780 research outputs found

    The Cord Weekly (November 6, 1996)

    Get PDF

    Arbiter, November 13

    Get PDF

    Dealers in art

    Get PDF

    Television Comes to Bangor: A Conversation with Industry Pioneers

    Get PDF
    Today, almost every household—98 percent of U.S. homes— has at least one television. There are hundreds of broadcast, cable, and satellite television channels sending out programming to viewers across the world. Yet only forty-seven years ago, television was in its infancy. What was it like to be part of this new form of information technology? George Gonyar and Margo Cobb, interviewed in March 1997, were part of a small group that pioneered television in greater Bangor. They not only brought television to the area, but they guided its development over the next forty years. Judith Round earned her Bachelor of University Studies degree with a minor in history in 1999. She is a native of Orono, Maine, and is Communications Coordinator and Assistant to the Dean for the College of Natural Sciences, Forestry, and Agriculture at the University of Maine. Her most recent history project was a commemorative calendar highlighting 115 years of research in the Maine Agricultural and Forest Experiment Station. She would like to thank Mr. Gonyar of Orono and Mrs. Cobb of Bangor, for their interviews and insights

    Avion 2006-04-11

    Get PDF
    https://commons.erau.edu/avion/2047/thumbnail.jp

    What Law Librarians Collect

    Get PDF
    Law librarians describe their personal collections—what they collect for fun, not for their libraries. Penny Hazelton\u27s contribution, Postage Stamps, begins on page 601

    Beyond the Pond: My Semester Abroad, Converted into Creative Nonfiction

    Get PDF
    Creative nonfiction is a genre that consists of dramatized, true stories. They are portrayed through literary elements commonly used by poets and fiction writers. These elements include dialogue, a replication of scenes, character development, and detailed descriptions of setting and interior thought. Creative nonfiction allows the writer to find meaning beyond his/her experiences and reflect on universal and personal issues. When I set out to write, I intended on writing one longer story that brought each individual experience together. As a final product, my thesis stands as a collection of different trips and events that all contributed to my time in London. Breaking up my thesis into separate chapters has been a visual representation of what the semester was like for me: I\u27ve captured distinct moments that can stand as independent pieces. But I\u27ve also joined them based on themes of self-discovery, nature versus city, and vocational exploration

    France Like Nobody’s Watching: My Undercover Observations and Experiences in the Country I Love

    Get PDF
    This text is a series of 18 creative nonfiction essays that examine France, the author’s many experiences there, and her opinions of French culture and what sets the French apart from Americans. In a lighthearted, sarcastic tone, these first-person essays use narrative, anecdotes, and statistics to study, discuss, and, in some instances, contradict many of the stereotypes about the French. The work follows in the tradition of many other travel writers, such as Mark Twain and David Sedaris, who have used France as their primary subject. It was directly influenced by Dave Barry and his France-related columns, Adam Gopnik’s From Paris to the Moon, as well as the book layouts and visual style of Janice MacLeod’s A Paris Year. The manuscript will eventually be accompanied by photos and formatted as a book

    The Ledger and Times, October 25, 1948

    Get PDF

    The BG News May 30, 2001

    Get PDF
    The BGSU campus student newspaper May 30, 2001. Volume 87 - Issue 2https://scholarworks.bgsu.edu/bg-news/7814/thumbnail.jp
    • …
    corecore