The Art of Exile: A Narrative for Social Justice in a Modern World

In this paper I will illustrate what exile art is, how it is influenced on a global platform, and the change it engenders. My research reveals a central theme of globalization in the exchange, mix, and clash of cultures and political views that accompany it as well as the spread of art and ideas. In my research I illustrate how political circumstance, and sense of responsibility to share a political narrative, propelled exile art from a personal to a political narrative. My research illustrates how, as displaced people stripped of a homeland, exiled artists have surfaced as a voice of awareness, social justice, and political change, giving a voice to those who have none. I emphasize how artists in exile communicate the internal struggle of being caught between two cultures. I discuss how the artists’ symbolic rendering of the imagined third spaces of exile illustrates the intimate and personal experience of exile. Further, my research seeks to understand the significance of how this artform is received on a global market

Community as Canvas: The Power of Culture in the Emergence of Intelligent Communities

Intelligent Communities are cities and regions that use information and communications technologies (ICT) to build prosperous economies, solve social problems and enrich their cultures in the 21st Century. Many people are familiar with the concept of the Smart City, which turns to technology for solutions to problems from traffic congestion to leakage from water mains, public safety to parking tickets. The Intelligent Community is the next evolutionary step. Intelligent Communities turn to technology not just to save money or make things work better: they create high quality employment, increase citizen participation and make themselves great places to live, work, start a business and prosper across generations.Each year, the Forum presents an awards program for Intelligent Communities. The program salutes their achievements in building those inclusive, prosperous economies on a foundation of ICT. In the process, it gathers data for ICF's research programs, which the Forum shares with other communities around the world.The Awards are divided into three phases,and the analysis becomes more detailed andrigorous at each successive stage

The rock: points of view in Bart De Clercq's painting

Images are of the order of monsters. They are beautiful in the same way that they are shocking to the eye. In Édouard Manet’s own words: “Un des plus beaux, des plus curieux, et des plus terribles spectacles que l’on puisse voir, c’est une course de taureaux. J’espère, à mon retour, mettre sur la toile l’aspect brillant, papillotant et en même temps dramatique de la corrida à laquelle j’ai assisté.” In the bullfighting occurring at the moment of looking at images (any image), the fight between the beholder’s eye and the painting’s gaze, in Lacan’s sense, is won by the latter. The toreros, the embodiment of modern warriors for the bourgeois spectators in the second half of the European XIX century, are always destined to symbolic death: the power of the (self-) annihilating gaze of the picture itself wins over the eye in the ritual of exchange between subjects and objects of looking, whose roles mingle, interchange and constantly shift during the realistic and also hallucinatory act of seeing images

Fake Tales of San Francisco

Prose by Michelé Strachota

New Deal Art: California

Traditionally, the years of the New Deal projects have been treated as a part of the Depression experience with an emphasis on their economic and social dimensions. Until recently, sporadic interest in the art of the period has usually focused on individual artists, not general movements in the art of the time. This has been particularly true in the western states. The purpose of the New Deal Art: California exhibition was to create an overview of the New Deal art projects by bringing together examples of art from the federal art programs in California. New Deal Art: California came about as the result of a chance remark made, by Dr. Francis V. O\u27Connor, Art Historical Consultant, on his first trip to the de Saisset Art Gallery and Museum in 1971. The original exploratory research he did revealed a wealth of information about California\u27s contribution to the Works Progress Administration\u27s Federal Art Project and the Treasury Programs. Dr. O\u27Connor\u27s initial work helped provide the foundation for two years of subsequent research into the historical and aesthetic climate that gave birth to New ,Deal Art in California. The results of our explorations, in both quantity and quality of resources, has far exceeded our original expectations.https://scholarcommons.scu.edu/faculty_books/1367/thumbnail.jp

To Find a Stairwell

To Find a Stairwell is an exploration and written supplement to my painted works and how it relates to loss, depression, and compulsive tendencies. Through examples of my own paintings and the research and influences leading my education is an articulate web chronicling two years of work from a focus in abstract painting to a place where representation and abstraction intersect