Compatibility and Timing Attacks for JPEG Steganalysis

This paper introduces a novel compatibility attack to detect a steganographic message embedded in the DCT domain of a JPEG image at high-quality factors (close to 100). Because the JPEG compression is not a surjective function, i.e. not every DCT blocks can be mapped from a pixel block, embedding a message in the DCT domain can create incompatible blocks. We propose a method to find such a block, which directly proves that a block has been modified during the embedding. This theoretical method provides many advantages such as being completely independent to Cover Source Mismatch, having good detection power, and perfect reliability since false alarms are impossible as soon as incompatible blocks are found. We show that finding an incompatible block is equivalent to proving the infeasibility of an Integer Linear Programming problem. However, solving such a problem requires considerable computational power and has not been reached for 8x8 blocks. Instead, a timing attack approach is presented to perform steganalysis without potentially any false alarms for large computing power.Comment: Workshop on Information Hiding and Multimedia Security, ACM, Jun 2023, Chicago, United State

Detecting Digital Image Forgeries by Measuring Inconsistencies of Blocking Artifact

Digital images can be forged easily with today’s widely available image processing software. In this paper, we describe a passive approach to detect digital forgeries by checking inconsistencies of blocking artifact. Given a digital image, we find that the blocking artifacts introduced during JPEG compression could be used as a “natural authentication code”. A blocking artifact measure is then proposed based on the estimated quantization table using the power spectrum of the DCT coefficient histogram. Experimental results also demonstrate the validity of the proposed approach. 1

An Overview on Image Forensics

The aim of this survey is to provide a comprehensive overview of the state of the art in the area of image forensics. These techniques have been designed to identify the source of a digital image or to determine whether the content is authentic or modified, without the knowledge of any prior information about the image under analysis (and thus are defined as passive). All these tools work by detecting the presence, the absence, or the incongruence of some traces intrinsically tied to the digital image by the acquisition device and by any other operation after its creation. The paper has been organized by classifying the tools according to the position in the history of the digital image in which the relative footprint is left: acquisition-based methods, coding-based methods, and editing-based schemes

Media Forensics and DeepFakes: an overview

With the rapid progress of recent years, techniques that generate and manipulate multimedia content can now guarantee a very advanced level of realism. The boundary between real and synthetic media has become very thin. On the one hand, this opens the door to a series of exciting applications in different fields such as creative arts, advertising, film production, video games. On the other hand, it poses enormous security threats. Software packages freely available on the web allow any individual, without special skills, to create very realistic fake images and videos. So-called deepfakes can be used to manipulate public opinion during elections, commit fraud, discredit or blackmail people. Potential abuses are limited only by human imagination. Therefore, there is an urgent need for automated tools capable of detecting false multimedia content and avoiding the spread of dangerous false information. This review paper aims to present an analysis of the methods for visual media integrity verification, that is, the detection of manipulated images and videos. Special emphasis will be placed on the emerging phenomenon of deepfakes and, from the point of view of the forensic analyst, on modern data-driven forensic methods. The analysis will help to highlight the limits of current forensic tools, the most relevant issues, the upcoming challenges, and suggest future directions for research

Active and passive approaches for image authentication

Ph.DDOCTOR OF PHILOSOPH

System Steganalysis: Implementation Vulnerabilities and Side-Channel Attacks Against Digital Steganography Systems

Steganography is the process of hiding information in plain sight, it is a technology that can be used to hide data and facilitate secret communications. Steganography is commonly seen in the digital domain where the pervasive nature of media content (image, audio, video) provides an ideal avenue for hiding secret information. In recent years, video steganography has shown to be a highly suitable alternative to image and audio steganography due to its potential advantages (capacity, flexibility, popularity). An increased interest towards research in video steganography has led to the development of video stego-systems that are now available to the public. Many of these stego-systems have not yet been subjected to analysis or evaluation, and their capabilities for performing secure, practical, and effective video steganography are unknown. This thesis presents a comprehensive analysis of the state-of-the-art in practical video steganography. Video-based stego-systems are identified and examined using steganalytic techniques (system steganalysis) to determine the security practices of relevant stego-systems. The research in this thesis is conducted through a series of case studies that aim to provide novel insights in the field of steganalysis and its capabilities towards practical video steganography. The results of this work demonstrate the impact of system attacks over the practical state-of-the-art in video steganography. Through this research, it is evident that video-based stego-systems are highly vulnerable and fail to follow many of the well-understood security practices in the field. Consequently, it is possible to confidently detect each stego-system with a high rate of accuracy. As a result of this research, it is clear that current work in practical video steganography demonstrates a failure to address key principles and best practices in the field. Continued efforts to address this will provide safe and secure steganographic technologies

Multimedia Forensics

This book is open access. Media forensics has never been more relevant to societal life. Not only media content represents an ever-increasing share of the data traveling on the net and the preferred communications means for most users, it has also become integral part of most innovative applications in the digital information ecosystem that serves various sectors of society, from the entertainment, to journalism, to politics. Undoubtedly, the advances in deep learning and computational imaging contributed significantly to this outcome. The underlying technologies that drive this trend, however, also pose a profound challenge in establishing trust in what we see, hear, and read, and make media content the preferred target of malicious attacks. In this new threat landscape powered by innovative imaging technologies and sophisticated tools, based on autoencoders and generative adversarial networks, this book fills an important gap. It presents a comprehensive review of state-of-the-art forensics capabilities that relate to media attribution, integrity and authenticity verification, and counter forensics. Its content is developed to provide practitioners, researchers, photo and video enthusiasts, and students a holistic view of the field

Multimedia Forensics

This book is open access. Media forensics has never been more relevant to societal life. Not only media content represents an ever-increasing share of the data traveling on the net and the preferred communications means for most users, it has also become integral part of most innovative applications in the digital information ecosystem that serves various sectors of society, from the entertainment, to journalism, to politics. Undoubtedly, the advances in deep learning and computational imaging contributed significantly to this outcome. The underlying technologies that drive this trend, however, also pose a profound challenge in establishing trust in what we see, hear, and read, and make media content the preferred target of malicious attacks. In this new threat landscape powered by innovative imaging technologies and sophisticated tools, based on autoencoders and generative adversarial networks, this book fills an important gap. It presents a comprehensive review of state-of-the-art forensics capabilities that relate to media attribution, integrity and authenticity verification, and counter forensics. Its content is developed to provide practitioners, researchers, photo and video enthusiasts, and students a holistic view of the field