1,628 research outputs found

    Audio-Material Modeling and Reconstruction for Multimodal Interaction

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    Interactive virtual environments enable the creation of training simulations, games, and social applications. These virtual environments can create a sense of presence in the environment: a sensation that its user is truly in another location. To maintain presence, interactions with virtual objects should engage multiple senses. Furthermore, multisensory input should be consistent, e.g. a virtual bowl that visually appears plastic should also sound like plastic when dropped on the floor. In this dissertation, I propose methods to improve the perceptual realism of virtual object impact sounds and ensure consistency between those sounds and the input from other senses. Recreating the impact sound of a real-world object requires an accurate estimate of that object's material parameters. The material parameters that affect impact sound---collectively forming the audio-material---include the material damping parameters for a damping model. I propose and evaluate damping models and use them to estimate material damping parameters for real-world objects. I also consider how interaction with virtual objects can be made more consistent between the senses of sight, hearing, and touch. First, I present a method for modeling the damping behavior of impact sounds, using generalized proportional damping to both estimate more expressive material damping parameters from recorded impact sounds and perform impact sound synthesis. Next, I present a method for estimating material damping parameters in the presence of confounding factors and with no knowledge of the object's shape. To accomplish this, a probabilistic damping model captures various external effects to produce robust damping parameter estimates. Next, I present a method for consistent multimodal interaction with textured surfaces. Texture maps serve as a single unified representation of mesoscopic detail for the purposes of visual rendering, sound synthesis, and rigid-body simulation. Finally, I present a method for geometry and material classification using multimodal audio-visual input. Using this method, a real-world scene can be scanned and virtually reconstructed while accurately modeling both the visual appearances and audio-material parameters of each object.Doctor of Philosoph

    Study of flutter related computational procedures for minimum weight structural sizing of advanced aircraft, supplemental data

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    Computational aspects of (1) flutter optimization (minimization of structural mass subject to specified flutter requirements), (2) methods for solving the flutter equation, and (3) efficient methods for computing generalized aerodynamic force coefficients in the repetitive analysis environment of computer-aided structural design are discussed. Specific areas included: a two-dimensional Regula Falsi approach to solving the generalized flutter equation; method of incremented flutter analysis and its applications; the use of velocity potential influence coefficients in a five-matrix product formulation of the generalized aerodynamic force coefficients; options for computational operations required to generate generalized aerodynamic force coefficients; theoretical considerations related to optimization with one or more flutter constraints; and expressions for derivatives of flutter-related quantities with respect to design variables

    Model Reduction of Muscle-Driven Tissue Models

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    Biomechanical simulations are a necessary tool for a proper understanding of biomechanics and hence are subject to intense research. One field that relies on this research is articulatory speech synthesis as it attempts to simulate the physics of the speech production process. Out of the many aspects involved, muscle driven tissue is one of the most important as it is required to simulate the deformable structures of the vocal tract. Modelling of muscle driven tissue requires continuum models of high complexity for the purpose of accuracy. On the other hand, time-efficient models are desirable in order to provide fast simulations which enable the user to test input parameters interactively. These requirements impose limitations on each other as the time-efficiency of a model is reduced with increasing complexity, hence techniques that can bridge the gap between these requirements are needed. This thesis attempts to bridge this gap through two major contributions. Model reduction techniques, that up until now have only been applied to inactive materials, have been implemented and tested for muscle driven tissue models. The implementation has been made in a general way to ensure that it can be used for biomechanical simulations in other fields than articulatory speech synthesis. In addition, the implementation has been made such that it can handle more advanced simulations than those investigated in this thesis. The simulations show acceptable but not ideal accuracy in both dynamic simulations and in measurements of equilibrium configurations. In addition, the reduced simulations using hyperreduction show good speedup for the more complex models investigated

    Analysis, preliminary design and simulation systems for control-structure interaction problems

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    Software aspects of control-structure interaction (CSI) analysis are discussed. The following subject areas are covered: (1) implementation of a partitioned algorithm for simulation of large CSI problems; (2) second-order discrete Kalman filtering equations for CSI simulations; and (3) parallel computations and control of adaptive structures

    Accurate sound synthesis of 3D object collisions in interactive virtual scenarios

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    Questa tesi affronta lo studio di algoritmi efficienti per la sintesi di suoni risultanti dalla collisione di oggetti generici, partendo da una descrizione fisica del problema. L'obiettivo della ricerca e' lo sviluppo di strumenti in grado di aumentare l'accuratezza del feedback uditivo in ambienti di realta' virtuale attraverso un approccio basato sulla fisica, senza il bisogno quindi di far riferimento a suoni pre-registrati. Data la loro versatilita' nel trattare geometrie complesse, i metodi agli elementi finiti (FEM) sono stati scelti per la discretizzazione spaziale di generici risonatori tridimensionali. Le risultanti equazioni discrete sono riarrangiate in modo da disaccoppiare i modi normali del sistema tramite l'utilizzo di tecniche di Analisi e Sintesi Modale. Queste tecniche, infatti, portano convenientemente ad algoritmi computazionalmente efficienti per la sintesi del suono. Implementazioni di esempio di tali algoritmi sono state sviluppate facendo uso solo di software open-source: questo materiale a corredo della tesi permette una migliore riproducibilita' dei risultati di questa tesi da parte di ricercatori aventi una preparazione nel campo della sintesi audio. I risultati originali presenti in questo lavoro includono: i tecniche efficienti basate sulla fisica che aiutano l'implementazione in tempo reale di algoritmi di sintesi del suono su hardware comune; ii un metodo per la gestione efficiente dei dati provenienti da analisi FEM che, assieme ad un modello espressivo per la dissipazione, permette di calcolare l'informazione caratterizzante un oggetto risonante e salvarla in una struttura dati compatta iii una trasformazione nel dominio discreto del tempo su due diverse rappresentazioni nello spazio degli stati di filtri digitali del secondo ordine, che permette il calcolo esatto di variabili derivate come la velocita' e l'energia di un risonatore anche quando semplici realizzazioni a soli poli sono impiegate i un'efficiente realizzazione multirate di un banco parallelo di risonatori, derivata usando una suddivisione con Quadrature-Mirror-Filters (QMF). Confrontata con lavori simili presenti in letteratura, questa realizzazione permette l'uso di eccitazione nonlineare in feedback per un banco di risonatori in multirate: l'idea chiave consiste nello svolgere un cambio di stato adattivo nel banco di risonatori, muovendo i risonatori dalla frequenza di campionamento elevata, usata per il processamento della fase transiente, ad un insieme di sottofrequenze ridotte usate durante l'evoluzione in stato libero del sistema.This thesis investigates efficient algorithms for the synthesis of sounds produced by colliding objects, starting from a physical description of the problem. The objective of this investigation is to provide tools capable of increasing the accuracy of the synthetic auditory feedback in virtual environments through a physics-based approach, hence without the need of pre-recorded sounds. Due to their versatility in dealing with complex geometries, Finite Element Methods (FEM) are chosen for the space-domain discretization of generic three-dimensional resonators. The resulting state-space representations are rearranged so as to decouple the normal modes in the corresponding equations, through the use of Modal Analysis/Synthesis techniques. Such techniques, in fact, conveniently lead to computationally efficient sound synthesis algorithms. The whole mathematical treatment develops until deriving such algorithms. Finally, implementation examples are provided which rely only on open-source software: this companion material guarantees the reproducibility of the results, and can be handled without much effort by most researchers having a background in sound processing. The original results presented in this work include: i efficient physics-based techniques that help implement real-time sound synthesis algorithms on common hardware; ii a method for the efficient management of FEM data which, by working together with an expressive damping model, allows to pre-compute the information characterizing a resonating object and then to store it in a compact data structure; iii a time-domain transformation of the state-space representation of second-order digital filters, allowing for the exact computation of dependent variables such as resonator velocity and energy, even when simple all-pole realizations are used; iv an efficient multirate realization of a parallel bank of resonators, which is derived using a Quadrature-Mirror-Filters (QMF) subdivision. Compared to similar works previously proposed in the literature, this realization allows for the nonlinear feedback excitation of a multirate filter bank: the key idea is to perform an adaptive state change in the resonator bank, by switching the sampling rate of the resonators from a common highest value, used while processing the initial transient of the signals at full bandwidth, to a set of lower values in ways to enable a multirate realization of the same bank during the steady state evolution of the signals

    A perceptually evaluated signal model:Collisions between a vibrating object and an obstacle

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    The collision interaction mechanism between a vibrating string and a non-resonant obstacle is at the heart of many musical instruments. This paper focuses on the identification of perceptually salient auditory features related to this phenomenon. The objective is to design a signal-based synthesis process, with an eye towards developing intuitive control strategies. To this end, a database of synthesized sounds is assembled through physics-based emulation of a string/obstacle collision, in order to characterize the effect of collisions on time-frequency content. The investigation of this database reveals characteristic time-frequency patterns related to the position of the obstacle during the interaction. In particular, a frequency shift of certain modes is apparent for strong interactions, which, alongside the generation of new frequency components, leads to increased perceived roughness and inharmonicity. These observations enable the design of a real-time compatible signal-based sound synthesis process, with a mapping of synthesis parameters linked to the perceived location of the obstacle. The accuracy of the signal model with respect to the physical model sound output and recorded sounds was evaluated through listening tests: time-frequency patterns reproduced by the signal model enabled listeners to precisely recognize the transverse location of the obstacle

    Adaptive Modeling of Details for Physically-based Sound Synthesis and Propagation

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    In order to create an immersive virtual world, it is crucial to incorporate a realistic aural experience that complements the visual sense. Physically-based sound simulation is a method to achieve this goal and automatically provides audio-visual correspondence. It simulates the physical process of sound: the pressure variations of a medium originated from some vibrating surface (sound synthesis), propagating as waves in space and reaching human ears (sound propagation). The perceived realism of simulated sounds depends on the accuracy of the computation methods and the computational resource available, and oftentimes it is not feasible to use the most accurate technique for all simulation targets. I propose techniques that model the general sense of sounds and their details separately and adaptively to balance the realism and computational costs of sound simulations. For synthesizing liquid sounds, I present a novel approach that generate sounds due to the vibration of resonating bubbles. My approach uses three levels of bubble modeling to control the trade-offs between quality and efficiency: statistical generation from liquid surface configuration,explicitly tracking of spherical bubbles, and decomposition of non-spherical bubbles to spherical harmonics. For synthesizing rigid-body contact sounds, I propose to improve the realism in two levels using example recordings: first, material parameters that preserve the inherent quality of the recorded material are estimated; then extra details from the example recording that are not fully captured by the material parameters are computed and added. For simulating sound propagation in large, complex scenes, I present a novel hybrid approach that couples numerical and geometric acoustic techniques. By decomposing the spatial domain of a scene and applying the more accurate and expensive numerical acoustic techniques only in limited regions, a user is able to allocate computation resources on where it matters most.Doctor of Philosoph

    Modeling, Analysis, and Optimization Issues for Large Space Structures

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    Topics concerning the modeling, analysis, and optimization of large space structures are discussed including structure-control interaction, structural and structural dynamics modeling, thermal analysis, testing, and design
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