Living Shorelines & Resilience in Southern California: A Summary of a Series of Workshops held as part of The Resilient Coastlines Project of Greater San Diego

In 2016, a series of workshops were held to discuss living shorelines in SouthernCalifornia. The workshops specifically focused on the unique benefits, challenges andopportunities for implementing living shorelines in the region, and the nexus betweennature-based solutions and ongoing local adaptation planning. Approximately 140participants partook in these dialogues, and some of the key themes that emergedinclude: Letting nature do the work for you Designing for the future Integrating nature into shoreline management projects Project goals distinguishing living shorelines Engineering and urban living shorelines Space constraints along urban coastlines Permitting pathways to support demonstration projects Living shorelines and phased sea level rise planning Designing with watersheds and sediment management in mind Exploring emerging commercial opportunities Public access and project success Planning for living shorelines alongside the community Sharing monitoring and best practices to ensure future success Citizen science and socio-ecological monitoringThe workshops provided the first ever opportunity for Southern California stakeholdersto outline what is unique about designing living shorelines in the context of SouthernCalifornia shorelines for state and federal entities

Aesthetic complexity: practice and perception in art & design

My research investigates the aesthetics of visual complexity in the practice and perception of visual art and design. The aim is to understand visual complexity in terms of the relationship between the objective properties of images and subjective properties of perception. I take a computational and empirical approach to this subject, incorporating methods from information theory, computer graphics, complexity theory and experimental psychology. For testing, I create cellular automata programs to generate stimulus images, and borrow other types of visual material from students and professional artists, designers and craftspeople. Visual complexity is measured in two ways: Firstly, an objective measure of complexity is based on the compression of digital image files, which provides an information-based scale of order to randomness. Secondly, psychophysical techniques are employed to measure the subjective complexity of the images and other aesthetic judgements. Research in complex systems theory and experimental aesthetics suggests that we can expect an inverted ‘U’ correlation between the two measures of complexity

Gatekeepers changing consumers' behaviour in energy consumption

Changing people's behaviour and reducing energy consumption has proved to be more difficult than attitudes or technical possibilities would imply. In this paper we discuss how to intervene the individual decisions that significantly determine energy consumption. When analysing energy-relevant decisions, we have noticed that the scale of energy-relevant decisions varies greatly in accordance with the situation of life. There are once-in-a-lifetime decisions (e.g. choosing the family home) that set the energy consumption, at a relatively fixed level, for years to come