Deep CNN Framework for Audio Event Recognition using Weakly Labeled Web Data

The development of audio event recognition models requires labeled training data, which are generally hard to obtain. One promising source of recordings of audio events is the large amount of multimedia data on the web. In particular, if the audio content analysis must itself be performed on web audio, it is important to train the recognizers themselves from such data. Training from these web data, however, poses several challenges, the most important being the availability of labels : labels, if any, that may be obtained for the data are generally {\em weak}, and not of the kind conventionally required for training detectors or classifiers. We propose that learning algorithms that can exploit weak labels offer an effective method to learn from web data. We then propose a robust and efficient deep convolutional neural network (CNN) based framework to learn audio event recognizers from weakly labeled data. The proposed method can train from and analyze recordings of variable length in an efficient manner and outperforms a network trained with {\em strongly labeled} web data by a considerable margin

Visual Concept Detection in Images and Videos

The rapidly increasing proliferation of digital images and videos leads to a situation where content-based search in multimedia databases becomes more and more important. A prerequisite for effective image and video search is to analyze and index media content automatically. Current approaches in the field of image and video retrieval focus on semantic concepts serving as an intermediate description to bridge the “semantic gap” between the data representation and the human interpretation. Due to the large complexity and variability in the appearance of visual concepts, the detection of arbitrary concepts represents a very challenging task. In this thesis, the following aspects of visual concept detection systems are addressed: First, enhanced local descriptors for mid-level feature coding are presented. Based on the observation that scale-invariant feature transform (SIFT) descriptors with different spatial extents yield large performance differences, a novel concept detection system is proposed that combines feature representations for different spatial extents using multiple kernel learning (MKL). A multi-modal video concept detection system is presented that relies on Bag-of-Words representations for visual and in particular for audio features. Furthermore, a method for the SIFT-based integration of color information, called color moment SIFT, is introduced. Comparative experimental results demonstrate the superior performance of the proposed systems on the Mediamill and on the VOC Challenge. Second, an approach is presented that systematically utilizes results of object detectors. Novel object-based features are generated based on object detection results using different pooling strategies. For videos, detection results are assembled to object sequences and a shot-based confidence score as well as further features, such as position, frame coverage or movement, are computed for each object class. These features are used as additional input for the support vector machine (SVM)-based concept classifiers. Thus, other related concepts can also profit from object-based features. Extensive experiments on the Mediamill, VOC and TRECVid Challenge show significant improvements in terms of retrieval performance not only for the object classes, but also in particular for a large number of indirectly related concepts. Moreover, it has been demonstrated that a few object-based features are beneficial for a large number of concept classes. On the VOC Challenge, the additional use of object-based features led to a superior performance for the image classification task of 63.8% mean average precision (AP). Furthermore, the generalization capabilities of concept models are investigated. It is shown that different source and target domains lead to a severe loss in concept detection performance. In these cross-domain settings, object-based features achieve a significant performance improvement. Since it is inefficient to run a large number of single-class object detectors, it is additionally demonstrated how a concurrent multi-class object detection system can be constructed to speed up the detection of many object classes in images. Third, a novel, purely web-supervised learning approach for modeling heterogeneous concept classes in images is proposed. Tags and annotations of multimedia data in the WWW are rich sources of information that can be employed for learning visual concepts. The presented approach is aimed at continuous long-term learning of appearance models and improving these models periodically. For this purpose, several components have been developed: a crawling component, a multi-modal clustering component for spam detection and subclass identification, a novel learning component, called “random savanna”, a validation component, an updating component, and a scalability manager. Only a single word describing the visual concept is required to initiate the learning process. Experimental results demonstrate the capabilities of the individual components. Finally, a generic concept detection system is applied to support interdisciplinary research efforts in the field of psychology and media science. The psychological research question addressed in the field of behavioral sciences is, whether and how playing violent content in computer games may induce aggression. Therefore, novel semantic concepts most notably “violence” are detected in computer game videos to gain insights into the interrelationship of violent game events and the brain activity of a player. Experimental results demonstrate the excellent performance of the proposed automatic concept detection approach for such interdisciplinary research

Large-Scale Video Event Detection

Because of the rapid growth of large scale video recording and sharing, there is a growing need for robust and scalable solutions for analyzing video content. The ability to detect and recognize video events that capture real-world activities is one of the key and complex problems. This thesis aims at the development of robust and efficient solutions for large scale video event detection systems. In particular, we investigate the problem in two areas: first, event detection with automatically discovered event specific concepts with organized ontology, and second, event detection with multi-modality representations and multi-source fusion. Existing event detection works use various low-level features with statistical learning models, and achieve promising performance. However, such approaches lack the capability of interpreting the abundant semantic content associated with complex video events. Therefore, mid-level semantic concept representation of complex events has emerged as a promising method for understanding video events. In this area, existing works can be categorized into two groups: those that manually define a specialized concept set for a specific event, and those that apply a general concept lexicon directly borrowed from existing object, scene and action concept libraries. The first approach seems to require tremendous manual efforts, whereas the second approach is often insufficient in capturing the rich semantics contained in video events. In this work, we propose an automatic event-driven concept discovery method, and build a large-scale event and concept library with well-organized ontology, called EventNet. This method is different from past work that applies a generic concept library independent of the target while not requiring tedious manual annotations. Extensive experiments over the zero-shot event retrieval task when no training samples are available show that the proposed EventNet library consistently and significantly outperforms the state-of-the-art methods. Although concept-based event representation can interpret the semantic content of video events, in order to achieve high accuracy in event detection, we also need to consider and combine various features of different modalities and/or across different levels. One one hand, we observe that joint cross-modality patterns (e.g., audio-visual pattern) often exist in videos and provide strong multi-modal cues for detecting video events. We propose a joint audio-visual bi-modal codeword representation, called bi-modal words, to discover cross-modality correlations. On the other hand, combining features from multiple sources often produces performance gains, especially when the features complement with each other. Existing multi-source late fusion methods usually apply direct combination of confidence scores from different sources. This becomes limiting because heterogeneous results from various sources often produce incomparable confidence scores at different scales. This makes direct late fusion inappropriate, thus posing a great challenge. Based upon the above considerations, we propose a robust late fusion method with rank minimization, that not only achieves isotonicity among various scores from different sources, but also recovers a robust prediction score for individual test samples. We experimentally show that the proposed multi-modality representation and multi-source fusion methods achieve promising results compared with other benchmark baselines. The main contributions of the thesis include the following. 1. Large scale event and concept ontology: a) propose an automatic framework for discovering event-driven concepts; b) build the largest video event ontology, EventNet, which includes 500 complex events and 4,490 event-specific concepts; c) build the first interactive system that allows users to explore high-level events and associated concepts in videos with event browsing, search, and tagging functions. 2. Event detection with multi-modality representations and multi-source fusion: a) propose novel bi-modal codeword construction for discovering multi-modality correlations; b) propose novel robust late fusion with rank minimization method for combining information from multiple sources. The two parts of the thesis are complimentary. Concept-based event representation provides rich semantic information for video events. Cross-modality features also provide complementary information from multiple sources. The combination of those two parts in a unified framework can offer great potential for advancing state-of-the-art in large-scale event detection

Deliverable D1.1 State of the art and requirements analysis for hypervideo

This deliverable presents a state-of-art and requirements analysis report for hypervideo authored as part of the WP1 of the LinkedTV project. Initially, we present some use-case (viewers) scenarios in the LinkedTV project and through the analysis of the distinctive needs and demands of each scenario we point out the technical requirements from a user-side perspective. Subsequently we study methods for the automatic and semi-automatic decomposition of the audiovisual content in order to effectively support the annotation process. Considering that the multimedia content comprises of different types of information, i.e., visual, textual and audio, we report various methods for the analysis of these three different streams. Finally we present various annotation tools which could integrate the developed analysis results so as to effectively support users (video producers) in the semi-automatic linking of hypervideo content, and based on them we report on the initial progress in building the LinkedTV annotation tool. For each one of the different classes of techniques being discussed in the deliverable we present the evaluation results from the application of one such method of the literature to a dataset well-suited to the needs of the LinkedTV project, and we indicate the future technical requirements that should be addressed in order to achieve higher levels of performance (e.g., in terms of accuracy and time-efficiency), as necessary

Extraction multimodale de la structure narrative des épisodes de séries télévisées

Nos contributions portent sur l'extraction de la structure narrative d'épisodes de séries télévisées à deux niveaux hiérarchiques. Le premier niveau de structuration consiste à retrouver les transitions entre les scènes à partir d'une analyse de la couleur des images et des locuteurs présents dans les scènes. Nous montrons que l'analyse des locuteurs permet d'améliorer le résultat d'une segmentation en scènes basée sur la couleur. Il est courant de voir plusieurs histoires (ou lignes d'actions) racontées en parallèle dans un même épisode de série télévisée. Ainsi, le deuxième niveau de structuration consiste à regrouper les scènes en histoires. Nous cherchons à désentrelacer les histoires pour pouvoir, par exemple, visualiser les différentes lignes d'actions indépendamment. La principale difficulté consiste à déterminer les descripteurs les plus pertinents permettant de regrouper les scènes appartenant à une même histoire. A ce niveau, nous étudions également l'utilisation de descripteurs provenant des trois modalités différentes précédemment exposées. Nous proposons en outre des méthodes permettant de fusionner les informations provenant de ces trois modalités. Pour répondre à la variabilité de la structure narrative des épisodes de séries télévisées, nous proposons une méthode qui s'adapte à chaque épisode. Elle permet de choisir automatiquement la méthode de regroupement la plus pertinente parmi les différentes méthodes proposées. Enfin, nous avons développé StoViz, un outil de visualisation de la structure d'un épisode de série télévisée (scènes et histoires). Il permet de faciliter la navigation au sein d'un épisode, en montrant les différentes histoires racontées en parallèle dans l'épisode. Il permet également la lecture des épisodes histoire par histoire, et la visualisation d'un court résumé de l'épisode en donnant un aperçu de chaque histoire qui y est racontée.Our contributions concern the extraction of the structure of TV series episodes at two hierarchical levels. The first level of structuring is to find the scene transitions based on the analysis of the color information and the speakers involved in the scenes. We show that the analysis of the speakers improves the result of a color-based segmentation into scenes. It is common to see several stories (or lines of action) told in parallel in a single TV series episode. Thus, the second level of structure is to cluster scenes into stories. We seek to deinterlace the stories in order to visualize the different lines of action independently. The main difficulty is to determine the most relevant descriptors for grouping scenes belonging to the same story. We explore the use of descriptors from the three different modalities described above. We also propose methods to combine these three modalities. To address the variability of the narrative structure of TV series episodes, we propose a method that adapts to each episode. It can automatically select the most relevant clustering method among the various methods we propose. Finally, we developed StoViz, a tool for visualizing the structure of a TV series episode (scenes and stories). It allows an easy browsing of each episode, revealing the different stories told in parallel. It also allows playback of episodes story by story, and visualizing a summary of the episode by providing a short overview of each story