Inpainting of long audio segments with similarity graphs

We present a novel method for the compensation of long duration data loss in audio signals, in particular music. The concealment of such signal defects is based on a graph that encodes signal structure in terms of time-persistent spectral similarity. A suitable candidate segment for the substitution of the lost content is proposed by an intuitive optimization scheme and smoothly inserted into the gap, i.e. the lost or distorted signal region. Extensive listening tests show that the proposed algorithm provides highly promising results when applied to a variety of real-world music signals

Introducing SPAIN (SParse Audio INpainter)

A novel sparsity-based algorithm for audio inpainting is proposed. It is an adaptation of the SPADE algorithm by Kiti\'c et al., originally developed for audio declipping, to the task of audio inpainting. The new SPAIN (SParse Audio INpainter) comes in synthesis and analysis variants. Experiments show that both A-SPAIN and S-SPAIN outperform other sparsity-based inpainting algorithms. Moreover, A-SPAIN performs on a par with the state-of-the-art method based on linear prediction in terms of the SNR, and, for larger gaps, SPAIN is even slightly better in terms of the PEMO-Q psychoacoustic criterion

Deep speech inpainting of time-frequency masks

Transient loud intrusions, often occurring in noisy environments, can completely overpower speech signal and lead to an inevitable loss of information. While existing algorithms for noise suppression can yield impressive results, their efficacy remains limited for very low signal-to-noise ratios or when parts of the signal are missing. To address these limitations, here we propose an end-to-end framework for speech inpainting, the context-based retrieval of missing or severely distorted parts of time-frequency representation of speech. The framework is based on a convolutional U-Net trained via deep feature losses, obtained using speechVGG, a deep speech feature extractor pre-trained on an auxiliary word classification task. Our evaluation results demonstrate that the proposed framework can recover large portions of missing or distorted time-frequency representation of speech, up to 400 ms and 3.2 kHz in bandwidth. In particular, our approach provided a substantial increase in STOI & PESQ objective metrics of the initially corrupted speech samples. Notably, using deep feature losses to train the framework led to the best results, as compared to conventional approaches.Comment: Accepted to InterSpeech202

Audio-Visual Speech Inpainting with Deep Learning

In this paper, we present a deep-learning-based framework for audio-visual speech inpainting, i.e., the task of restoring the missing parts of an acoustic speech signal from reliable audio context and uncorrupted visual information. Recent work focuses solely on audio-only methods and generally aims at inpainting music signals, which show highly different structure than speech. Instead, we inpaint speech signals with gaps ranging from 100 ms to 1600 ms to investigate the contribution that vision can provide for gaps of different duration. We also experiment with a multi-task learning approach where a phone recognition task is learned together with speech inpainting. Results show that the performance of audio-only speech inpainting approaches degrades rapidly when gaps get large, while the proposed audio-visual approach is able to plausibly restore missing information. In addition, we show that multi-task learning is effective, although the largest contribution to performance comes from vision

Diffusion-Based Audio Inpainting

Audio inpainting aims to reconstruct missing segments in corrupted recordings. Previous methods produce plausible reconstructions when the gap length is shorter than about 100\;ms, but the quality decreases for longer gaps. This paper explores recent advancements in deep learning and, particularly, diffusion models, for the task of audio inpainting. The proposed method uses an unconditionally trained generative model, which can be conditioned in a zero-shot fashion for audio inpainting, offering high flexibility to regenerate gaps of arbitrary length. An improved deep neural network architecture based on the constant-Q transform, which allows the model to exploit pitch-equivariant symmetries in audio, is also presented. The performance of the proposed algorithm is evaluated through objective and subjective metrics for the task of reconstructing short to mid-sized gaps. The results of a formal listening test show that the proposed method delivers a comparable performance against state-of-the-art for short gaps, while retaining a good audio quality and outperforming the baselines for the longest gap lengths tested, 150\;ms and 200\;ms. This work helps improve the restoration of sound recordings having fairly long local disturbances or dropouts, which must be reconstructed.Comment: Submitted for publication to the Journal of Audio Engineering Society on January 30th, 202