroy as well as the two recent films Dark City and The Thirteenth Floor and their dramatization of the production of twentieth-century social space. I approach these works as metaphysical detective stories which evoke the classic detective figure only to frustrate his impulse to solve and contain. Following Foucault\u27s contention that space is fundamental to any exercise of power, I suggest that the detective figure is significant to an understanding of the history of spatial production in that the detective both relies upon the striating logic of Western science as well as---particularly in his surveillance of the city---perpetuates that logic by rationally ordering the spaces he observes. The metaphysical detective, however, confronts the reconstituted space of postmodern culture, resulting largely from the globalization of capitalism and expanding technologies, which resists former logic-driven methods of delimiting social spaces and subjects in space. Through their appropriation of the classic detective, these metaphysical detective stories embody, then, a competing history of spatial logic that once exposed causes us to rethink the ideology of social space(s) in the West, while also shedding light on the ways in which gender, race, and class are both constructed within and act as formants in the production of space