Morality, Colour, Bodies: Epistemological and Interpretive Questions of Purity

As contributors to this special edition show in different ways, purity itself is a less stable concept than may first appear. This insight, however, is not always reflected in dominant theory on the topic. Contributions to this special edition are therefore placed in dialogue with a metanarrative regarding the role of purity in Western history, presented by the influential Harvard sociologist Barrington Moore Jr.. In effect, discussion of Moore’s narrative on purity is a way to expose it differently, allowing the reader to reconsider Moore’s claims. In turn, we hope that the special issue’s contributions will be exposed differently in light of work to refine and redefine Moore’s overarching thesis

From Stereogram to Surface: How the Brain Sees the World in Depth

When we look at a scene, how do we consciously see surfaces infused with lightness and color at the correct depths? Random Dot Stereograms (RDS) probe how binocular disparity between the two eyes can generate such conscious surface percepts. Dense RDS do so despite the fact that they include multiple false binocular matches. Sparse stereograms do so even across large contrast-free regions with no binocular matches. Stereograms that define occluding and occluded surfaces lead to surface percepts wherein partially occluded textured surfaces are completed behind occluding textured surfaces at a spatial scale much larger than that of the texture elements themselves. Earlier models suggest how the brain detects binocular disparity, but not how RDS generate conscious percepts of 3D surfaces. A neural model predicts how the layered circuits of visual cortex generate these 3D surface percepts using interactions between visual boundary and surface representations that obey complementary computational rules.Air Force Office of Scientific Research (F49620-01-1-0397); National Science Foundation (EIA-01-30851, SBE-0354378); Office of Naval Research (N00014-01-1-0624

Skin, celebrity and online media :affect and humour on gossip blogs

PhD ThesisThis thesis investigates the affective and embodied ways in which representations of celebrity on gossip blogs generate ideas about femininity, queerness and whiteness. To date, celebrity studies has largely focused on how celebrity representations shape cultural ideas about proper and improper forms of subjectivity through discursive or semiotic approaches. I extend these readings by drawing attention to the technological and affective specificities of celebrity representations on such gossip blogs as Dlisted.com, Jezebel.com and Perezhilton.com. I do so by bringing feminist work on the politics of emotions into dialogue with key new materialist and phenomenologist thinkers. Using the concept of skin as a heuristic device to read these representations of celebrity allows me to think through the relations of affect, embodiment and technology that shape our meaning-making processes. Skin enables us to understand online representations not as fixed texts on the screen but as dynamic and sensuous interfaces that affect and are affected by that with which they come into contact. This thesis is comprised of three core chapters. The first focuses on the affective production of femininity in these gossip websites. Drawing on feminist theorisations of touch, I demonstrate how meaning is produced beyond the realm of visibility. The affective- discursive force of humour is a central concern throughout the thesis, but the second core chapter explores the role of humour in some depth in order to tease out how it serves the creation of queerness in these websites. The third main chapter examines some of the ways in which the technological affordances of online blogs influence the affective production of whiteness. The thesis places these gossip blogs within the context of neoliberal consumer culture in which the production and modulation of affect is vital for the creation of profit. Far from locating these online productions as mere products of market forces, however, I argue that they can move the reader in new critical directions, thereby challenging dominant ideas about femininity, queerness and whiteness. This potentiality lies in the complex ways in which the humour and the affective force of these online representations move and touch the offline reading body

Primary and Secondary Qualities

The first half of this review article on Locke on primary and secondary qualities leads up to a fairly straightforward reading of what Locke says about the distinction in Essay II.viii, one that, in its general outlines, represents a sympathetic understanding of Locke’s discussion. The second half of the paper turns to consider a few of the ways in which interpreting Locke on primary and secondary qualities has proven more complicated. Here we take up what is sometimes called the Berkeleyan interpretation of Locke, the understanding of Locke’s resemblance thesis, and Locke’s views of qualities and their relationship to powers

She inches glass to break: conversations between friends

She inches glass to break: conversations between friends is a project that aims to manifest, through research and practice, my own feminist language within the videos I have produced in my final year of my Masters of Fine Arts. My feminist language is Australian and intersectional, invested in combating sexism, racism and in deepening language and representation around sexuality in relation to Asian women. This project discusses my video She inches glass to break (2018) in length, which created intersectional feminist dialogue in response to feminist filmmaker Ulrike Ottinger’s film Ticket of No Return (1979) and Breakfast at Tiffany’s (1961). Additionally, given this project’s investment in language, this body of work is influenced both by aspects of psychoanalysis – in which speech is central to a “therapeutic action” – and by feminist linguistics in which linguistic analysis reveals some of the mechanisms through which language constrains, coerces and represents women, men and non-binary people in oppressive ways

What Is Beautiful?: Analysis of Japanese beauty ideals in cosmetics advertising

The purpose of this study was to analyse beauty standards constructed and represented through Japanese cosmetics advertisements. The chapter of literature review firstly explored the past researches on Japanese beauty norms in the scope of race and gender studies. In addition, different types of beauty concepts including those which are peculiar to Japanese beauty cultures, were also introduced before this study moved to the research of the present beauty ideals. This research was done by studying in total eight still advertising images published in 2017, selected from four different Japanese cosmetics brands, for which the methodological approaches of semiotics and encoding/decoding were applied. Based on the data analysis and interpretation of signs representing beauty ideals in these advertisements, this study has discovered certain distinguishing characteristics of each branding tactic to offer definitions of beauty. The findings indicated that the process of representing Japanese beauty ideals through the act of cosmetics advertising are consequently intertwined with race and gender discourses