In praise of tedious anatomy

Functional neuroimaging is fundamentally a tool for mapping function to structure, and its success consequently requires neuroanatomical precision and accuracy. Here we review the various means by which functional activation can be localized to neuroanatomy and suggest that the gold standard should be localization to the individual’s or group’s own anatomy through the use of neuroanatomical knowledge and atlases of neuroanatomy. While automated means of localization may be useful, they cannot provide the necessary accuracy, given variability between individuals. We also suggest that the field of functional neuroimaging needs to converge on a common set of methods for reporting functional localization including a common “standard” space and criteria for what constitutes sufficient evidence to report activation in terms of Brodmann’s areas

Chapter II-2 - Edward S. Morse grows up

In which teenage Edward S. Morse of Salem, Massachusetts, begins a life-long love affair with shells, leaves home for Boston, studies with Louis Agassiz at the Museum of Comparative Zoology in Cambridge, and becomes the world's leading authority on brachiopods (by proving conclusively that these tiny creatures are not mollusks, but worms), and how these same brachiopods lead him, at the age of thirty-nine, to Japan

Rhetorical structure and function in The Anatomy of Melancholy

In writing The Anatomy of Melancholy Robert Burton was working within the system of classical rhetoric as revived in the Renaissance, specifically the epideictic genus. A juxtaposition of the topics, arguments, and tripartite form employed by Burton with the treatment of epideictic in Aristotle's Rhetoric, as well as with aspects of the Roman and Hellenistic rhetorical traditions, shows how Burton has playfully adapted Renaissance conceptions of epideictic rhetoric forencyclopaedic, satirical, andself-expressive purposes. The function of rhetoric in the Anatomy is both to 'dissect' the corpus of knowledge about melancholy and to 'show forth' the author's own melancholic condition. © International Society for History of Rhetoric

Ten simple rules for reporting voxel-based morphometry studies

Voxel-based morphometry [Ashburner, J. and Friston, K.J., 2000. Voxel-based morphometry—the methods. NeuroImage 11(6 Pt 1), 805–821] is a commonly used tool for studying patterns of brain change in development or disease and neuroanatomical correlates of subject characteristics. In performing a VBM study, many methodological options are available; if the study is to be easily interpretable and repeatable, the processing steps and decisions must be clearly described. Similarly, unusual methods and parameter choices should be justified in order to aid readers in judging the importance of such options or in comparing the work with other studies. This editorial suggests core principles that should be followed and information that should be included when reporting a VBM study in order to make it transparent, replicable and useful

John Lilburne and the Long Parliament

This piece reinterprets the career of the Leveller, John Lilburne, during the English Civil War, by re-examining the official sources pertaining to him, and the multitude of pamphlets written by himself and his enemies. The article recovers the chronology of Lilburne's story, by stripping away the layers of propaganda with which he later surrounded himself. It shows that he had powerful friends at Westminster, and that his tribulations were caused by political rivalries within Westminster rather than his development of a radical political theory. He is shown to have formed part of the Independent alliance during the mid-1640s, although his protected position was eventually imperilled by the fracturing of this group after the end of the first Civil War. The aim is to improve not just our understanding of Lilburne, but the complexity of parliamentarian politics during the 1640s

The Animalistic Gullet and the Godlike Soul: Reframing Sacrifice in Midrash Leviticus Rabbah

This article proposes an analysis of two homiletic units in the Palestinian Midrash Leviticus Rabbah, which revolve around biblical chapters pertaining to sacrifices. A theme that pervades these units is that of eating as an animalistic activity that often entails moral depravity. In contrast, the act of sacrificing is constructed in these units as one in which one is willing to give up one's own nourishment, and in a sense one's own “soul,” in order to offer it to God. Many of the motifs used to vilify eating in the Midrash can be traced in moralistic Greek, Roman, and early Christian diatribes preaching for moderation in eating or for asceticism; the homilists in Leviticus Rabbah, however, utilize these popular motifs in order to present sacrifice as the spiritual contrary of eating, and thus to give the obsolete practice of sacrifice cultural cachet and compelling meanings