Let Fame Sound the Trumpet

https://egrove.olemiss.edu/kgbsides_uk/2254/thumbnail.jp

Audio Classification from Time-Frequency Texture

Time-frequency representations of audio signals often resemble texture images. This paper derives a simple audio classification algorithm based on treating sound spectrograms as texture images. The algorithm is inspired by an earlier visual classification scheme particularly efficient at classifying textures. While solely based on time-frequency texture features, the algorithm achieves surprisingly good performance in musical instrument classification experiments

One King to Rule Them All

He battled for superiority over his fellow musicians in the shady nightclubs of New Orleans, led his great Creole Jazz Band in the early 1920s, and stood tall in the face of racial prejudice. Joe “King” Oliver was the type of man to not just survive but thrive—like any true king would

Boston University Symphony Orchestra, March 7, 2013

This is the concert program of the Boston University Symphony Orchestra performance on Thursday, March 7, 2013 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were Density 21.5 by Edgard Varèse, Shadow of Sound by Salvatore Sciarrino, and La mer by Claude Debussy. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

Boston University Choral Ensembles, November 14, 2008

This is the concert program of the Boston University Choral Ensembles performance on Friday, November 14, 2008 at 7:30 p.m., at Marsh Chapel, 735 Commonwealth Avenue, Boston, Massachusetts. Works performed were Come, Ye Sons of Art by Henry Purcell, The Snow and Fly, Singing Bird, Fly by Edward Elgar, Time by Srul Irving Glick, Confitebar by Nicola Porpora, I Just lightning by Libby Larsen, Mass in D, op. 86 by Antonín Dvořák, and Coronation Te Deum by William Walton. Digitization for Boston University Concert Programs was supported by the Boston University Center for the Humanities Library Endowed Fund

Boston University Men's Chorus, Women's Chorale and Chamber Chorus, February 7, 2004

This is the concert program of the Boston University Men's Chorus, Women's Chorale and Chamber Chorus performance on Saturday, February 7, 2004 at 8:00 p.m., at the Boston University Concert Hall 855 Commonwealth Avenue. Works performed were Part-Songs for male chorus by Franz Schubert, Romanzen für Frauenstimmen, Op. 69 by Robert Schumann, Vier Gesänge, Op. 17 by Johannes Brahms, and Zigeunerlieder, Op. 103 by Johannes Brahms. Digitization for Boston University Concert Programs was supported by the Boston University Center for the Humanities Library Endowed Fund