Spartan Daily, September 13, 1990

Volume 95, Issue 10https://scholarworks.sjsu.edu/spartandaily/8010/thumbnail.jp

Sixty original plays for primary grades

Thesis (Ed.M.)--Boston Universit

Spartan Daily, March 15, 2001

Volume 116, Issue 35https://scholarworks.sjsu.edu/spartandaily/9671/thumbnail.jp

Spartan Daily, May 15, 2002

Volume 118, Issue 72https://scholarworks.sjsu.edu/spartandaily/10644/thumbnail.jp

First grade reading materials of high interest level for children from the ages of seven through twelve.

Thesis (Ed.M.)--Boston Universit

Weighing the work of love: on Kate Davis's re-visioned iconoclasm

This essay offers a close reading of recent work by Glasgow-based artist Kate Davis to argue that her practice engages iconoclasm in ways importantly modified by her feminist commitments. Often Davis’s source material has significant historical, political or art historical import, as in her works dealing with the Suffragist attack on Velásquez’s Rokeby Venus in 1914. What is at stake in her ‘re-visioning’ of such moments, which often involves labour-intensive drawing as a key method, is a formal commitment to a kind of delicate or caring vandalism, often pursued through labour-intensive drawing (iconoclasm as a means of making images) and a specifically feminist contention with existing hierarchies of value and systems of representation (iconoclasm as contestation). To reckon with these stakes, Jean-Luc Nancy’s account of ‘the pleasure in drawing’ and the feminist concept of the ‘work of love’ are brought into relation with Davis’s work

Spartan Daily, February 9, 2001

Volume 116, Issue 11https://scholarworks.sjsu.edu/spartandaily/9647/thumbnail.jp