Mathematical modelling ano optimization strategies for acoustic source localization in reverberant environments

La presente Tesis se centra en el uso de técnicas modernas de optimización y de procesamiento de audio para la localización precisa y robusta de personas dentro de un entorno reverberante dotado con agrupaciones (arrays) de micrófonos. En esta tesis se han estudiado diversos aspectos de la localización sonora, incluyendo el modelado, la algoritmia, así como el calibrado previo que permite usar los algoritmos de localización incluso cuando la geometría de los sensores (micrófonos) es desconocida a priori. Las técnicas existentes hasta ahora requerían de un número elevado de micrófonos para obtener una alta precisión en la localización. Sin embargo, durante esta tesis se ha desarrollado un nuevo método que permite una mejora de más del 30\% en la precisión de la localización con un número reducido de micrófonos. La reducción en el número de micrófonos es importante ya que se traduce directamente en una disminución drástica del coste y en un aumento de la versatilidad del sistema final. Adicionalmente, se ha realizado un estudio exhaustivo de los fenómenos que afectan al sistema de adquisición y procesado de la señal, con el objetivo de mejorar el modelo propuesto anteriormente. Dicho estudio profundiza en el conocimiento y modelado del filtrado PHAT (ampliamente utilizado en localización acústica) y de los aspectos que lo hacen especialmente adecuado para localización. Fruto del anterior estudio, y en colaboración con investigadores del instituto IDIAP (Suiza), se ha desarrollado un sistema de auto-calibración de las posiciones de los micrófonos a partir del ruido difuso presente en una sala en silencio. Esta aportación relacionada con los métodos previos basados en la coherencia. Sin embargo es capaz de reducir el ruido atendiendo a parámetros físicos previamente conocidos (distancia máxima entre los micrófonos). Gracias a ello se consigue una mejor precisión utilizando un menor tiempo de cómputo. El conocimiento de los efectos del filtro PHAT ha permitido crear un nuevo modelo que permite la representación 'sparse' del típico escenario de localización. Este tipo de representación se ha demostrado ser muy conveniente para localización, permitiendo un enfoque sencillo del caso en el que existen múltiples fuentes simultáneas. La última aportación de esta tesis, es el de la caracterización de las Matrices TDOA (Time difference of arrival -Diferencia de tiempos de llegada, en castellano-). Este tipo de matrices son especialmente útiles en audio pero no están limitadas a él. Además, este estudio transciende a la localización con sonido ya que propone métodos de reducción de ruido de las medias TDOA basados en una representación matricial 'low-rank', siendo útil, además de en localización, en técnicas tales como el beamforming o el autocalibrado

A room acoustics measurement system using non-invasive microphone arrays

This thesis summarises research into adaptive room correction for small rooms and pre-recorded material, for example music of films. A measurement system to predict the sound at a remote location within a room, without a microphone at that location was investigated. This would allow the sound within a room to be adaptively manipulated to ensure that all listeners received optimum sound, therefore increasing their enjoyment. The solution presented used small microphone arrays, mounted on the room's walls. A unique geometry and processing system was designed, incorporating three processing stages, temporal, spatial and spectral. The temporal processing identifies individual reflection arrival times from the recorded data. Spatial processing estimates the angles of arrival of the reflections so that the three-dimensional coordinates of the reflections' origin can be calculated. The spectral processing then estimates the frequency response of the reflection. These estimates allow a mathematical model of the room to be calculated, based on the acoustic measurements made in the actual room. The model can then be used to predict the sound at different locations within the room. A simulated model of a room was produced to allow fast development of algorithms. Measurements in real rooms were then conducted and analysed to verify the theoretical models developed and to aid further development of the system. Results from these measurements and simulations, for each processing stage are presented

Reverberation: models, estimation and application

The use of reverberation models is required in many applications such as acoustic measurements, speech dereverberation and robust automatic speech recognition. The aim of this thesis is to investigate different models and propose a perceptually-relevant reverberation model with suitable parameter estimation techniques for different applications. Reverberation can be modelled in both the time and frequency domain. The model parameters give direct information of both physical and perceptual characteristics. These characteristics create a multidimensional parameter space of reverberation, which can be to a large extent captured by a time-frequency domain model. In this thesis, the relationship between physical and perceptual model parameters will be discussed. In the first application, an intrusive technique is proposed to measure the reverberation or reverberance, perception of reverberation and the colouration. The room decay rate parameter is of particular interest. In practical applications, a blind estimate of the decay rate of acoustic energy in a room is required. A statistical model for the distribution of the decay rate of the reverberant signal named the eagleMax distribution is proposed. The eagleMax distribution describes the reverberant speech decay rates as a random variable that is the maximum of the room decay rates and anechoic speech decay rates. Three methods were developed to estimate the mean room decay rate from the eagleMax distributions alone. The estimated room decay rates form a reverberation model that will be discussed in the context of room acoustic measurements, speech dereverberation and robust automatic speech recognition individually

A multimodal approach to blind source separation of moving sources

A novel multimodal approach is proposed to solve the problem of blind source separation (BSS) of moving sources. The challenge of BSS for moving sources is that the mixing filters are time varying; thus, the unmixing filters should also be time varying, which are difficult to calculate in real time. In the proposed approach, the visual modality is utilized to facilitate the separation for both stationary and moving sources. The movement of the sources is detected by a 3-D tracker based on video cameras. Positions and velocities of the sources are obtained from the 3-D tracker based on a Markov Chain Monte Carlo particle filter (MCMC-PF), which results in high sampling efficiency. The full BSS solution is formed by integrating a frequency domain blind source separation algorithm and beamforming: if the sources are identified as stationary for a certain minimum period, a frequency domain BSS algorithm is implemented with an initialization derived from the positions of the source signals. Once the sources are moving, a beamforming algorithm which requires no prior statistical knowledge is used to perform real time speech enhancement and provide separation of the sources. Experimental results confirm that by utilizing the visual modality, the proposed algorithm not only improves the performance of the BSS algorithm and mitigates the permutation problem for stationary sources, but also provides a good BSS performance for moving sources in a low reverberant environment

Binary Sparse Coding of Convolutive Mixtures for Sound Localization and Separation via Spatialization

We propose a sparse coding approach to address the problem of source-sensor localization and speech reconstruction. This approach relies on designing a dictionary of spatialized signals by projecting the microphone array recordings into the array manifolds characterized for different locations in a reverberant enclosure using the image model. Sparse representation over this dictionary enables identifying the subspace of the actual recordings and its correspondence to the source and sensor locations. The speech signal is reconstructed by inverse filtering the acoustic channels associated to the array manifolds. We provide rigorous analysis on the optimality of speech reconstruction by elucidating the links between inverse filtering and source separation followed by deconvolution. This procedure is evaluated for localization, reconstruction and recognition of simultaneous speech sources using real data recordings. The results demonstrate the effectiveness of the proposed approach and compare favorably against beamforming and independent component analysis techniques

Multimodal methods for blind source separation of audio sources

The enhancement of the performance of frequency domain convolutive blind source separation (FDCBSS) techniques when applied to the problem of separating audio sources recorded in a room environment is the focus of this thesis. This challenging application is termed the cocktail party problem and the ultimate aim would be to build a machine which matches the ability of a human being to solve this task. Human beings exploit both their eyes and their ears in solving this task and hence they adopt a multimodal approach, i.e. they exploit both audio and video modalities. New multimodal methods for blind source separation of audio sources are therefore proposed in this work as a step towards realizing such a machine. The geometry of the room environment is initially exploited to improve the separation performance of a FDCBSS algorithm. The positions of the human speakers are monitored by video cameras and this information is incorporated within the FDCBSS algorithm in the form of constraints added to the underlying cross-power spectral density matrix-based cost function which measures separation performance. [Continues.

Novel-View Acoustic Synthesis

We introduce the novel-view acoustic synthesis (NVAS) task: given the sight and sound observed at a source viewpoint, can we synthesize the sound of that scene from an unseen target viewpoint? We propose a neural rendering approach: Visually-Guided Acoustic Synthesis (ViGAS) network that learns to synthesize the sound of an arbitrary point in space by analyzing the input audio-visual cues. To benchmark this task, we collect two first-of-their-kind large-scale multi-view audio-visual datasets, one synthetic and one real. We show that our model successfully reasons about the spatial cues and synthesizes faithful audio on both datasets. To our knowledge, this work represents the very first formulation, dataset, and approach to solve the novel-view acoustic synthesis task, which has exciting potential applications ranging from AR/VR to art and design. Unlocked by this work, we believe that the future of novel-view synthesis is in multi-modal learning from videos.Comment: Project page: https://vision.cs.utexas.edu/projects/nva