ESP, EMI and interculturality: How internationalised are university curricula in Catalonia?

This study analyses Internationalisation at Home (IaH) courses across a wide range of bachelor’s degrees, from humanities to hard sciences, in public universities in Catalonia, as an in-depth analysis of a South European context. IaH courses selected for analysis included courses (i) on international topics, (ii) taught in English and focusing on content (English-medium Instruction, EMI) and (iii) focusing on language, i.e. English for Specific Purposes (ESP). Results point to a high presence of international content courses, especially in humanities and social sciences, followed by EMI courses, although quantitatively scarce and mainly found in engineering. ESP courses are the least present despite their potential to prepare students for EMI. Reasons that may account for this IaH picture are presented. All in all, it seems that current policies leave language and intercultural competence in the hands of content lecturers, who may not have explicit language and intercultural learning outcomes in mind while it appears that the potential role of ESP as an internationalisation driver may be neglected. This paper thus argues for giving visibility to ESP courses and lecturers in their role for the promotion of curricular internationalisation.Postprint (published version

Tagging time in prolog : the temporality effect project

This article combines a brief introduction into a particular philosophical theory of "time" with a demonstration of how this theory has been implemented in a Literary Studies oriented Humanities Computing project. The aim of the project was to create a model of text-based time cognition and design customized markup and text analysis tools that help to understand ‘‘how time works’’: more precisely, how narratively organised and communicated information motivates readers to generate the mental image of a chronologically organized world. The approach presented is based on the unitary model of time originally proposed by McTaggart, who distinguished between two perspectives onto time, the so-called A- and B-series. The first step towards a functional Humanities Computing implementation of this theoretical approach was the development of TempusMarker—a software tool providing automatic and semi-automatic markup routines for the tagging of temporal expressions in natural language texts. In the second step we discuss the principals underlying TempusParser—an analytical tool that can reconstruct temporal order in events by way of an algorithm-driven process of analysis and recombination of textual segments during which the "time stamp" of each segment as indicated by the temporal tags is interpreted

Mapping Diversity of Publication Patterns in the Social Sciences and Humanities: An Approach Making Use of Fuzzy Cluster Analysis

&lt;b&gt;Purpose:&lt;/b&gt; To present a method for systematically mapping diversity of publication patterns at the author level in the social sciences and humanities in terms of publication type, publication language and co-authorship.&lt;br&gt;&lt;b&gt;Design/methodology/approach:&lt;/b&gt; In a follow-up to the hard partitioning clustering by Verleysen and Weeren in 2016, we now propose the complementary use of fuzzy cluster analysis, making use of a membership coefficient to study gradual differences between publication styles among authors within a scholarly discipline. The analysis of the probability density function of the membership coefficient allows to assess the distribution of publication styles within and between disciplines.&lt;br&gt;&lt;b&gt;Findings:&lt;/b&gt; As an illustration we analyze 1,828 productive authors affiliated in Flanders, Belgium. Whereas a hard partitioning previously identified two broad publication styles, an international one vs. a domestic one, fuzzy analysis now shows gradual differences among authors. Internal diversity also varies across disciplines and can be explained by researchers&#39; specialization and dissemination strategies.&lt;br&gt;&lt;b&gt;Research limitations:&lt;/b&gt; The dataset used is limited to one country for the years 2000-2011; a cognitive classification of authors may yield a different result from the affiliation-based classification used here.&lt;br&gt;&lt;b&gt;Practical implications:&lt;/b&gt; Our method is applicable to other bibliometric and research evaluation contexts, especially for the social sciences and humanities in non-Anglophone countries.&lt;br&gt;&lt;b&gt;Originality/value:&lt;/b&gt; The method proposed is a novel application of cluster analysis to the field of bibliometrics. Applied to publication patterns at the author level in the social sciences and humanities, for the first time it systematically documents intra-disciplinary diversity.&lt;b&gt;Purpose:&lt;/b&gt; To present a method for systematically mapping diversity of publication patterns at the author level in the social sciences and humanities in terms of publication type, publication language and co-authorship.&lt;br&gt;&lt;b&gt;Design/methodology/approach:&lt;/b&gt; In a follow-up to the hard partitioning clustering by Verleysen and Weeren in 2016, we now propose the complementary use of fuzzy cluster analysis, making use of a membership coefficient to study gradual differences between publication styles among authors within a scholarly discipline. The analysis of the probability density function of the membership coefficient allows to assess the distribution of publication styles within and between disciplines.&lt;br&gt;&lt;b&gt;Findings:&lt;/b&gt; As an illustration we analyze 1,828 productive authors affiliated in Flanders, Belgium. Whereas a hard partitioning previously identified two broad publication styles, an international one vs. a domestic one, fuzzy analysis now shows gradual differences among authors. Internal diversity also varies across disciplines and can be explained by researchers&#39; specialization and dissemination strategies.&lt;br&gt;&lt;b&gt;Research limitations:&lt;/b&gt; The dataset used is limited to one country for the years 2000-2011; a cognitive classification of authors may yield a different result from the affiliation-based classification used here.&lt;br&gt;&lt;b&gt;Practical implications:&lt;/b&gt; Our method is applicable to other bibliometric and research evaluation contexts, especially for the social sciences and humanities in non-Anglophone countries.&lt;br&gt;&lt;b&gt;Originality/value:&lt;/b&gt; The method proposed is a novel application of cluster analysis to the field of bibliometrics. Applied to publication patterns at the author level in the social sciences and humanities, for the first time it systematically documents intra-disciplinary diversity.</span

Sociolinguistics II: Deviance, Dystopia, And Democracy (LING82) Syllabus

This course builds upon foundational concepts in sociolinguistic theory to examine discourses of news and entertainment media, across science fiction and politics. Drawing upon contributions in applied linguistics, media studies, cultural studies, and archival research, we ask which realities are mirrored in our everyday language and in the fictional and sensationalized worlds we engage in through the media we consume. What role does science fiction play in our explorations of social difference, deviance, control, disability, sexuality, and normativity? Can science fiction assist the goals of social justice and democracy? How does language surface in the biopolitics of human and non-humans? Together, we will explore key film and television, and select novels by authors Max Brooks, Octavia Butler, and Philip K. Dick. Students will learn advanced methods and theories in multimodal critical discourse analysis and digital humanities

The Visual Guidance of Dance Images in Humanities Documentaries

Do communicators' emotional expressions in dance-themed visual expressions in humanities documentaries depend on the visual guidance of dance camera language? There is limited information related to humanities documentaries with dance as a theme in the literature. The purpose of this study was to examine the effect of the creator's visual guidance on an audience's perception of dance images. Based on a humanities documentary’s overall tone, the communicator selected appropriate dance sequences and dance clips and recorded them from a dancer's point of view to capture an image's moral expression and bring the humanities documentary to a climax. The study explored whether an audience’s perspective of visual information from a dance in which the dance body language is guided by a video varies from that perceived when watching the dance in the past. This analysis opens up new avenues for video display and dance representation for the expression of dance video, to satisfy an audience's sense of observation and communicate an emotional expression

Analyzing Audio/Visual Data in the Digital Humanities

The Bloomsbury Handbook to the Digital Humanities reconsiders key debates, methods, possibilities, and failings from across the digital humanities, offering a timely interrogation of the present and future of the arts and humanities in the digital age.Comprising 43 essays from some of the field\u27s leading scholars and practitioners, this comprehensive collection examines, among its many subjects, the emergence and ongoing development of DH, postcolonial digital humanities, feminist digital humanities, race and DH, multilingual digital humanities, media studies as DH, the failings of DH, critical digital humanities, the future of text encoding, cultural analytics, natural language processing, open access and digital publishing, digital cultural heritage, archiving and editing, sustainability, DH pedagogy, labour, artificial intelligence, the cultural economy, and the role of the digital humanities in climate change. From this chapter: We offer an observation, perhaps even provocation: DH is undergoing an A/V turn. The combination of access to data either through digitization or born-digital sources alongside advances in computing from memory to deep learning is resulting in a watershed moment for the analysis of audio and visual data in the field

Classical Studies for the New Millennium: Traditional Material Through new Methods and Perspectives

In her contribution ‘Classical Studies for the new millennium: traditional material through new methods and perspectives’, Eleni Bozia presents a variety of digital teaching examples that also address contemporary problems, such as identity politics from antiquity to contemporary time, the symbiotic relationship between humanities and technology, and the significance of language learning. Students are taught to work on ancient representations of ethnicity, race, and citizenship and their modern equivalents, engage with the significance of technology for the humanities and vice versa, and appreciate the politics of language in all disciplines and areas of research, by engaging in digital storytelling, using digital resources in sociolinguistic analysis of ancient and modern texts, and pursuing interdisciplinary projects

The art-space of a global community: the network of Baroque paintings in Hispanic-America

This paper presents the results of a multidisciplinary collaboration in Digital Humanities that focuses on the multi-scale analysis of the network of Baroque paintings in the territories of the Hispanic Monarchy from the 16th through the 18th centuries. We apply graph analysis and visualizations as well as natural language analysis over a database of over 11,000 artworks in order to address three types of questions related, respectively, to the formation and sustainability of large cultures, the semantic content of the network we analyze, and the role of art as an institution that contributes to sustain large-scale societies. The results also help to design a methodology that can be exported to other projects in Digital Humanities

Why Do Students Opt for English Medium Instruction in Humanities and Social Sciences in Sri Lanka?

English medium instruction (EMI) has become popular among students in humanities and social sciences around the world due to the perceived benefits of EMI. A similar tendency can be observed in Sri Lanka too. In particular, faculties of humanities and social sciences of&nbsp; Sri Lankan universities&nbsp; have also introduced their degree programmes in English. However, limited studies have been conducted to investigate the factors that influence students’ selection of EMI in these disciplines. Thus, employing non-probability sampling techniques the present study selected seventy-one (N-71) humanities and social sciences students from a state university in Sri Lanka. The data was collected through a Google form questionnaire to investigate the factors that influenced them to select EMI. Qualitative data obtained through the questionnaire were analyzed using directed content analysis approach. Employment prospects, developing English language skills, increased access to study materials, higher study prospects, upward social mobility and promotion of local culture were identified as the key determinants in selecting EMI among the participants. These findings are useful for various stakeholders including content teachers involved in EMI in universities, English language teaching staff, material designers and university administration to make appropriate decisions regarding English medium degree programmes and introduce appropriate English language programmes to enhance these students’ English language skills. DOI: http://doi.org/10.31357/fhss/vjhss.v08i02.0