Mastering Macbeth

The Tragedy of Macbeth is widely acknowledged as one of the theatre’s greatest tragedies. The play opens to the end of a massive battle in which Macbeth has just defeated the former Thane who sought to overthrow the king. Macbeth is given a prophecy by three witches, who promise that he will be king. To ensure the infallibility of the prophecy, Lady Macbeth plots the King’s murder and Macbeth does the deed. The Macbeths are crowned and are henceforth miserable, haunted by their guilt. The play is about a number of things such as political ambition, murder, love, and fate

A reescrita de Lady Macbeth por Leskov e os processos de adaptação e de apropriação

This article tries to provide a thorough analysis of Nikolai Leskov’s rewriting of Lady Macbeth, the Shakespearean character, in the novella Lady Macbeth of the Mtsensk District, from the perspective of Translation and Adaptation Studies. The focus will be placed on the ideology of the author who, with full knowledge, rewrites a previous work to adapt it to a specific context. Apart from Leskov’s work, attention will be also paid to two of its subsequent adaptations: Dmitri Shostakovich’s homonymous opera and William Oldroyd’s filmic version, Lady Macbeth. Finally, the importance of these processes for the development of target literary systems will be discussed and emphasized.Este artículo trata de ofrecer un exhaustivo análisis desde la perspectiva de los Estudios de Traducción y Adaptación sobre el proceso de reescritura de Lady Macbeth, el personaje shakesperiano, en la novela corta Lady Macbeth del Distrito de Mtsensk del escritor Nikolai Leskov. Para ello, se prestará especial atención a la ideología del autor, quien, de manera plenamente consciente, reescribe una obra anterior con el propósito de adaptarla a un contexto concreto. Aparte de la novela corta de Leskov, también analizaremos dos de sus adaptaciones posteriores: la ópera homónima de Dmitri Shostakovich y la versión cinematográfica de William Oldroyd, Lady Macbeth. Por último, destacaremos la importancia de estos procesos para el desarrollo literario de la cultura de llegada.Este artigo propõe uma análise exaustiva de Lady Macbeth, a personagem shakespeariana, na novela Lady Macbeth do Distrito de Mtsensk, na perspetiva dos Estudos de Tradução e de Adaptação. Será prestada especial atenção à ideologia do autor, que, de maneira plenamente consciente, reescreve uma obra anterior com o propósito de a adaptar a um contexto concreto. Para além da obra de Leskov, serão analisadas ainda duas adaptações posteriores da sua novela: a ópera homónima de Dmitri Shostakovich e a versão cinematográfica de William Oldroyd, Lady Macbeth. Finalmente, será discutida e enfatizada a importância destes processos para o desenvolvimento de sistemas literários de chegada

Masking Femininity: Women and Power in Shakespeare\u27s Macbeth, As You Like It, and Titus Andronicus

This paper analyzes the power that Lady Macbeth from Macbeth, Rosalind from As You Like It, and Tamora from Titus Andronicus assert and answers the questions of how women assert power in Shakespeare and the role gender plays in power

Noh Creation of Shakespeare

This article contains select comments and reviews on Noh Hamlet and Noh Othello in English and Noh King Lear in Japanese. The scripts from these performances were arranged based on Shakespeare’s originals and directed on stage and performed in English by Kuniyoshi Munakata from the early 1980s until 2014. Also, the whole text of Munakata’s Noh Macbeth in English (Munakata himself acted as Macbeth and Lady Macbeth in one play) is for the first time publicized. The writers of the comments and reviews include notable people such as John Fraser, Michael Barrett, Upton Murakami, Donald Richie, Rick Ansorg, James David Audlin, Jesper Keller, Jean-Claude Saint-Marc, Jean-Claude Baumier, Judy Kendall, Allan Owen, Yoshio ARAI, Yasumasa OKAMOTO, Tatsuhiko TAIRA, Hikaru ENDO, Kazumi YAMAGATA, Hanako ENDO, Yoshiko KAWACHI, Mari Boyd, and Daniel Gallimore

Matrix Completion from Fewer Entries: Spectral Detectability and Rank Estimation

The completion of low rank matrices from few entries is a task with many practical applications. We consider here two aspects of this problem: detectability, i.e. the ability to estimate the rank $r$ reliably from the fewest possible random entries, and performance in achieving small reconstruction error. We propose a spectral algorithm for these two tasks called MaCBetH (for Matrix Completion with the Bethe Hessian). The rank is estimated as the number of negative eigenvalues of the Bethe Hessian matrix, and the corresponding eigenvectors are used as initial condition for the minimization of the discrepancy between the estimated matrix and the revealed entries. We analyze the performance in a random matrix setting using results from the statistical mechanics of the Hopfield neural network, and show in particular that MaCBetH efficiently detects the rank $r$ of a large $n\times m$ matrix from $C(r)r\sqrt{nm}$ entries, where $C(r)$ is a constant close to $1$. We also evaluate the corresponding root-mean-square error empirically and show that MaCBetH compares favorably to other existing approaches.Comment: NIPS Conference 201

Some Japanese Shakespeare Productions in 2014-15

This essay focuses on some Shakespeare productions in Japan during 2014 and 2015. One is a Bunraku version of Falstaff, for which the writer himself wrote the script. It is an amalgamation of scenes from The Merry Wives of Windsor and those from Henry IV. It was highly reputed and its stage design was awarded a 2014 Yomiuri Theatre Award. Another is a production of Much Ado about Nothing produced by the writer himself in a theatre-in-the-round in his new translation. Another is a production of Macbeth arranged and directed by Mansai Nomura the Kyogen performer. All the characters besides Macbeth and Lady Macbeth were performed by the three witches, suggesting that the whole illusion was produced by the witches. It was highly acclaimed worldwide. Another is a production of Hamlet directed by Yukio Ninagawa, with Tatsuya Fujiwara in the title role. It was brought to the Barbican theatre. There were also many other Shakespeare productions to commemorate the 450th anniversary of Shakespeare’s birth

The Domination of Lady Macbeth in William Shakespeare’s Macbeth

Abstract In this scientific article analyzed a classic literary work of William Shakespeare's Macbeth using Sidanius Prato's social dominance theory which described the dominance of a female figure carried out by Lady Macbeth on King Macbeth power before and after being king in Scotland. And also the theory of supporting abjections according to Julia Kristeva who describes the identity that tries to break away from a pattern of a deviant community life that is described by the appointment of Lady Macbeth and King Macbeth, and the last theory of Sigmund Freud about psychosexual (castration anxiety and penis envy) to be able to support the broader domination of figures The woman concerned with social dominance at the appointment of women and men. Analysis In this article only focuses on two figures namely Lady Macbeth and King Macbeth. The conclusion in this article is where Lady Macbeth is able to teach and affect all decisions and actions of a King Macbeth

Craft in unexpected places

Within the shifting territories of craft practice, the handmade has become a relational form of contemporary activity that transforms our understanding of place through a hands-on, minds-on process of collective-making. The conceptual significance of craft is activated through a chance encounter with the handmade in daily life. During the article we aim to explore the confluence between crafting, social engagement, volunteering and the realms of education and creative practice that we have both experienced first hand. What will be revealed will be the voices of practitioners collectively exploring cloth’s potential as a metaphor for consciousness, carrier of narrative and catalyst for community empathy and cohesion. This will be informed by an enquiry into historical forms of communal crafting drawn from archival research at the Imperial War Museum London and Foundling Hospital Collection housed at the Foundling Museum in London and a primary case study of the workshop ‘Desconocida – Unknown – Ukjent’. We employ a method used in object-based research: a value system that can be applied to the consideration of cloth as an object of study – namely, the locational, iconographical, archival, aesthetic and transferral. Focusing particularly on the transferral and locational, we will examine the significance of the handmade gesture in particular artistic, political and social contexts. These visual and textual narratives will inform our perception of ‘Craft in unexpected places’ and bring visibility to a selection of craft interventions by making links between the wide-reaching possibilities for craft-based practices and their expressive potential within the social and political landscapes they inhabit

Labour justice and sustainable tourism: the centrality of equity as a sustainability principle

What we value is intricately linked to our morality and our ethics, whether personal or corporate. Sustainability is essentially a statement of morality, embeddlng as it does the notion of inter- and intra-generational equity, This includes, among other things, social justice, The values underlying tourism development are dominated by the corporate expedient of profit and by the State concern for wealth generation, irrespective of the impacts on workers