The role of metaphor in shaping the identity and agenda of the United Nations: the imagining of an international community and international threat

This article examines the representation of the United Nations in speeches delivered by its Secretary General. It focuses on the role of metaphor in constructing a common ‘imagining’ of international diplomacy and legitimising an international organisational identity. The SG legitimises the organisation, in part, through the delegitimisation of agents/actions/events constructed as threatening to the international community and to the well-being of mankind. It is a desire to combat the forces of menace or evil which are argued to motivate and determine the organisational agenda. This is predicated upon an international ideology of humanity in which difference is silenced and ‘working towards the common good’ is emphasised. This is exploited to rouse emotions and legitimise institutional power. Polarisation and antithesis are achieved through the employment of metaphors designed to enhance positive and negative evaluations. The article further points to the constitutive, persuasive and edifying power of topic and situationally-motivated metaphors in speech-making

Citizen Media Research and Verification: An Analytical Framework for Human Rights Practitioners

This CGHR Practitioner Paper series, by and for practitioners, provides a space to consolidate, reflect upon, and share knowledge of human rights in the digital age. Contributors also present their work to the CGHR community, and prospective contributors are welcome to contact CGHR with submissions. Series Editor: Ella McPherson Publisher: Centre of Governance and Human Rights, University of Cambridge Contact: www.cghr.polis.cam.ac.uk, [email protected], (+44) (0)1223 767 257This paper examines the role of open source research in human rights fact-finding and seeks to address a gap in the current literature, which lacks a human rights perspective, is dominated by journalistic approaches, or focuses on specific tools. It focuses on citizen media, the visual subset of open source information, and provides a practitioner’s perspective that is based on several years of analyzing open source materials for a global human rights group. The paper includes case studies on video and image verification, and identifies best and worst practices. The author argues that open source content, specifically citizen media, can play a crucial and increasingly important role in human rights documentation, if analyzed using sound and transparent methodologies based on well-established factfinding principles. It presents, for the first time, a tool-independent analytical framework that will allow both seasoned and new human rights researchers to review and assess open source content. Specific recommendations are offered for human rights organizations, funders, academics, and technology companies in order to realize the full potential of open source content for human rights documentation

Psychologization or the discontents of psychoanalysis

This article explores the possibility of a debate between psychoanalysis and the human sciences and, in particular, between psychoanalysis and psychology. Psychoanalysis's particular view on subjectivity values fiction (truth having the structure of fiction) as a constitutive dimension of personal and social reality. In contrast, the mainstream psy-sciences threaten to remain caught in the attempt to unmask things as they really are (eg, hard neurobiological reality), thus risking losing the subjective dimension as such. Drawing on examples of phenomena of psychologization (in Reality TV and in contemporary discourses of parent and child education), the author spells out the different, but eventually and necessarily intertwined, responses of psychoanalysis and psychology to modernity and modern subjectivity

A Sign Of The Times: Contemporary American Post-Holocaust Imagery And Post-Jewish Identity

The construction of American Jewish identity has historically balanced efforts to reconcile acceptance into majority culture with maintaining traditional Jewish heritage. Expression of Jewish identity in a diasporic community has often been anchored in communal rituals and sociopolitical events, especially the Holocaust, uniting an increasingly diverse community. Beginning in the late twentieth century, the figure of the post-Jew and post-Jewish identity emerged alongside pluralist multiculturalism as an alternate identity framework recognizing the hybrid character of Jewish American identity as a combination of inherited and selected elements. This thesis examines the manifestation of post-Jewish identity in artistic responses to the Holocaust as reflections of a distinctly American perspective and discusses the iconographic language of the Holocaust as a living identity constantly re-formed and informed by individual experience and cultural surroundings. Third and fourth-generation Jewish American artists engage the visual language of the Holocaust by applying emotionally charged imagery in new ways. In so doing, they contemplate their own connection to the images that ground their understanding of the Holocaust. Stylistic and thematic shifts in post-Jewish works thus constitute efforts to navigate inherent tension between historical and experiential identity as well as the broader cultural transference of collective memory within contemporary society

Art therapy after stroke: Evidence and a need for further research

This is the post-print version of the final paper published in The Arts in Psychotherapy. The published article is available from the link below. Changes resulting from the publishing process, such as peer review, editing, corrections, structural formatting, and other quality control mechanisms may not be reflected in this document. Changes may have been made to this work since it was submitted for publication. Copyright @ 2012 Elsevier B.V.This review presents available evidence regarding the benefits of art therapy and therapeutic arts interventions for stroke survivors. Whilst available evidence is very limited, it suggests that art therapy may address many of the diverse cognitive, emotional and functional needs of people disabled by stroke. Attention, spatial processing, sequencing and planning seem to improve among those who persist with art therapy. Use of the stroke-affected limb may increase. Several studies report improvements in social interaction, and emotional expression. Most published reports offer single case examples, which are idiographic and illuminating. Nonetheless, the brevity of these reports, the reliance on therapist's own accounts, and uncertainties surrounding case selection make generalization of the findings uncertain. There is a pressing need for multi-method research studies. These could use quantitative standardized scales to explore changes in stroke survivors’ physical and emotional functioning, and qualitative enquiry to gain the insights of stroke survivors concerning the art therapy process. Such research designs might help to establish a better recognized role for art therapy within multidisciplinary stroke rehabilitation programs

The Visual Citizen in a Digital News Landscape

This article’s contribution to theory-building focuses on the everyday circumstances under which journalism encourages a civic gaze. Specifically, it elaborates our heuristic conception of the “visual citizen” to explore journalism’s mediation of a politics of seeing, paying particular attention to how and why renderings of in/visibility signify varied opportunities for civic engagement within digital news landscapes. In recognizing a distinction between direct and virtual witnessing, it establishes a conceptual basis for an inductive typology delineating interrelated, potential citizen-subject positions across a continuum. Four such positions are identified and appraised, namely the visual citizen as: (a) news observer and circulator, (b) accidental news image-maker and contributor, (c) purposeful news image-maker and activist, and (d) creative image-maker and news commentator. Evaluating these positions in relation to their significance for visual journalism, this article aims to advance efforts to rethink the inscription of imagery in news reportage and its import for public life