Hierarchical morphological segmentation for image sequence coding

This paper deals with a hierarchical morphological segmentation algorithm for image sequence coding. Mathematical morphology is very attractive for this purpose because it efficiently deals with geometrical features such as size, shape, contrast, or connectivity that can be considered as segmentation-oriented features. The algorithm follows a top-down procedure. It first takes into account the global information and produces a coarse segmentation, that is, with a small number of regions. Then, the segmentation quality is improved by introducing regions corresponding to more local information. The algorithm, considering sequences as being functions on a 3-D space, directly segments 3-D regions. A 3-D approach is used to get a segmentation that is stable in time and to directly solve the region correspondence problem. Each segmentation stage relies on four basic steps: simplification, marker extraction, decision, and quality estimation. The simplification removes information from the sequence to make it easier to segment. Morphological filters based on partial reconstruction are proven to be very efficient for this purpose, especially in the case of sequences. The marker extraction identifies the presence of homogeneous 3-D regions. It is based on constrained flat region labeling and morphological contrast extraction. The goal of the decision is to precisely locate the contours of regions detected by the marker extraction. This decision is performed by a modified watershed algorithm. Finally, the quality estimation concentrates on the coding residue, all the information about the 3-D regions that have not been properly segmented and therefore coded. The procedure allows the introduction of the texture and contour coding schemes within the segmentation algorithm. The coding residue is transmitted to the next segmentation stage to improve the segmentation and coding quality. Finally, segmentation and coding examples are presented to show the validity and interest of the coding approach.Peer ReviewedPostprint (published version

Virtual restoration of the Ghent altarpiece using crack detection and inpainting

In this paper, we present a new method for virtual restoration of digitized paintings, with the special focus on the Ghent Altarpiece (1432), one of Belgium's greatest masterpieces. The goal of the work is to remove cracks from the digitized painting thereby approximating how the painting looked like before ageing for nearly 600 years and aiding art historical and palaeographical analysis. For crack detection, we employ a multiscale morphological approach, which can cope with greatly varying thickness of the cracks as well as with their varying intensities (from dark to the light ones). Due to the content of the painting (with extremely many fine details) and complex type of cracks (including inconsistent whitish clouds around them), the available inpainting methods do not provide satisfactory results on many parts of the painting. We show that patch-based methods outperform pixel-based ones, but leaving still much room for improvements in this application. We propose a new method for candidate patch selection, which can be combined with different patch-based inpainting methods to improve their performance in crack removal. The results demonstrate improved performance, with less artefacts and better preserved fine details