Volume 39, Number 03 (March 1921)

Practical Phases of Modern Pianoforte Study Mercenary Methods and the Result Teacher Who Makes You Work Some Common Failings and Their Correction Young at Seventy, Old at Forty Be Comfortable While You Teach: A Word of Advice to Young Teachers Steps in Learning to Compose Learning to Like the Classics Perspective in Teaching Arm Relaxation Applied to Finger Work Life Maxims of Great Musicians Negative Criticism and Why It Fails Soul of Poland in Music Is the Development of High Speed Desirable in the Study of Scales and Arpeggios? Getting Ready for a Recital Unfair Competition Suggestions to Young Concert Artists Orchestral Paint Box Two Mothers and Two Daughters Different Method What is the Best Method? Which Fingers Have You? Secrets of the Success of Great Musicians Relations of the Arts Right Word Irresistible Personality Training the Muscular Sense in Piano Playing Beethoven Anecdotes Connecting Musicians with Banks Heed the Fingering Mark the Counts with Roman Numerals Are you Stagnating at Forty—Try Music Prejudiced Pupils Music Necessarily a Slow Growth Steps in Sight-Reading Music in the Harem How to Keep From Being Discouraged When the Player-Piano Balkshttps://digitalcommons.gardner-webb.edu/etude/1676/thumbnail.jp

Volume 24, Number 03 (March 1906)

Making a Modern Conservatory of Music: What an Endowment is Doing for the Institute of Musical Art, New York City Polyphonic Music as Related to Modern Art and Education in Music John Knowles Paine: The First of the Great American Composers Medieval Musical Entertainment Pianoforte Four-Hand Compositions Secret of Successful Work Some Mistakes in Teaching How to Prepare and Conduct Class Meetings Abt Vogler Poems a Musician Should Know, with Suggestions for Their Studyhttps://digitalcommons.gardner-webb.edu/etude/1511/thumbnail.jp

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