Frescoed vaults: Accuracy controlled simplified methodology for planar development of three-dimensional textured models

In the field of documentation and preservation of cultural heritage, there is keen interest in 3D metric viewing and rendering of architecture for both formal appearance and color. On the other hand, operative steps of restoration interventions still require full-scale, 2D metric surface representations. The transition from 3D to 2D representation, with the related geometric transformations, has not yet been fully formalized for planar development of frescoed vaults. Methodologies proposed so far on this subject provide transitioning from point cloud models to ideal mathematical surfaces and projecting textures using software tools. The methodology used for geometry and texture development in the present work does not require any dedicated software. The different processing steps can be individually checked for any error introduced, which can be then quantified. A direct accuracy check of the planar development of the frescoed surface has been carried out by qualified restorers, yielding a result of 3 mm. The proposed methodology, although requiring further studies to improve automation of the different processing steps, allowed extracting 2D drafts fully usable by operators restoring the vault frescoes

Scan to BIM for 3D reconstruction of the papal basilica of saint Francis in Assisi In Italy

The historical building heritage, present in the most of Italian cities centres, is, as part of the construction sector, a working potential, but unfortunately it requires planning of more complex and problematic interventions. However, policies to support on the existing interventions, together with a growing sensitivity for the recovery of assets, determine the need to implement specific studies and to analyse the specific problems of each site. The purpose of this paper is to illustrate the methodology and the results obtained from integrated laser scanning activity in order to have precious architectural information useful not only from the cultural heritage point of view but also to construct more operative and powerful tools, such as BIM (Building Information Modelling) aimed to the management of this cultural heritage. The Papal Basilica and the Sacred Convent of Saint Francis in Assisi in Italy are, in fact, characterized by unique and complex peculiarities, which require a detailed knowledge of the sites themselves to ensure visitor’s security and safety. For such a project, we have to take in account all the people and personnel normally present in the site, visitors with disabilities and finally the needs for cultural heritage preservation and protection. This aim can be reached using integrated systems and new technologies, such as Internet of Everything (IoE), capable of connecting people, things (smart sensors, devices and actuators; mobile terminals; wearable devices; etc.), data/information/knowledge and processes to reach the desired goals. The IoE system must implement and support an Integrated Multidisciplinary Model for Security and Safety Management (IMMSSM) for the specific context, using a multidisciplinary approach

A role for microbial selection in frescoes' deterioration in Tomba degli Scudi in Tarquinia, Italy

Mural paintings in the hypogeal environment of the Tomba degli Scudi in Tarquinia, Italy, show a quite dramatic condition: the plaster mortar lost his cohesion and a white layer coating is spread over almost all the wall surfaces. The aim of this research is to verify if the activity of microorganisms could be one of the main causes of deterioration and if the adopted countermeasures (conventional biocide treatments) are sufficient to stop it. A biocide treatment of the whole environment has been carried out before the conservative intervention and the tomb has been closed for one month. When the tomb was opened again, we sampled the microorganisms present on the frescoes and we identified four Bacillus species and one mould survived to the biocide treatment. These organisms are able to produce spores, a highly resistant biological form, which has permitted the survival despite the biocide treatment. We show that these Bacillus strains are able to produce calcium carbonate and could be responsible for the white deposition that was damaging and covering the entire surface of the frescoes. Our results confirm that the sanitation intervention is non always resolutive and could even be deleterious in selecting harmful microbial communities

A Survey of Geometric Analysis in Cultural Heritage

We present a review of recent techniques for performing geometric analysis in cultural heritage (CH) applications. The survey is aimed at researchers in the areas of computer graphics, computer vision and CH computing, as well as to scholars and practitioners in the CH field. The problems considered include shape perception enhancement, restoration and preservation support, monitoring over time, object interpretation and collection analysis. All of these problems typically rely on an understanding of the structure of the shapes in question at both a local and global level. In this survey, we discuss the different problem forms and review the main solution methods, aided by classification criteria based on the geometric scale at which the analysis is performed and the cardinality of the relationships among object parts exploited during the analysis. We finalize the report by discussing open problems and future perspectives

An image processing of a Raphael's portrait of Leonardo

In one of his paintings, the School of Athens, Raphael is depicting Leonardo da Vinci as the philosopher Plato. Some image processing tools can help us in comparing this portrait with two Leonardo's portraits, considered as self-portraits.Comment: Image processing. Portrait. Self-portrait. Leonardo da Vinci. Raphael. Raffaello Sanzio Images revised using a high-quality image of Raphael's Plat

MULTI-WAVELENGTHS 3D LASER SCANNING FOR PIGMENT AND STRUCTURAL STUDIES ON THE FRESCOED CEILING <q>THE TRIUMPH OF DIVINE PROVIDENCE</q>

Abstract. The modern 3D digitalization techniques open new scenarios on how to transmit to the next generations the state of health of Cultural Heritage (CH) buildings, paintings, frescos or statues. The final goal of the 3D digitalization is an exact replica of the acquired target, but a standard and unique technique able to digitalize artworks of different size and in different ambient light conditions is still far from being successfully ready for the CH field. Even if both laser scanning and photogrammetry can be considered mature techniques, applied with success in most of the Cultural Heritage study cases, they are limited in terms of colour digitalization and image quality in all the cases where ambient light and big sensor-target distances are crucial factors: differently to standard laser scanners, which collect colour information by the use of a coaxial camera and the distance by an IR laser source, the RGB-ITR (Red, Green and Blue Imaging Topological Radar) scanner, developed in ENEA, is equipped with three different laser sources for the simultaneous colour and distance estimation. The present work shows the results obtained applying the above-mentioned multi-wavelengths laser scanner for collecting a complete high-quality 3D colour model of "The Triumph of Divine Providence" vault, painted by Pietro da Cortona on the ceiling of the noble hall inside Palazzo Barberini in Rome.</p

Thermal imaging in the 3-5 micron range for precise localization of defects: Application on frescoes at the Sforza Castle

Infrared methods are of great importance in nondestructive testing of artworks, allowing a remote and wide-field imaging of interesting hidden features. Here we discuss a workflow based on thermal imaging in the mid infrared 3-5 micron range for the evaluation of subsurface defects in frescoes. Particular attention is payed to obtaining a high resolution (submillimetric) localization of the defects. The transfer of diagnostics techniques into real world applications, is discussed through the proof of concept of the proposed workflow on frescoes at the Sforza Castle (Milan, Italy)

Revisión de los métodos computerizados para la reconstrucción de fragmentos arqueológicos de cerámica

[ES] Las cerámicas son los hallazgos más numerosos encontrados en las excavaciones arqueológicas; a menudo se usan para obtener información sobre la historia, la economía y el arte de un sitio. Los arqueólogos rara vez encuentran jarrones completos; en general, están dañados y en fragmentos, a menudo mezclados con otros grupos de cerámica.El análisis y la reconstrucción de fragmentos se realiza por un operador experto mediante el uso del método manual tradicional. Los artículos revisados proporcionaron evidencias de que el método tradicional no es reproducible, no es repetible, consume mucho tiempo y sus resultados generan grandes incertidumbres. Con el objetivo de superar los límites anteriores, en los últimos años, los investigadores han realizado esfuerzos para desarrollar métodos informáticos que permitan el análisis de fragmentos arqueológicos de cerámica, todo ello destinado a su reconstrucción. Para contribuir a este campo de estudio, en este artículo, se presenta un análisis exhaustivo de las publicaciones disponibles más importantes hasta finales de 2019. Este estudio, centrado únicamente en fragmentos de cerámica, se realiza mediante la recopilación de artículos en inglés de la base de datos Scopus, utilizando las siguientes palabras clave: "métodos informáticos en arqueología", "arqueología 3D", "reconstrucción 3D", "reconocimiento y reconstrucción automática de características", "restauración de reliquias en forma de cerámica ". La lista se completa con referencias adicionales que se encuentran a través de la lectura de documentos seleccionados. Los 53 trabajos seleccionados se dividen en tres períodos de tiempo. Según una revisión detallada de los estudios realizados, los elementos clave de cada método analizado se enumeran en función de las herramientas de adquisición de datos, las características extraídas, los procesos de clasificación y las técnicas de correspondencia. Finalmente, para superar las brechas reales, se proponen algunas recomendaciones para futuras investigaciones.[EN] Potteries are the most numerous finds found in archaeological excavations; they are often used to get information about the history, economy, and art of a site. Archaeologists rarely find complete vases but, generally, damaged and in fragments, often mixed with other pottery groups. By using the traditional manual method, the analysis and reconstruction of sherds are performed by a skilled operator. Reviewed papers provided evidence that the traditional method is not reproducible, not repeatable, time-consuming and its results have great uncertainties. To overcome the aforementioned limits, in the last years, researchers have made efforts to develop computer-based methods for archaeological ceramic sherds analysis, aimed at their reconstruction. To contribute to this field of study, in this paper, a comprehensive analysis of the most important available publications until the end of 2019 is presented. This study, focused on pottery fragments only, is performed by collecting papers in English by the Scopus database using the following keywords: “computer methods in archaeology", "3D archaeology", "3D reconstruction", "automatic feature recognition and reconstruction", "restoration of pottery shape relics”. The list is completed by additional references found through the reading of selected papers. The 53 selected papers are divided into three periods of time. According to a detailed review of the performed studies, the key elements of each analyzed method are listed based on data acquisition tools, features extracted, classification processes, and matching techniques. Finally, to overcome the actual gaps some recommendations for future researches are proposed.Highlights:The traditional manual method for reassembling sherds is very time-consuming and costly; it also requires a great deal effort from skilled archaeologists in repetitive and routine activities.Computer-based methods for archaeological ceramic sherds reconstruction can help archaeologists in the above-mentioned repetitive and routine activities.In this paper, the state-of-the-art computer-based methods for archaeological ceramic sherds reconstruction are reviewed, and some recommendations for future researches are proposed.Eslami, D.; Di Angelo, L.; Di Stefano, P.; Pane, C. (2020). Review of computer-based methods for archaeological ceramic sherds reconstruction. 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In Proceedings of 9th Computer Vision Winter Workshop, (February), (pp. 31-40). Retrieved from https://cvl.tuwien.ac.at/wp-content/uploads/2014/12/cvww041Karasik, A., & Smilansky, U. (2011). Computerized morphological classification of ceramics. Journal of Archaeological Science, 38(10), 2644-2657. https://doi.org/10.1016/j.jas.2011.05.023Kashihara, K. (2012). Three-dimensional reconstruction of artifacts based on a hybrid genetic algorithm. In IEEE International Conference on Systems, Man and Cybernetics, (pp. 900-905). https://doi.org/10.1109/ICSMC.2012.6377842Kashihara, K. (2017). An intelligent computer assistance system for artifact restoration based on genetic algorithms with plane image features. International Journal of Computational Intelligence and Applications, 16(3), 1-15. https://doi.org/10.1142/S1469026817500213Kleber, F., & Sablatnig, R. (2009). A survey of techniques for document and archaeology artifact reconstruction. 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A., & Nordin, J. (2015a). A Survey of Computer Methods in Reconstruction of 3D Archaeological Pottery Objects. International Journal of Advanced Research, 3(3), 712-714. Retrieved from https://academia.edu.documents/45540231Rasheed, N. A., & Nordin, M. J. (2014). A polynomial function in the automatic reconstruction of fragmented objects. Journal of Computer Science, 10(11), 2339-2348. https://doi.org/10.3844/jcssp.2014.2339.2348Rasheed, N. A., & Nordin, M. J. (2015b). Archaeological fragments classification based on RGB color and texture features. Journal of Theoretical and Applied Information Technology, 76(3), 358-365. Retrieved from http://repository.uobabylon.edu.iq/papers/publication.aspx?pubid=6746Rasheed, N. A., & Nordin, M. J. (2018). Classification and reconstruction algorithms for the archaeological fragments. Journal of King Saud University-Computer and Information Sciences. https://doi.org/10.1016/j.jksuci.2018.09.019Rasheed, N. A., Nordin, M. J., Dakheel, A. H., Nados, W. L., & Maaroof, M. K. A. (2017). Classification archaeological fragments into groups. Research Journal of Applied Sciences, Engineering, and Technology, 14(9), 324-333. https://doi.org/10.19026/rjaset.14.5072Sablatnig, R., & Menard, C. (1997). 3D Reconstruction of Archaeological Pottery using Profile Primitives. In Proceedings of I International Workshop on Synthetic-Natural Hybrid Coding and Three-Dimensional Imaging, (pp. 93-96).Sablatnig, R., Menard, C., & Kropatseh, W. (1998). Classification of archaeological fragments using a description language. In Proceedings of European Signal Processing Conference, (Eusipco '98), (pp. 1097-1100), 1998.Sakpere, W. (2019). 3D Reconstruction of Archaeological Pottery from Its Point Cloud. In Proceedings of Iberian Conference on Pattern Recognition and Image Analysis, (pp. 125-136). https://doi.org/10.1007/978-3-030-31332-6_11Shin, H., Doumas, C., Funkhouser, T., Rusinkiewicz, S., Steiglitz, K.,Vlachopoulos, & Weyrich, T. (2010). 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Intelligent Image Processing and Optical Means for Archeological Artifacts Examination

This chapter describes how optical information and advanced image processing can be used to study archeological objects and artworks in order to determine more precisely and noninvasively the characteristics of the shape and color of artifacts. The purpose of this research is to develop a passive experimental technique for artifact investigation to help human experts make the best decisions in the process of authenticating and preserving-restoring objects. The method used is digital capture of object images followed by processing them with specialized software tools to analyze the chromatic characteristics and apparent geometric details. The proposed methodology consists of intelligently combining digital image analysis functions to build a set of chromatic-structural features useful for recognizing possible differences and estimating color and shape evolution. The investigation of the artifacts through digital image processing is a noninvasive and precise complementary method of analysis that can reduce the costs, and it must be extensively integrated into decision support systems for experts and curators in the field of artistic heritage preservation