Detection of dirt impairments from archived film sequences : survey and evaluations

Film dirt is the most commonly encountered artifact in archive restoration applications. Since dirt usually appears as a temporally impulsive event, motion-compensated interframe processing is widely applied for its detection. However, motion-compensated prediction requires a high degree of complexity and can be unreliable when motion estimation fails. Consequently, many techniques using spatial or spatiotemporal filtering without motion were also been proposed as alternatives. A comprehensive survey and evaluation of existing methods is presented, in which both qualitative and quantitative performances are compared in terms of accuracy, robustness, and complexity. After analyzing these algorithms and identifying their limitations, we conclude with guidance in choosing from these algorithms and promising directions for future research

Video enhancement using adaptive spatio-temporal connective filter and piecewise mapping

This paper presents a novel video enhancement system based on an adaptive spatio-temporal connective (ASTC) noise filter and an adaptive piecewise mapping function (APMF). For ill-exposed videos or those with much noise, we first introduce a novel local image statistic to identify impulse noise pixels, and then incorporate it into the classical bilateral filter to form ASTC, aiming to reduce the mixture of the most two common types of noises - Gaussian and impulse noises in spatial and temporal directions. After noise removal, we enhance the video contrast with APMF based on the statistical information of frame segmentation results. The experiment results demonstrate that, for diverse low-quality videos corrupted by mixed noise, underexposure, overexposure, or any mixture of the above, the proposed system can automatically produce satisfactory results

Learning Representations for Controllable Image Restoration

Deep Convolutional Neural Networks have sparked a renaissance in all the sub-fields of computer vision. Tremendous progress has been made in the area of image restoration. The research community has pushed the boundaries of image deblurring, super-resolution, and denoising. However, given a distorted image, most existing methods typically produce a single restored output. The tasks mentioned above are inherently ill-posed, leading to an infinite number of plausible solutions. This thesis focuses on designing image restoration techniques capable of producing multiple restored results and granting users more control over the restoration process. Towards this goal, we demonstrate how one could leverage the power of unsupervised representation learning. Image restoration is vital when applied to distorted images of human faces due to their social significance. Generative Adversarial Networks enable an unprecedented level of generated facial details combined with smooth latent space. We leverage the power of GANs towards the goal of learning controllable neural face representations. We demonstrate how to learn an inverse mapping from image space to these latent representations, tuning these representations towards a specific task, and finally manipulating latent codes in these spaces. For example, we show how GANs and their inverse mappings enable the restoration and editing of faces in the context of extreme face super-resolution and the generation of novel view sharp videos from a single motion-blurred image of a face. This thesis also addresses more general blind super-resolution, denoising, and scratch removal problems, where blur kernels and noise levels are unknown. We resort to contrastive representation learning and first learn the latent space of degradations. We demonstrate that the learned representation allows inference of ground-truth degradation parameters and can guide the restoration process. Moreover, it enables control over the amount of deblurring and denoising in the restoration via manipulation of latent degradation features

Computational Imaging Approach to Recovery of Target Coordinates Using Orbital Sensor Data

This dissertation addresses the components necessary for simulation of an image-based recovery of the position of a target using orbital image sensors. Each component is considered in detail, focusing on the effect that design choices and system parameters have on the accuracy of the position estimate. Changes in sensor resolution, varying amounts of blur, differences in image noise level, selection of algorithms used for each component, and lag introduced by excessive processing time all contribute to the accuracy of the result regarding recovery of target coordinates using orbital sensor data. Using physical targets and sensors in this scenario would be cost-prohibitive in the exploratory setting posed, therefore a simulated target path is generated using Bezier curves which approximate representative paths followed by the targets of interest. Orbital trajectories for the sensors are designed on an elliptical model representative of the motion of physical orbital sensors. Images from each sensor are simulated based on the position and orientation of the sensor, the position of the target, and the imaging parameters selected for the experiment (resolution, noise level, blur level, etc.). Post-processing of the simulated imagery seeks to reduce noise and blur and increase resolution. The only information available for calculating the target position by a fully implemented system are the sensor position and orientation vectors and the images from each sensor. From these data we develop a reliable method of recovering the target position and analyze the impact on near-realtime processing. We also discuss the influence of adjustments to system components on overall capabilities and address the potential system size, weight, and power requirements from realistic implementation approaches

Suppression du bruit de «pompage» des vidéos

- La variation temporelle de la luminance dans les séquences d'images, ou effet de pompage, est une dégradation typique des archives vidéos et cinématographiques. Nous proposons ici un nouveau procédé qui vise à supprimer ces perturbations visuellement désagréables. Plusieurs améliorations sont proposées à la fois sur le modèle de pompage, l'estimation des paramètres correspondants et sur la méthode de compensation des images. Les expériences menées sur des vidéos, dont l'une est particulièrement dégradée, permettent de montrer l'apport de notre système de restauration par rapport aux méthodes existantes

Artificial Intelligence in the Creative Industries: A Review

This paper reviews the current state of the art in Artificial Intelligence (AI) technologies and applications in the context of the creative industries. A brief background of AI, and specifically Machine Learning (ML) algorithms, is provided including Convolutional Neural Network (CNNs), Generative Adversarial Networks (GANs), Recurrent Neural Networks (RNNs) and Deep Reinforcement Learning (DRL). We categorise creative applications into five groups related to how AI technologies are used: i) content creation, ii) information analysis, iii) content enhancement and post production workflows, iv) information extraction and enhancement, and v) data compression. We critically examine the successes and limitations of this rapidly advancing technology in each of these areas. We further differentiate between the use of AI as a creative tool and its potential as a creator in its own right. We foresee that, in the near future, machine learning-based AI will be adopted widely as a tool or collaborative assistant for creativity. In contrast, we observe that the successes of machine learning in domains with fewer constraints, where AI is the `creator', remain modest. The potential of AI (or its developers) to win awards for its original creations in competition with human creatives is also limited, based on contemporary technologies. We therefore conclude that, in the context of creative industries, maximum benefit from AI will be derived where its focus is human centric -- where it is designed to augment, rather than replace, human creativity