1,335 research outputs found
MRCIAC: A Mixed Reality Conversational Intelligent Agent Companion in Cars for Supporting Travel Experience
This thesis investigates how a Mixed Reality Conversational Intelligent Agent Companion in Cars (MRCIAC) can enhance the travel experience of individuals in unfamiliar cities by addressing four main problems: difficulty finding popular locations, lack of a travel buddy, complex in-car human-machine interaction, and neglecting passenger experience. The research approach includes three methodologies: Research Through Design (RTD), Prototype Iteration, and Descriptive Design Evaluation. The study creates and evaluates three types of prototypes, including mobile applications, Virtual Reality (VR) and Mixed Reality (MR), to demonstrate the potential of mixed reality intelligent agents to revolutionize human-computer interaction in transportation and improve the travel experience. The outcomes of this research demonstrate the potential of MRCIAC to provide a companion for the owner and passengers on a trip. It is hoped that further research in this area will lead to exciting new developments and improvements in transportation
#instaworthy presentations of place: a place study of experience among teenagers on Instagram
2019 Summer.Includes bibliographical references.The present study is devoted to the exploration of place presentations and online representations of immersive place-based experiences by teenagers on Instagram. This study is curious to understand if students' from an international travel program, Rustic Pathways, presentations of place online are different or similar than descriptions of place experience offline and if these representations differ, why? The humanistic geography concept of 'place' and place attachment theory was used as a guiding framework for this study. This study employed a mixed methods approach, completing fifteen interviews with former Rustic Pathways students and textual analysis of ninety Instagram posts. The analysis applied multiple lenses of interpretation through a hermeneutic perspective as well as a critical textual analysis to understand both the constructed realities of place experience and to addresses the structures at work beyond individuals' actions within texts. After an extensive investigation into the phenomenon of place experience and place presentations on Instagram of Rustic Pathways participants on Instagram, I illustrate the place experience reflections as communicated by Rustic Pathways interview subjects. I also explore the interview subjects' descriptions of how their identity, values, and behaviors were influenced by place. I next explore the intersection of place and identity as observed on the Instagram platform. I examine how the data introduces conflicts in the communication of identity and experience as impacted by curated and invisible narratives, the discursive expectations of Rustic Pathways on the interview subjects and user's presentation of experience, as well as the influences of performativity on online representations of wild and exotic places. Finally, I explore the digital negotiations of place experience by examining the complexities of communicating offline experiences in an online space through identity performances
Virtual Heritage
Virtual heritage has been explained as virtual reality applied to cultural heritage, but this definition only scratches the surface of the fascinating applications, tools and challenges of this fast-changing interdisciplinary field. This book provides an accessible but concise edited coverage of the main topics, tools and issues in virtual heritage. Leading international scholars have provided chapters to explain current issues in accuracy and precision; challenges in adopting advanced animation techniques; shows how archaeological learning can be developed in Minecraft; they propose mixed reality is conceptual rather than just technical; they explore how useful Linked Open Data can be for art history; explain how accessible photogrammetry can be but also ethical and practical issues for applying at scale; provide insight into how to provide interaction in museums involving the wider public; and describe issues in evaluating virtual heritage projects not often addressed even in scholarly papers. The book will be of particular interest to students and scholars in museum studies, digital archaeology, heritage studies, architectural history and modelling, virtual environments
Collaborative and Multi-Modal Mixed Reality for Enhancing Cultural Learning in Virtual Heritage
No abstrac
Leveraging eXtented Reality & Human-Computer Interaction for User Experi- ence in 360◦ Video
EXtended Reality systems have resurged as a medium for work and entertainment. While
360o video has been characterized as less immersive than computer-generated VR, its
realism, ease of use and affordability mean it is in widespread commercial use. Based
on the prevalence and potential of the 360o video format, this research is focused on
improving and augmenting the user experience of watching 360o video. By leveraging
knowledge from Extented Reality (XR) systems and Human-Computer Interaction (HCI),
this research addresses two issues affecting user experience in 360o video: Attention
Guidance and Visually Induced Motion Sickness (VIMS).
This research work relies on the construction of multiple artifacts to answer the de-
fined research questions: (1) IVRUX, a tool for analysis of immersive VR narrative expe-
riences; (2) Cue Control, a tool for creation of spatial audio soundtracks for 360o video, as
well as enabling the collection and analysis of captured metrics emerging from the user
experience; and (3) VIMS mitigation pipeline, a linear sequence of modules (including
optical flow and visual SLAM among others) that control parameters for visual modi-
fications such as a restricted Field of View (FoV). These artifacts are accompanied by
evaluation studies targeting the defined research questions. Through Cue Control, this
research shows that non-diegetic music can be spatialized to act as orientation for users.
A partial spatialization of music was deemed ineffective when used for orientation. Addi-
tionally, our results also demonstrate that diegetic sounds are used for notification rather
than orientation. Through VIMS mitigation pipeline, this research shows that dynamic
restricted FoV is statistically significant in mitigating VIMS, while mantaining desired
levels of Presence. Both Cue Control and the VIMS mitigation pipeline emerged from a
Research through Design (RtD) approach, where the IVRUX artifact is the product of de-
sign knowledge and gave direction to research. The research presented in this thesis is
of interest to practitioners and researchers working on 360o video and helps delineate
future directions in making 360o video a rich design space for interaction and narrative.Sistemas de Realidade EXtendida ressurgiram como um meio de comunicação para o tra-
balho e entretenimento. Enquanto que o vídeo 360o tem sido caracterizado como sendo
menos imersivo que a Realidade Virtual gerada por computador, o seu realismo, facili-
dade de uso e acessibilidade significa que tem uso comercial generalizado. Baseado na
prevalência e potencial do formato de vídeo 360o, esta pesquisa está focada em melhorar e
aumentar a experiência de utilizador ao ver vídeos 360o. Impulsionado por conhecimento
de sistemas de Realidade eXtendida (XR) e Interacção Humano-Computador (HCI), esta
pesquisa aborda dois problemas que afetam a experiência de utilizador em vídeo 360o:
Orientação de Atenção e Enjoo de Movimento Induzido Visualmente (VIMS).
Este trabalho de pesquisa é apoiado na construção de múltiplos artefactos para res-
ponder as perguntas de pesquisa definidas: (1) IVRUX, uma ferramenta para análise de
experiências narrativas imersivas em VR; (2) Cue Control, uma ferramenta para a criação
de bandas sonoras de áudio espacial, enquanto permite a recolha e análise de métricas
capturadas emergentes da experiencia de utilizador; e (3) canal para a mitigação de VIMS,
uma sequência linear de módulos (incluindo fluxo ótico e SLAM visual entre outros) que
controla parâmetros para modificações visuais como o campo de visão restringido. Estes
artefactos estão acompanhados por estudos de avaliação direcionados para às perguntas
de pesquisa definidas. Através do Cue Control, esta pesquisa mostra que música não-
diegética pode ser espacializada para servir como orientação para os utilizadores. Uma
espacialização parcial da música foi considerada ineficaz quando usada para a orientação.
Adicionalmente, os nossos resultados demonstram que sons diegéticos são usados para
notificação em vez de orientação. Através do canal para a mitigação de VIMS, esta pesquisa
mostra que o campo de visão restrito e dinâmico é estatisticamente significante ao mitigar
VIMS, enquanto mantem níveis desejados de Presença. Ambos Cue Control e o canal para
a mitigação de VIMS emergiram de uma abordagem de Pesquisa através do Design (RtD),
onde o artefacto IVRUX é o produto de conhecimento de design e deu direcção à pesquisa.
A pesquisa apresentada nesta tese é de interesse para profissionais e investigadores tra-
balhando em vídeo 360o e ajuda a delinear futuras direções em tornar o vídeo 360o um
espaço de design rico para a interação e narrativa
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