Extending architectural vocabulary

A discussion of the role of metaphor and reinterpretation in extending architectural vocabularies

Working with the given

In this essay the author suggests that although the resulting architectural style may be ambiguous, a dialogue with an existing place can be creative, rewarding and appropriate

The geometry and construction of Byzantine vaults: the fundamental contribution of Auguste Choisy

In 1883 Auguste Choisy published his book L=art de bâtir chez les Byzantins. In it he explained, for the first time, all the details of the geometry and construction of byzantine vaults. The main source was the direct study of the monuments, interpreting his observations in the light of traditional vaulting techniques. He is explicit about this: *ma seule ressource était d'interroger les monuments eux mêmes, ou mieux encore de rapprocher les uns des autres les faits anciens et les traditions contemporaines+ (Choisy 1883, 3). Choisy concentrated his attention on the vaults, as he was convinced that the vault governs the whole architectural system: *Toutes les circonstances de la construction découlent ainsi de la nature de la voûte byzantine; et j'ai cru qu'il convenait de ranger les faits autour de cet élément fondamental du système+ (4). The other fundamental principle is the economy of construction, as the vaults *. . .s'y subordonnent dans l'économie générale des édifices+. The observations were made during a six month mission of the Adminiatration des des Ponts et Chaussées the year 1875 (Mandoul 2008, 29). The next year he published a *Note sur la construction des voûtes sans cintrage pendant la période byzantine+ (Choisy 1876), were he resumed the main results concerning the technique of vaulting without centring. The book had an enormous impact on contemporary historians of byzantine architecture. It was cited and praised by the new light it threw to the constructive aspects, for its clarity and rigour of exposition, and for their superb plates. Eventually, his theories were incorporated in the manuals and histories of Byzantine architecture. The book of Choisy concentrated on *l=art de bâtir+. The interest on the technical aspects of architecture almost disappeared after the First World War, maybe due to the coming of the modern architecture and the new materials (iron, steel and reinforced concrete). As a concequence Choisy=s works on *l=art de bâtir+ were almost systematically ignored. The first specifical study of Byzantine construction after the Second World Ward was written by Ward-Perkins (1958) and it has been considered, since then, the standard reference for Byzantine construction. Ward-Perkins ignore the work of Choisy making a passing criticism of his geometrical theories of Byzantine vaults. However, the detailed description of wall construction made by Ward-perkins coincides pretty well with that of Choisy (7-13). He apparently was unaware that the whole theory of Byzantine vaulting without theory centring is Choisy=s. Besides, he attributes to Giovanonni the detailed description of the use brick ribs in vaults construction. In all, it appears that Ward-Perkins did not read carefully Choisy=s book on Byzantine construction nor was familiar with the history of vault construction. The consquence was that subsequent authors didn=t take seriously Choisy=s work or simply ignored. Sanpaolesi (1971) in a work with the suggestive title *Strutture a cupola autoportanti+ simply ignore him. To Mango (1975), author of one of the standard manuals on Byzantine architecture, Choisy is superseded; Krautheimer (1984) did not consider Choisy in treating, summarily, the vaulting problems. Robert Ousterhout author of a book on the Master Builders of Byzantium (1998) considers Choisy *outdated+, being *more than a century old+. Even in detailed archeological studies of vaulted structures his work is ignored (Deichmann 1979). There are some exceptions in specialised studies on vault construction: Besenval (1984), Cejka (1978) and Storz (1994). It must be said from the beginning, that Choisy=s L=art de bâtir chez les Byzantins is still the best source for anyone interested in understanding the geometry, construction and structural behaviour of Byzantine vaulted buildings. In what follows, we will try to demonstrate that this assertion is true

Repetition and difference: Lefebvre, Le Corbusier and modernity's (im)moral landscape: a commentary

This article engages with the relationship between social theory, architectural theory and material culture. The article is a reply to an article in a previous volume of the journal in question (Smith, M. (2001) ‘Repetition and difference: Lefebvre, Le Corbusier and modernity’s (im)moral landscape’, Ethics, Place and Environment, 4(1), 31-34) and, consequently, is also a direct engagement with another academic's scholarship. It represents a critique of their work as well as a recasting of their ideas, arguing that the matter in question went beyond interpretative issues to a direct critique of another author's scholarship on both Le Corbusier and Lefebvre. A reply to my article from the author of the original article was carried in a later issue of the journal (Smith, M. (2002) ‘Ethical Difference(s): a Response to Maycroft on Le Corbusier and Lefebvre’, Ethics, Place and Environment, 5(3), 260-269)

Study of Art Plaza Circulation Theory and Shape of Art Plaza

The circulation system is a vital linking infrastructure that connects various activities and uses land on an area and inside a building that considers functional, economic, flexibility and comfort aspects. The explanation of this theory emphasizes the uniqueness of the building itself. So that there are various shapes of buildings in an effort to adjust to environmental conditions, climate, and natural surroundings. As a result, the resulting building has a special shapeation in accordance with the idea of an architect

Using 2D photography as a 3D constructional tool within the metaverse

Photography is a powerful two dimensional representation tool to document three dimensional volumes like architecture. It is possible to manipulate photos with two dimensional tools like Photoshop in order to suggest new three dimensional re/formations and re/interpret architecture. One can alternatively use two dimensional textures as mappings to create realistic three dimensional model renderings. This project is a combination of these two approaches: photographing architecture, turning the resulting photos into transparent image files, and then mapping these photos onto three dimensional volumes in order to create a ‘new’ architecture from an ‘existing’ architecture. One of the advantages of using photographs to create architecture is that the photo pool can easily be composed of visuals from various cultures and you may end up using an amalgam of visuals from, say, so-called opposite cultures. This possibility reminds the peaceful collaboration of musicians from different cultures to create a unique music. In addition, this act can also be taken as a migration of media through appropriation of photography for three dimensional volume creation and re/presentation. At this point, we are talking about a double representation, since photography is a representation tool already and it gains another representational dimension when it is remapped onto three dimensional volumes for the construction of an alternative reality. This article concentrates on using a representation tool (photography) to construct a three dimensional space (architecture) within a virtual three dimensional environment (Second Life®). During the process the concepts of perception, reality, cultural context, re/presentation and appropriation will be examined

Comparative study of design: application to Engineering Design

A recent exploratory study examines design processes across domains and compares them. This is achieved through a series of interdisciplinary, participative workshops. A systematic framework is used to collect data from expert witnesses who are practising designers across domains from engineering through architecture to product design and fashion, including film production, pharmaceutical drugs, food, packaging, graphics and multimedia and software. Similarities and differences across domains are described which indicate the types of comparative analysis we have been able to do from our data. The paper goes further and speculates on possible lessons for selected areas of engineering design which can be drawn from comparison with processes in other domains. As such this comparative design study offers the potential for improving engineering design processes. More generally it is a first step in creating a discipline of comparative design which aims to provide a new rich picture of design processes

Future users, future cities: dweller as designer

As technology advances, users get more detached from the way things work and are produced. Users end up being pure consumers and leave their positions as decision makers behind. Before the architecture and buildings processes were industrialized, most practitioners of the so-called vernacular architecture were in fact the dwellers of what they built and they easily met the specific personal needs since they were in total control. Some “architectural theorists have turned to vernacular construction with the conviction that such buildings and settlements express the interconnectedness between humans and the landscapes they live in.” (Beesley and Bonnemaison 2008). Considering the present day intense building activity, such relationship of dweller and architecture seems not possible excepting a very few examples to later referred to. This paper will instead focus on the possibility of the non-architect users of architectures as decision makers in order to reach designs that meet the requirements of their addressees

Simple Strategies for Broadcasting Repository Resources

4th International Conference on Open RepositoriesThis presentation was part of the session : Conference PostersNSDL's data repository for STEM education is designed to provide organized access to digital educational materials through its online portal, NSDL.org. The resources held within the NSDL data repository along with their associated metadata can also be found through partner and external portals, often with high quality, pedagogical contextual information intact. Repositories are not, however, usually described as web broadcast devices for their holdings. Providing multiple contextual views of educational resources where users look for them underscores the idea that digital repositories can be systems for the management, preservation, discovery and reuse of rich resources within a domain that can also be pushed out from a repository into homes and classrooms through multiple channels. This presentation reviews two interrelated methods and usage data that support the concept of â resource broadcastingâ from the NSDL data repository as a method that takes advantage of the natural context of resources to encourage their additional use as stand-alone objects outside of specific discipline-oriented portals.National Science Foundatio