Emotional self-regulation of individuals with autism spectrum disorders: smartwatches for monitoring and interaction

In this paper, we analyze the needs of individuals with Autism Spectrum Disorders (ASD) to have a pervasive, feasible and non-stigmatizing form of assistance in their emotional self-regulation, in order to ease certain behavioral issues that undermine their mental health throughout their life. We argue the potential of recent widespread wearables, and more specifically smartwatches, to achieve this goal. Then, a smartwatch system that implements a wide range of self-regulation strategies and infers outburst patterns from physiological signals and movement is presented, along with an authoring tool for smartphones that is to be used by caregivers or family members to create and edit these strategies, in an adaptive way. We conducted an intensive experiment with two individuals with ASD who showed varied, representative behavioral responses to their emotional dysregulation. Both users were able to employ effective, customized emotional self-regulation strategies by means of the system, recovering from the majority of mild stress episodes and temper tantrums experienced in the nine days of experiment in their classroomThis work has been partially funded by the projects “e-Training y e-Coaching para la integración socio—laboral” (TIN2013-44586-R) and “eMadrid-CM: Investigación y Desarrollo de Tecnologías Educativas en la Comunidad de Madrid” (S2013/ICE-2715). It has been also funded by Fundación Orange during the early stages of the project “Tic-Tac-TEA: Sistema de asistencia para la autorregulación emocional en momentos de crisis para personas con TEA mediante smartwatches

Affective Affordance of Message Balloon Animations: An Early Exploration of AniBalloons

We introduce the preliminary exploration of AniBalloons, a novel form of chat balloon animations aimed at enriching nonverbal affective expression in text-based communications. AniBalloons were designed using extracted motion patterns from affective animations and mapped to six commonly communicated emotions. An evaluation study with 40 participants assessed their effectiveness in conveying intended emotions and their perceived emotional properties. The results showed that 80% of the animations effectively conveyed the intended emotions. AniBalloons covered a broad range of emotional parameters, comparable to frequently used emojis, offering potential for a wide array of affective expressions in daily communication. The findings suggest AniBalloons' promise for enhancing emotional expressiveness in text-based communication and provide early insights for future affective design.Comment: Accepted by CSCW 2023 poste

Understanding the Emotional Impact of GIFs on Instagram through Consumer Neuroscience

The ability of GIFs to generate emotionality in social media marketing strategies is analyzed. The aim of this work is to show how neuroscience research techniques can be integrated into the analysis of emotions, improving the results and helping to guide actions in social networks. This research is structured in two phases: an experimental study using automated biometric analysis (facial coding, GSR and eye tracking) and an analysis of declared feelings in the comments of Instagram users. Explicit valence, type of emotion, length of comment and proportion of emojis are extracted. The results indicate that the explicit measure of emotional valence shows a higher and more positive emotional level than the implicit one. This difference is influenced differently by the engagement and the proportion of emojis in the comment. A further step has been taken in the measurement of user emotionality in social media campaigns, including not only content analysis, but also providing new insights thanks to neuromarketin

Preserved local but disrupted contextual figure-ground influences in an individual with abnormal function of intermediate visual areas

Visual perception depends not only on local stimulus features but also on their relationship to the surrounding stimulus context, as evident in both local and contextual influences on figure-ground segmentation. Intermediate visual areas may play a role in such contextual influences, as we tested here by examining LG, a rare case of developmental visual agnosia. LG has no evident abnormality of brain structure and functional neuroimaging showed relatively normal V1 function, but his intermediate visual areas (V2/V3) function abnormally. We found that contextual influences on figure-ground organization were selectively disrupted in LG, while local sources of figure-ground influences were preserved. Effects of object knowledge and familiarity on figure-ground organization were also significantly diminished. Our results suggest that the mechanisms mediating contextual and familiarity influences on figure-ground organization are dissociable from those mediating local influences on figure-ground assignment. The disruption of contextual processing in intermediate visual areas may play a role in the substantial object recognition difficulties experienced by LG

잠재 임베딩을 통한 시각적 스토리로부터의 서사 텍스트 생성기 학습

학위논문 (박사)-- 서울대학교 대학원 : 공과대학 전기·컴퓨터공학부, 2019. 2. 장병탁.The ability to understand the story is essential to make humans unique from other primates as well as animals. The capability of story understanding is crucial for AI agents to live with people in everyday life and understand their context. However, most research on story AI focuses on automated story generation based on closed worlds designed manually, which are widely used for computation authoring. Machine learning techniques on story corpora face similar problems of natural language processing such as omitting details and commonsense knowledge. Since the remarkable success of deep learning on computer vision field, increasing our interest in research on bridging between vision and language, vision-grounded story data will potentially improve the performance of story understanding and narrative text generation. Let us assume that AI agents lie in the environment in which the sensing information is input by the camera. Those agents observe the surroundings, translate them into the story in natural language, and predict the following event or multiple ones sequentially. This dissertation study on the related problems: learning stories or generating the narrative text from image streams or videos. The first problem is to generate a narrative text from a sequence of ordered images. As a solution, we introduce a GLAC Net (Global-local Attention Cascading Network). It translates from image sequences to narrative paragraphs in text as a encoder-decoder framework with sequence-to-sequence setting. It has convolutional neural networks for extracting information from images, and recurrent neural networks for text generation. We introduce visual cue encoders with stacked bidirectional LSTMs, and all of the outputs of each layer are aggregated as contextualized image vectors to extract visual clues. The coherency of the generated text is further improved by conveying (cascading) the information of the previous sentence to the next sentence serially in the decoders. We evaluate the performance of it on the Visual storytelling (VIST) dataset. It outperforms other state-of-the-art results and shows the best scores in total score and all of 6 aspects in the visual storytelling challenge with evaluation of human judges. The second is to predict the following events or narrative texts with the former parts of stories. It should be possible to predict at any step with an arbitrary length. We propose recurrent event retrieval models as a solution. They train a context accumulation function and two embedding functions, where make close the distance between the cumulative context at current time and the next probable events on a latent space. They update the cumulative context with a new event as a input using bilinear operations, and we can find the next event candidates with the updated cumulative context. We evaluate them for Story Cloze Test, they show competitive performance and the best in open-ended generation setting. Also, it demonstrates the working examples in an interactive setting. The third deals with the study on composite representation learning for semantics and order for video stories. We embed each episode as a trajectory-like sequence of events on the latent space, and propose a ViStoryNet to regenerate video stories with them (tasks of story completion). We convert event sentences to thought vectors, and train functions to make successive event embed close each other to form episodes as trajectories. Bi-directional LSTMs are trained as sequence models, and decoders to generate event sentences with GRUs. We test them experimentally with PororoQA dataset, and observe that most of episodes show the form of trajectories. We use them to complete the blocked part of stories, and they show not perfect but overall similar result. Those results above can be applied to AI agents in the living area sensing with their cameras, explain the situation as stories, infer some unobserved parts, and predict the future story.스토리를 이해하는 능력은 동물들 뿐만 아니라 다른 유인원과 인류를 구별짓는 중요한 능력이다. 인공지능이 일상생활 속에서 사람들과 함께 지내면서 그들의 생활 속 맥락을 이해하기 위해서는 스토리를 이해하는 능력이 매우 중요하다. 하지만, 기존의 스토리에 관한 연구는 언어처리의 어려움으로 인해 사전에 정의된 세계 모델 하에서 좋은 품질의 저작물을 생성하려는 기술이 주로 연구되어 왔다. 기계학습 기법을 통해 스토리를 다루려는 시도들은 대체로 자연어로 표현된 데이터에 기반할 수 밖에 없어 자연어 처리에서 겪는 문제들을 동일하게 겪는다. 이를 극복하기 위해서는 시각적 정보가 함께 연동된 데이터가 도움이 될 수 있다. 최근 딥러닝의 눈부신 발전에 힘입어 시각과 언어 사이의 관계를 다루는 연구들이 늘어나고 있다. 연구의 비전으로서, 인공지능 에이전트가 주변 정보를 카메라로 입력받는 환경 속에 놓여있는 상황을 생각해 볼 수 있다. 이 안에서 인공지능 에이전트는 주변을 관찰하면서 그에 대한 스토리를 자연어 형태로 생성하고, 생성된 스토리를 바탕으로 다음에 일어날 스토리를 한 단계에서 여러 단계까지 예측할 수 있다. 본 학위 논문에서는 사진 및 비디오 속에 나타나는 스토리(visual story)를 학습하는 방법, 내러티브 텍스트로의 변환, 가려진 사건 및 다음 사건을 추론하는 연구들을 다룬다. 첫 번째로, 여러 장의 사진이 주어졌을 때 이를 바탕으로 스토리 텍스트를 생성하는 문제(비주얼 스토리텔링)를 다룬다. 이 문제 해결을 위해 글랙넷(GLAC Net)을 제안하였다. 먼저, 사진들로부터 정보를 추출하기 위한 컨볼루션 신경망, 문장을 생성하기 위해 순환신경망을 이용한다. 시퀀스-시퀀스 구조의 인코더로서, 전체적인 이야기 구조의 표현을 위해 다계층 양방향 순환신경망을 배치하되 각 사진 별 정보를 함께 이용하기 위해 전역적-국부적 주의집중 모델을 제안하였다. 또한, 여러 문장을 생성하는 동안 맥락정보와 국부정보를 잃지 않게 하기 위해 앞선 문장 정보를 전달하는 메커니즘을 제안하였다. 위 제안 방법으로 비스트(VIST) 데이터 집합을 학습하였고, 제 1 회 시각적 스토리텔링 대회(visual storytelling challenge)에서 사람 평가를 기준으로 전체 점수 및 6 항목 별로 모두 최고점을 받았다. 두 번째로, 스토리의 일부가 문장들로 주어졌을 때 이를 바탕으로 다음 문장을 예측하는 문제를 다룬다. 임의의 길이의 스토리에 대해 임의의 위치에서 예측이 가능해야 하고, 예측하려는 단계 수에 무관하게 작동해야 한다. 이를 위한 방법으로 순환 사건 인출 모델(Recurrent Event Retrieval Models)을 제안하였다. 이 방법은 은닉 공간 상에서 현재까지 누적된 맥락과 다음에 발생할 유력 사건 사이의 거리를 가깝게 하도록 맥락누적함수와 두 개의 임베딩 함수를 학습한다. 이를 통해 이미 입력되어 있던 스토리에 새로운 사건이 입력되면 쌍선형적 연산을 통해 기존의 맥락을 개선하여 다음에 발생할 유력한 사건들을 찾는다. 이 방법으로 락스토리(ROCStories) 데이터집합을 학습하였고, 스토리 클로즈 테스트(Story Cloze Test)를 통해 평가한 결과 경쟁력 있는 성능을 보였으며, 특히 임의의 길이로 추론할 수 있는 기법 중에 최고성능을 보였다. 세 번째로, 비디오 스토리에서 사건 시퀀스 중 일부가 가려졌을 때 이를 복구하는 문제를 다룬다. 특히, 각 사건의 의미 정보와 순서를 모델의 표현 학습에 반영하고자 하였다. 이를 위해 은닉 공간 상에 각 에피소드들을 궤적 형태로 임베딩하고, 이를 바탕으로 스토리를 재생성을 하여 스토리 완성을 할 수 있는 모델인 비스토리넷(ViStoryNet)을 제안하였다. 각 에피소드를 궤적 형태를 가지게 하기 위해 사건 문장을 사고벡터(thought vector)로 변환하고, 연속 이벤트 순서 임베딩을 통해 전후 사건들이 서로 가깝게 임베딩되도록 하여 하나의 에피소드가 궤적의 모양을 가지도록 학습하였다. 뽀로로QA 데이터집합을 통해 실험적으로 결과를 확인하였다. 임베딩 된 에피소드들은 궤적 형태로 잘 나타났으며, 에피소드들을 재생성 해본 결과 전체적인 측면에서 유사한 결과를 보였다. 위 결과물들은 카메라로 입력되는 주변 정보를 바탕으로 스토리를 이해하고 일부 관측되지 않은 부분을 추론하며, 향후 스토리를 예측하는 방법들에 대응된다.Abstract i Chapter 1 Introduction 1 1.1 Story of Everyday lives in Videos and Story Understanding . . . 1 1.2 Problems to be addressed . . . . . . . . . . . . . . . . . . . . . . 3 1.3 Approach and Contribution . . . . . . . . . . . . . . . . . . . . . 6 1.4 Organization of Dissertation . . . . . . . . . . . . . . . . . . . . . 9 Chapter 2 Background and Related Work 10 2.1 Why We Study Stories . . . . . . . . . . . . . . . . . . . . . . . . 10 2.2 Latent Embedding . . . . . . . . . . . . . . . . . . . . . . . . . . 12 2.3 Order Embedding and Ordinal Embedding . . . . . . . . . . . . 14 2.4 Comparison to Story Understanding . . . . . . . . . . . . . . . . 15 2.5 Story Generation . . . . . . . . . . . . . . . . . . . . . . . . . . . 16 2.5.1 Abstract Event Representations . . . . . . . . . . . . . . . 17 2.5.2 Seq-to-seq Attentional Models . . . . . . . . . . . . . . . . 18 2.5.3 Story Generation from Images . . . . . . . . . . . . . . . 19 Chapter 3 Visual Storytelling via Global-local Attention Cascading Networks 21 3.1 Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21 3.2 Evaluation for Visual Storytelling . . . . . . . . . . . . . . . . . . 26 3.3 Global-local Attention Cascading Networks (GLAC Net) . . . . . 27 3.3.1 Encoder: Contextualized Image Vector Extractor . . . . . 28 3.3.2 Decoder: Story Generator with Attention and Cascading Mechanism . . . . . . . . . . . . . . . . . . . . . . . . . . 30 3.4 Experimental Results . . . . . . . . . . . . . . . . . . . . . . . . . 33 3.4.1 VIST Dataset . . . . . . . . . . . . . . . . . . . . . . . . . 33 3.4.2 Experiment Settings . . . . . . . . . . . . . . . . . . . . . 33 3.4.3 Network Training Details . . . . . . . . . . . . . . . . . . 36 3.4.4 Qualitative Analysis . . . . . . . . . . . . . . . . . . . . . 38 3.4.5 Quantitative Analysis . . . . . . . . . . . . . . . . . . . . 38 3.5 Summary . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40 Chapter 4 Common Space Learning on Cumulative Contexts and the Next Events: Recurrent Event Retrieval Models 44 4.1 Overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44 4.2 Problems of Context Accumulation . . . . . . . . . . . . . . . . . 45 4.3 Recurrent Event Retrieval Models for Next Event Prediction . . 46 4.4 Experimental Results . . . . . . . . . . . . . . . . . . . . . . . . . 49 4.4.1 Preliminaries . . . . . . . . . . . . . . . . . . . . . . . . . 51 4.4.2 Story Cloze Test . . . . . . . . . . . . . . . . . . . . . . . 52 4.4.3 Open-ended Story Generation . . . . . . . . . . . . . . . . 53 4.5 Summary . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55 Chapter 5 ViStoryNet: Order Embedding of Successive Events and the Networks for Story Regeneration 58 5.1 Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58 5.2 Order Embedding with Triple Learning . . . . . . . . . . . . . . 60 5.2.1 Embedding Ordered Objects in Sequences . . . . . . . . . 62 5.3 Problems and Contextual Events . . . . . . . . . . . . . . . . . . 62 5.3.1 Problem Definition . . . . . . . . . . . . . . . . . . . . . . 62 5.3.2 Contextual Event Vectors from Kids Videos . . . . . . . . 64 5.4 Architectures for the Story Regeneration Task . . . . . . . . . . . 67 5.4.1 Two Sentence Generators as Decoders . . . . . . . . . . . 68 5.4.2 Successive Event Order Embedding (SEOE) . . . . . . . . 68 5.4.3 Sequence Models of the Event Space . . . . . . . . . . . . 72 5.5 Experimental Results . . . . . . . . . . . . . . . . . . . . . . . . . 73 5.5.1 Experimental setup . . . . . . . . . . . . . . . . . . . . . . 73 5.5.2 Quantitative Analysis . . . . . . . . . . . . . . . . . . . . 73 5.5.3 Qualitative Analysis . . . . . . . . . . . . . . . . . . . . . 74 5.6 Summary . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77 Chapter 6 Concluding Remarks 80 6.1 Summary of Methods and Contributions . . . . . . . . . . . . . . 80 6.2 Limitation and Outlook . . . . . . . . . . . . . . . . . . . . . . . 81 6.3 Suggestions for Future Research . . . . . . . . . . . . . . . . . . . 81 초록 101Docto