Throwing away the textbook: a process drama approach to teaching ESL in China

The author considers the effectiveness of process drama as a pedagogical method and questions the difference between process drama and the kinds of role-play commonly used in ESL classes. Adopting a process drama methodology the author delivered two Oral English courses for undergraduate students and at the conclusion of the course invited the students to evaluate their learning in the form of a focus group. The results of the research suggest that there are distinct advantages to using a process drama approach to teaching oral English. Students on the course not only improved their self-confidence and operational performance but also exhibited behaviours commonly attributed to autonomous learners. They were also able to identify these improvements in themselves and engage in goal setting for future learning

English language in rural Malaysia: situating global literacies in local practices

This paper claims that underlying the naturalisation of teaching and learning of English in the Malaysian education system are ideological pressures and political dogmas, often emerging from colonial, urban/rural and even local ethnic conflicts and hierarchies. It suggests therein lie the inherent difficulties of teaching and learning English in rural communities in Malaysia. Three paradigms frame this view in the paper: the overarching view of literacy as a situated and variable social process; the use of an ethnographic perspective in investigating English language and literacy education in Malaysia; the stance on the need for Malaysians to acquire English as an additive rather than as a deficit philosophy

Asymmetrical cognitive load Imposed by processing native and non-native speech

Intonation affects information processing and comprehension. Previous research has found that some international teaching assistants (ITAs) fail to exploit English intonation, potentially posing processing difficulties to students who are native English speakers. However, researchers have also found that non-native listeners found it easier to process sentences given by a non-native speaker with a shared language background, leading to an interlanguage speech intelligibility benefit (ISIB). Therefore, how native speaker teaching assistant (NSTA)’s and ITA’s classroom speech affects the processing, comprehension, and attitudes of listeners with different language backgrounds needs to be further investigated. Using a dual-task paradigm, a comprehension questionnaire, and an attitudinal questionnaire, the present study investigates how the pronunciation and intonation of a NSTA and an ITA affect native English speakers’ and Mandarin-speaking English learners’ processing and comprehension of a lecture, and attitudes towards the two instructors. The present study found shared processing advantages when the listeners shared the L1 of the speaker, but overall lecture comprehension and attitude were unaffected. These findings support and extend prior research studies surveying ITAs’ intonational patterns and ISIB. These findings also have implications for research on the teaching of English pronunciation to non-native instructors.Published versio

Music for Integration Research Briefing (Poster)

Music as an inclusion tool for children has been proven useful because music is a non-discriminatory way of engaging people with little command of the local language. This A0 poster offers policy and education professionals at all levels tools to integrate newly-arrived children, including a theoretical framework, practical examples and strategies to develop new activities

Film policy and the emergence of the cross-cultural: exploring crossover cinema in Flanders (Belgium)

With several films taking on a cross-cultural character, a certain ‘crossover trend’ may be observed within the recent upswing of Flemish cinema (a subdivision of Belgian cinema). This trend is characterized by two major strands: first, migrant and diasporic filmmakers finally seem to be emerging, and second, several filmmakers tend to cross the globe to make their films, hereby minimizing links with Flemish indigenous culture. While paying special attention to the crucial role of film policy in this context, this contribution further investigates the crossover trend by focusing on Turquaze (2010, Kadir Balci) and Altiplano (2009, Peter Brosens & Jessica Woodworth)