High capacity audio watermarking using FFT amplitude interpolation

An audio watermarking technique in the frequency domain which takes advantage of interpolation is proposed. Interpolated FFT samples are used to generate imperceptible marks. The experimental results show that the suggested method has very high capacity (about 3kbps), without significant perceptual distortion (ODG about -0.5) and provides robustness against common audio signal processing such as echo, add noise, filtering, resampling and MPEG compression (MP3). Depending on the specific application, the tuning parameters could be selected adaptively to achieve even more capacity and better transparency

High capacity data embedding schemes for digital media

High capacity image data hiding methods and robust high capacity digital audio watermarking algorithms are studied in this thesis. The main results of this work are the development of novel algorithms with state-of-the-art performance, high capacity and transparency for image data hiding and robustness, high capacity and low distortion for audio watermarking.En esta tesis se estudian y proponen diversos métodos de data hiding de imágenes y watermarking de audio de alta capacidad. Los principales resultados de este trabajo consisten en la publicación de varios algoritmos novedosos con rendimiento a la altura de los mejores métodos del estado del arte, alta capacidad y transparencia, en el caso de data hiding de imágenes, y robustez, alta capacidad y baja distorsión para el watermarking de audio.En aquesta tesi s'estudien i es proposen diversos mètodes de data hiding d'imatges i watermarking d'àudio d'alta capacitat. Els resultats principals d'aquest treball consisteixen en la publicació de diversos algorismes nous amb rendiment a l'alçada dels millors mètodes de l'estat de l'art, alta capacitat i transparència, en el cas de data hiding d'imatges, i robustesa, alta capacitat i baixa distorsió per al watermarking d'àudio.Societat de la informació i el coneixemen

New Digital Audio Watermarking Algorithms for Copyright Protection

This thesis investigates the development of digital audio watermarking in addressing issues such as copyright protection. Over the past two decades, many digital watermarking algorithms have been developed, each with its own advantages and disadvantages. The main aim of this thesis was to develop a new watermarking algorithm within an existing Fast Fourier Transform framework. This resulted in the development of a Complex Spectrum Phase Evolution based watermarking algorithm. In this new implementation, the embedding positions were generated dynamically thereby rendering it more difficult for an attacker to remove, and watermark information was embedded by manipulation of the spectral components in the time domain thereby reducing any audible distortion. Further improvements were attained when the embedding criteria was based on bin location comparison instead of magnitude, thereby rendering it more robust against those attacks that interfere with the spectral magnitudes. However, it was discovered that this new audio watermarking algorithm has some disadvantages such as a relatively low capacity and a non-consistent robustness for different audio files. Therefore, a further aim of this thesis was to improve the algorithm from a different perspective. Improvements were investigated using an Singular Value Decomposition framework wherein a novel observation was discovered. Furthermore, a psychoacoustic model was incorporated to suppress any audible distortion. This resulted in a watermarking algorithm which achieved a higher capacity and a more consistent robustness. The overall result was that two new digital audio watermarking algorithms were developed which were complementary in their performance thereby opening more opportunities for further research

Spread spectrum-based video watermarking algorithms for copyright protection

Merged with duplicate record 10026.1/2263 on 14.03.2017 by CS (TIS)Digital technologies know an unprecedented expansion in the last years. The consumer can now benefit from hardware and software which was considered state-of-the-art several years ago. The advantages offered by the digital technologies are major but the same digital technology opens the door for unlimited piracy. Copying an analogue VCR tape was certainly possible and relatively easy, in spite of various forms of protection, but due to the analogue environment, the subsequent copies had an inherent loss in quality. This was a natural way of limiting the multiple copying of a video material. With digital technology, this barrier disappears, being possible to make as many copies as desired, without any loss in quality whatsoever. Digital watermarking is one of the best available tools for fighting this threat. The aim of the present work was to develop a digital watermarking system compliant with the recommendations drawn by the EBU, for video broadcast monitoring. Since the watermark can be inserted in either spatial domain or transform domain, this aspect was investigated and led to the conclusion that wavelet transform is one of the best solutions available. Since watermarking is not an easy task, especially considering the robustness under various attacks several techniques were employed in order to increase the capacity/robustness of the system: spread-spectrum and modulation techniques to cast the watermark, powerful error correction to protect the mark, human visual models to insert a robust mark and to ensure its invisibility. The combination of these methods led to a major improvement, but yet the system wasn't robust to several important geometrical attacks. In order to achieve this last milestone, the system uses two distinct watermarks: a spatial domain reference watermark and the main watermark embedded in the wavelet domain. By using this reference watermark and techniques specific to image registration, the system is able to determine the parameters of the attack and revert it. Once the attack was reverted, the main watermark is recovered. The final result is a high capacity, blind DWr-based video watermarking system, robust to a wide range of attacks.BBC Research & Developmen

A New Copyright Protection for Vector Map using FFT-based Watermarking

This study proposed a new approach of copyright protection for vector map using robust watermarking on FFT algorithm. A copyright marker inserted in vector map as the watermark. In addition to data origin authentication capabilities watermark, RSA cryptographic algorithm is used when generating the watermark. Quality measurement of the results was based on the three characteristics of digital watermarking: (1) invisibility using RMSE calculations, (2) fidelity with the farthest distance and (3) NC calculation and gemotrical level of robustness against attacks. Result of experiments showed that the approach used in this study succeeded in inserting copyright as watermark on vector maps. Invisibility test showed good results, demonstrated by RMSE close to zero. Fidelity of the watermarked map was also maintained. Level of watermark robustness against geometric attacks on vector map results has been maintained within the limits that these attacks do not affect the watermark bit value directly

Perceptually Transparent Audio Watermarking of Real Audio Signals Based On The CSPE Algorithm

This paper outlines a transparent and accurate digital audio watermarking system for real audio signals. Based on work in an earlier paper the current work modifies candidate component selection criteria; introduces a component verification process to guarantee accurate recovery of the watermark; identifies and removes audible ‘click’ phenomena. Test results on real music signals have shown that this watermarking algorithm is transparent and is highly precise in recovering the embedded watermark

Digital audio watermarking for broadcast monitoring and content identification

Copyright legislation was prompted exactly 300 years ago by a desire to protect authors against exploitation of their work by others. With regard to modern content owners, Digital Rights Management (DRM) issues have become very important since the advent of the Internet. Piracy, or illegal copying, costs content owners billions of dollars every year. DRM is just one tool that can assist content owners in exercising their rights. Two categories of DRM technologies have evolved in digital signal processing recently, namely digital fingerprinting and digital watermarking. One area of Copyright that is consistently overlooked in DRM developments is 'Public Performance'. The research described in this thesis analysed the administration of public performance rights within the music industry in general, with specific focus on the collective rights and broadcasting sectors in Ireland. Limitations in the administration of artists' rights were identified. The impact of these limitations on the careers of developing artists was evaluated. A digital audio watermarking scheme is proposed that would meet the requirements of both the broadcast and collective rights sectors. The goal of the scheme is to embed a standard identifier within an audio signal via modification of its spectral properties in such a way that it would be robust and perceptually transparent. Modification of the audio signal spectrum was attempted in a variety of ways. A method based on a super-resolution frequency identification technique was found to be most effective. The watermarking scheme was evaluated for robustness and found to be extremely effective in recovering embedded watermarks in music signals using a semi-blind decoding process. The final digital audio watermarking algorithm proposed facilitates the development of other applications in the domain of broadcast monitoring for the purposes of equitable royalty distribution along with additional applications and extension to other domains

Recent Advances in Signal Processing

The signal processing task is a very critical issue in the majority of new technological inventions and challenges in a variety of applications in both science and engineering fields. Classical signal processing techniques have largely worked with mathematical models that are linear, local, stationary, and Gaussian. They have always favored closed-form tractability over real-world accuracy. These constraints were imposed by the lack of powerful computing tools. During the last few decades, signal processing theories, developments, and applications have matured rapidly and now include tools from many areas of mathematics, computer science, physics, and engineering. This book is targeted primarily toward both students and researchers who want to be exposed to a wide variety of signal processing techniques and algorithms. It includes 27 chapters that can be categorized into five different areas depending on the application at hand. These five categories are ordered to address image processing, speech processing, communication systems, time-series analysis, and educational packages respectively. The book has the advantage of providing a collection of applications that are completely independent and self-contained; thus, the interested reader can choose any chapter and skip to another without losing continuity