Image steganography based on color palette transformation in color space

In this paper, we present a novel image steganography method which is based on color palette transformation in color space. Most of the existing image steganography methods modify separate image pixels, and random noise appears in the image. By proposing a method, which changes the color palette of the image (all pixels of the same color will be changed to the same color), we achieve a higher user perception. Presented comparison of stegoimage quality metrics with other image steganography methods proved the new method is one of the best according to Structural Similarity Index (SSIM) and Peak Signal Noise Ratio (PSNR) values. The capability is average among other methods, but our method has a bigger capacity among methods with better SSIM and PSNR values. The color and pixel capability can be increased by using standard or adaptive color palette images with smoothing, but it will increase the embedding identification possibilityThis article is distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution, and reproduction in any medium, provided you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license, and indicate if changes were made.The research had no specific funding and was implemented as a master thesis in Šiauliai Univesity with the supervisor from Vilnius Gediminas Technical Universit

New watermarking methods for digital images.

The phenomenal spread of the Internet places an enormous demand on content-ownership-validation. In this thesis, four new image-watermarking methods are presented. One method is based on discrete-wavelet-transformation (DWT) only while the rest are based on DWT and singular-value-decomposition (SVD) ensemble. The main target for this thesis is to reach a new blind-watermarking-method. Method IV presents such watermark using QR-codes. The use of QR-codes in watermarking is novel. The choice of such application is based on the fact that QR-Codes have errors self-correction-capability of 5% or higher which satisfies the nature of digital-image-processing. Results show that the proposed-methods introduced minimal distortion to the watermarked images as compared to other methods and are robust against JPEG, resizing and other attacks. Moreover, watermarking-method-II provides a solution to the detection of false watermark in the literature. Finally, method IV presents a new QR-code guided watermarking-approach that can be used as a steganography as well. --Leaf ii.The original print copy of this thesis may be available here: http://wizard.unbc.ca/record=b183575

Data Hiding and Its Applications

Data hiding techniques have been widely used to provide copyright protection, data integrity, covert communication, non-repudiation, and authentication, among other applications. In the context of the increased dissemination and distribution of multimedia content over the internet, data hiding methods, such as digital watermarking and steganography, are becoming increasingly relevant in providing multimedia security. The goal of this book is to focus on the improvement of data hiding algorithms and their different applications (both traditional and emerging), bringing together researchers and practitioners from different research fields, including data hiding, signal processing, cryptography, and information theory, among others

Recent Advances in Signal Processing

The signal processing task is a very critical issue in the majority of new technological inventions and challenges in a variety of applications in both science and engineering fields. Classical signal processing techniques have largely worked with mathematical models that are linear, local, stationary, and Gaussian. They have always favored closed-form tractability over real-world accuracy. These constraints were imposed by the lack of powerful computing tools. During the last few decades, signal processing theories, developments, and applications have matured rapidly and now include tools from many areas of mathematics, computer science, physics, and engineering. This book is targeted primarily toward both students and researchers who want to be exposed to a wide variety of signal processing techniques and algorithms. It includes 27 chapters that can be categorized into five different areas depending on the application at hand. These five categories are ordered to address image processing, speech processing, communication systems, time-series analysis, and educational packages respectively. The book has the advantage of providing a collection of applications that are completely independent and self-contained; thus, the interested reader can choose any chapter and skip to another without losing continuity

Schémas de tatouage d'images, schémas de tatouage conjoint à la compression, et schémas de dissimulation de données

In this manuscript we address data-hiding in images and videos. Specifically we address robust watermarking for images, robust watermarking jointly with compression, and finally non robust data-hiding.The first part of the manuscript deals with high-rate robust watermarking. After having briefly recalled the concept of informed watermarking, we study the two major watermarking families : trellis-based watermarking and quantized-based watermarking. We propose, firstly to reduce the computational complexity of the trellis-based watermarking, with a rotation based embedding, and secondly to introduce a trellis-based quantization in a watermarking system based on quantization.The second part of the manuscript addresses the problem of watermarking jointly with a JPEG2000 compression step or an H.264 compression step. The quantization step and the watermarking step are achieved simultaneously, so that these two steps do not fight against each other. Watermarking in JPEG2000 is achieved by using the trellis quantization from the part 2 of the standard. Watermarking in H.264 is performed on the fly, after the quantization stage, choosing the best prediction through the process of rate-distortion optimization. We also propose to integrate a Tardos code to build an application for traitors tracing.The last part of the manuscript describes the different mechanisms of color hiding in a grayscale image. We propose two approaches based on hiding a color palette in its index image. The first approach relies on the optimization of an energetic function to get a decomposition of the color image allowing an easy embedding. The second approach consists in quickly obtaining a color palette of larger size and then in embedding it in a reversible way.Dans ce manuscrit nous abordons l’insertion de données dans les images et les vidéos. Plus particulièrement nous traitons du tatouage robuste dans les images, du tatouage robuste conjointement à la compression et enfin de l’insertion de données (non robuste).La première partie du manuscrit traite du tatouage robuste à haute capacité. Après avoir brièvement rappelé le concept de tatouage informé, nous étudions les deux principales familles de tatouage : le tatouage basé treillis et le tatouage basé quantification. Nous proposons d’une part de réduire la complexité calculatoire du tatouage basé treillis par une approche d’insertion par rotation, ainsi que d’autre part d’introduire une approche par quantification basée treillis au seind’un système de tatouage basé quantification.La deuxième partie du manuscrit aborde la problématique de tatouage conjointement à la phase de compression par JPEG2000 ou par H.264. L’idée consiste à faire en même temps l’étape de quantification et l’étape de tatouage, de sorte que ces deux étapes ne « luttent pas » l’une contre l’autre. Le tatouage au sein de JPEG2000 est effectué en détournant l’utilisation de la quantification basée treillis de la partie 2 du standard. Le tatouage au sein de H.264 est effectué à la volée, après la phase de quantification, en choisissant la meilleure prédiction via le processus d’optimisation débit-distorsion. Nous proposons également d’intégrer un code de Tardos pour construire une application de traçage de traîtres.La dernière partie du manuscrit décrit les différents mécanismes de dissimulation d’une information couleur au sein d’une image en niveaux de gris. Nous proposons deux approches reposant sur la dissimulation d’une palette couleur dans son image d’index. La première approche consiste à modéliser le problème puis à l’optimiser afin d’avoir une bonne décomposition de l’image couleur ainsi qu’une insertion aisée. La seconde approche consiste à obtenir, de manière rapide et sûre, une palette de plus grande dimension puis à l’insérer de manière réversible

ID Photograph hashing : a global approach

This thesis addresses the question of the authenticity of identity photographs, part of the documents required in controlled access. Since sophisticated means of reproduction are publicly available, new methods / techniques should prevent tampering and unauthorized reproduction of the photograph. This thesis proposes a hashing method for the authentication of the identity photographs, robust to print-and-scan. This study focuses also on the effects of digitization at hash level. The developed algorithm performs a dimension reduction, based on independent component analysis (ICA). In the learning stage, the subspace projection is obtained by applying ICA and then reduced according to an original entropic selection strategy. In the extraction stage, the coefficients obtained after projecting the identity image on the subspace are quantified and binarized to obtain the hash value. The study reveals the effects of the scanning noise on the hash values of the identity photographs and shows that the proposed method is robust to the print-and-scan attack. The approach focusing on robust hashing of a restricted class of images (identity) differs from classical approaches that address any imageCette thèse traite de la question de l’authenticité des photographies d’identité, partie intégrante des documents nécessaires lors d’un contrôle d’accès. Alors que les moyens de reproduction sophistiqués sont accessibles au grand public, de nouvelles méthodes / techniques doivent empêcher toute falsification / reproduction non autorisée de la photographie d’identité. Cette thèse propose une méthode de hachage pour l’authentification de photographies d’identité, robuste à l’impression-lecture. Ce travail met ainsi l’accent sur les effets de la numérisation au niveau de hachage. L’algorithme mis au point procède à une réduction de dimension, basée sur l’analyse en composantes indépendantes (ICA). Dans la phase d’apprentissage, le sous-espace de projection est obtenu en appliquant l’ICA puis réduit selon une stratégie de sélection entropique originale. Dans l’étape d’extraction, les coefficients obtenus après projection de l’image d’identité sur le sous-espace sont quantifiés et binarisés pour obtenir la valeur de hachage. L’étude révèle les effets du bruit de balayage intervenant lors de la numérisation des photographies d’identité sur les valeurs de hachage et montre que la méthode proposée est robuste à l’attaque d’impression-lecture. L’approche suivie en se focalisant sur le hachage robuste d’une classe restreinte d’images (d’identité) se distingue des approches classiques qui adressent une image quelconqu

Framing digital image credibility: image manipulation problems, perceptions and solutions

Image manipulation is subverting the credibility of photographs as a whole. Currently there is no practical solution for asserting the authenticity of a photograph. People express their concern about this when asked but continue to operate in a ‘business as usual’ fashion. While a range of digital forensic technologies has been developed to address falsification of digital photographs, such technologies begin with ‘sourceless’ images and conclude with results in equivocal terms of probability, while not addressing the meaning and content contained within the image. It is interesting that there is extensive research into computer-based image forgery detection, but very little research into how we as humans perceive, or fail to perceive, these forgeries when we view them. The survey, eye-gaze tracking experiments and neural network analysis undertaken in this research contribute to this limited pool of knowledge. The research described in this thesis investigates human perceptions of images that are manipulated and, by comparison, images that are not manipulated. The data collected, and their analyses, demonstrate that humans are poor at identifying that an image has been manipulated. I consider some of the implications of digital image manipulation, explore current approaches to image credibility, and present a potential digital image authentication framework that uses technology and tools that exploit social factors such as reputation and trust to create a framework for technologically packaging/wrapping images with social assertions of authenticity, and surfaced metadata information. The thesis is organised into 6 chapters. Chapter 1: Introduction I briefly introduce the history of photography, highlighting its importance as reportage, and discuss how it has changed from its introduction in the early 19th century to today. I discuss photo manipulation and consider how it has changed along with photography. I describe the relevant literature on the subject of image authentication and the use of eye gaze tracking and neural nets in identifying the role of human vision in image manipulation detection, and I describe my area of research within this context. Chapter 2: Literature review I describe the various types of image manipulation, giving examples, and then canvas the literature to describe the landscape of image manipulation problems and extant solutions, namely: • the nature of image manipulation, • investigations of human perceptions of image manipulation, • eye gaze tracking and manipulated images, • known efforts to create solutions to the problem of preserving unadulterated photographic representations and the meanings they hold. Finally, I position my research activities within the context of the literature. Chapter 3: The research I describe the survey and experiments I undertook to investigate attitudes toward image manipulation, research human perceptions of manipulated and unmanipulated images, and to trial elements of a new wrapper-style file format that I call .msci (mobile self-contained image), designed to address image authenticity issues. Methods, results and discussion for each element are presented in both explanatory text and by presentation of papers resulting from the experiments. Chapter 4: Analysis of eye gaze data using classification neural networks I describe pattern classifying neural network analysis applied to selected data obtained from the experiments and the insights this analysis provided into the opaque realm of cognitive perception as seen through the lens of eye gaze. Chapter 5: Discussion I synthesise and discuss the outcomes of the survey and experiments. I discuss the outcomes of this research, and consider the need for a distinction between photographs and photo art. I offer a theoretical formula within which the overall authenticity of an image can be assessed. In addition I present a potential image authentication framework built around the .msci file format, designed in consideration of my investigation of the requirements of the image manipulation problem space and the experimental work undertaken in this research. Chapter 6: Conclusions and future work This thesis concludes with a summary of the outcomes of my research, and I consider the need for future experimentation to expand on the insights gained to date. I also note some ways forward to develop an image authentication framework to address the ongoing problem of image authenticity