Joseph Skipsey, the 'peasant poet', and an unpublished letter from W. B. Yeats

This article examines an unpublished letter from Yeats to the ‘pitman-poet’ Joseph Skipsey, which gives new insight into the early career of Yeats and a deeper understanding of the possibilities and capabilities of the Victorian working-classes. It argues that, in Skipsey, Yeats found an English equivalent to the Irish peasant poet, a figure whose life and poetry was central to Yeats’s vision of Ireland and his nation’s literary revival. The article contends that, following the discovery of a letter from Yeats, Skipsey’s poetry and influence should be considered outside the bounds of the Pre-Raphaelite clique within which he is usually located

Sam Bennett : a case study in the English fiddle tradition from James Madison Carpenter’s ethnographic field collection

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Typologies of Black Male Sensitivity in R&B and Hip Hop

A qualitative content analysis was conducted on the lyrics of 79 R&B and Hip Hop songs from 1956-2013 to identify the ways that these Black male artists expressed sensitivity. The songs were determined by Billboard Chart Research Services, and Phenomenology provided the theoretical foundation on which the themes were identified. Qualitative analysis of the lyrics revealed Black male sensitivity in R&B and Hip Hop to be based on the following four typologies: (a) Private Sensitivity; (b) Partnered Sensitivity; (c) Perceptive Sensitivity; and (d) Public Sensitivity. Private Sensitivity occurred when the Black male is alone; feels lonely; disguises or hides his tears from his romantic partner or others; and expresses a determination to not cry and/or continue crying. Partnered Sensitivity occurred when the Black male encourages and/or connects with his romantic partner, other men, and/or members of the Black community through crying. Perceptive Sensitivity was demonstrated when Black men acknowledge the tears shed by others, and shed tears themselves while being conscious of society\u27s expectation that men suppress emotion and/or refrain from crying. Public Sensitivity was exemplified when the Black male cries publicly and verbally expresses that he does not care what others think of him. Qualitative examples are provided to support each of the aforementioned themes

Collective nostalgia and domestic country bias.

Three experiments tested and supported the hypothesis that collective nostalgia-nostalgia that is experienced when one thinks of oneself in terms of a particular social identity or as a member of a particular group and that concerns events or objects related to this group-increases individuals' ethnocentric preference for ingroup (compared to outgroup) products. Greek participants who recalled collective nostalgic experiences shared with other Greeks (compared to controls) evinced a highly robust preference for Greek (compared to foreign) consumer products. This preference is referred to as domestic country bias. Following a systematic replicate-and-extend strategy, we demonstrated that both idiographic and nomothetic inductions of collective nostalgia increased domestic country bias (Experiment 1), that collective nostalgia increased domestic country bias across different product categories (Experiment 2), and that collective self-esteem mediated the effect of collective nostalgia on domestic country bias and did so independently of positive affect (Experiment 3). We discuss theoretical and practical implications. (PsycINFO Database Record (c) 2019 APA, all rights reserved)