Internet Memes as Instruments of Subversion in the Context of Islam and Muslims

This research investigates the nature of internet memes as instruments of subversion in the context of Islam and Muslims. For the purpose of this research, internet memes including Twitter hashtags have been conceived as idea units. The study employed network analysis to examine roughly 208,000 Twitter hashtags related to Islam and Muslims. Based on this data, actor and hashtag networks were created in order to understand the relationship between leading actors, co- occurring hashtags, dominant discursive practices, and their subversion. Thematic analysis of internet memes was also undertaken in order to study the visual and textual elements in the larger context in which the memes were set. Two major themes emerged: ‘Everyday life and Lived Religion’, and ‘Terrorism, Security and Surveillance’. The study provides evidence of agency of individuals to create fissures in the institutional narratives by reappropriating and subverting the popular symbols originally created by social structures as well as creating their own set of language which is unique to the format of internet memes. The findings derived from the network analysis as well as the thematic analysis also demonstrated the relevance of Richard Dawkins’s (1976) gene-meme analogy

Cluster-based Deep Ensemble Learning for Emotion Classification in Internet Memes

Memes have gained popularity as a means to share visual ideas through the Internet and social media by mixing text, images and videos, often for humorous purposes. Research enabling automated analysis of memes has gained attention in recent years, including among others the task of classifying the emotion expressed in memes. In this paper, we propose a novel model, cluster-based deep ensemble learning (CDEL), for emotion classification in memes. CDEL is a hybrid model that leverages the benefits of a deep learning model in combination with a clustering algorithm, which enhances the model with additional information after clustering memes with similar facial features. We evaluate the performance of CDEL on a benchmark dataset for emotion classification, proving its effectiveness by outperforming a wide range of baseline models and achieving state-of-the-art performance. Further evaluation through ablated models demonstrates the effectiveness of the different components of CDEL

Religious Transformation in the Middle East

This Special Issue draws attention to religious transformations currently emerging in the Middle East that diverge from the dominating rhetoric surrounding ‘radicalization’, ‘political Islam’, or the ‘Islamic awakening’. Particularly after the Arab uprisings, other currents seem to be coming more to the fore that need careful examination, such as the contemporary realities of religious ambivalence, religious doubts, disengagement from religious movements such as the Muslim Brotherhood, the search for alternative forms of spirituality or individualized piety, de-veiling, and different forms of non-conformism, free thinking, non-belief, and atheism. Accordingly, the contributions to this Special Issue provide highly relevant insights into several contemporary debates that are crucial in the social sciences and religious studies. This includes processes of individualization; the study of everyday lived (non-)religion; the anthropology of doubt, ambivalence, and ambiguity; and, last but not least, the deconstruction of the religious–secular divide, a divide that is seen as almost impenetrable according to many actors in the Middle East. This Special Issue consists of a cross-section of current works in social science, religious studies, and related fields on Islam/religion and non-religion in the Middle East. The articles present case studies from different countries in the Middle East, with examples from Turkey, Morocco, Egypt, and Syria, as well as studies on diaspora and social media

Folklore in the Digital Age: Collected Essays. Foreword by Andy Ross

Online and digital cultures are among the most personally gripping effects of globalisation in our increasingly networked world. While global multimedia culture may seem to endanger traditional folklore, there is no doubt that it creates new folklore as well. Folklore in the Digital Age vividly illustrates the range of e-folklore studies in updated papers and essays from the author’s 21st-century research. The themes covered include not only the most serious issues of the day, such as the 9/11 attacks and natural disasters, but also cheerier topics, such as online dating and food culture. In these essays Professor Krawczyk-Wasilewska paints a convincing picture of digital folklore as a cultural heritage. She covers a wide range of issues from all levels of society and offers fascinating insights into how online culture affects our postmodern lives

Nam-Shub versus the Big Other: Revising the Language that Binds Us in Philip K. Dick, Neal Stephenson, Samuel R. Delany, and Chuck Palahniuk

Within the science fiction genre, utopian as well as dystopian experiments have found equal representation. This balanced treatment of two diametrically opposed social constructs results from a focus on the future for which this particular genre is well known. Philip K. Dick’s VALIS, Neal Stephenson’s Snow Crash, Samuel R. Delany’s Babel-17, and Chuck Palahniuk’s Lullaby, more aptly characterized as speculative fiction because of its use of magic against scientific social subjugation, each tackle dystopian qualities of contemporary society by analyzing the power that language possesses in the formation of the self and propagation of ideology. The utopian goals of these texts advocate for a return to the modernist metanarrative and a revision of postmodern cynicism because the authors look to the future for hopeful solutions to the social and ideological problems of today. Using Slavoj Žižek’s readings of Jacques Lacan and Theodor Adorno’s readings of Karl Marx for critical insight, I argue these four novels imagine language as the key to personal empowerment and social change. While not all of the novels achieve their utopian goals, they each evince a belief that the attempt belies a return to the modernist metanarrative and a rejection of postmodern helplessness. Thus, each novel imagines the revision of Žižek’s big Other through the remainders of Adorno’s inevitably failed revolutions, injecting hope in a literary period that had long since lost it

Design Thinking as Heterogeneous Engineering: Emerging Design Methods in Meme Warfare

The shift of production of material artefacts to digital and online making has been greatly disruptive to material culture. Design has typically concerned itself with studying material cultures in order to develop a better understanding of the ways people go about shaping the world around them. This thesis contributes to this space by looking at an emerging form of artefact generation in digital and online making, namely, visual communication design in online information warfare. Developing understanding of participation in this space reveals possible trajectory of working with material culture as it increasingly becomes digital and online. Marshall McLuhan wrote in 1970 that “World War 3 is a guerrilla information war with no division between military and civilian participation” (p. 66), anticipating ubiquitous symmetrical capacity of users as both producers and consumers of information through communication technology. This space has emerged as our digital and online environment, and prominent in this environment are images with characteristics of visual communication design. It appears that the trajectory of visual communication design from the late 19t h century is moving toward ubiquitous making and exchanging of visual communication, as anyone with a smartphone can make an internet meme with worldwide reach and influence