326 research outputs found

    Digital Color Imaging

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    This paper surveys current technology and research in the area of digital color imaging. In order to establish the background and lay down terminology, fundamental concepts of color perception and measurement are first presented us-ing vector-space notation and terminology. Present-day color recording and reproduction systems are reviewed along with the common mathematical models used for representing these devices. Algorithms for processing color images for display and communication are surveyed, and a forecast of research trends is attempted. An extensive bibliography is provided

    Expanding Dimensionality in Cinema Color: Impacting Observer Metamerism through Multiprimary Display

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    Television and cinema display are both trending towards greater ranges and saturation of reproduced colors made possible by near-monochromatic RGB illumination technologies. Through current broadcast and digital cinema standards work, system designs employing laser light sources, narrow-band LED, quantum dots and others are being actively endorsed in promotion of Wide Color Gamut (WCG). Despite artistic benefits brought to creative content producers, spectrally selective excitations of naturally different human color response functions exacerbate variability of observer experience. An exaggerated variation in color-sensing is explicitly counter to the exhaustive controls and calibrations employed in modern motion picture pipelines. Further, singular standard observer summaries of human color vision such as found in the CIE’s 1931 and 1964 color matching functions and used extensively in motion picture color management are deficient in recognizing expected human vision variability. Many researchers have confirmed the magnitude of observer metamerism in color matching in both uniform colors and imagery but few have shown explicit color management with an aim of minimized difference in observer perception variability. This research shows that not only can observer metamerism influences be quantitatively predicted and confirmed psychophysically but that intentionally engineered multiprimary displays employing more than three primaries can offer increased color gamut with drastically improved consistency of experience. To this end, a seven-channel prototype display has been constructed based on observer metamerism models and color difference indices derived from the latest color vision demographic research. This display has been further proven in forced-choice paired comparison tests to deliver superior color matching to reference stimuli versus both contemporary standard RGB cinema projection and recently ratified standard laser projection across a large population of color-normal observers

    Study of time-lapse processing for dynamic hydrologic conditions

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    The usefulness of dynamic display techniques in exploiting the repetitive nature of ERTS imagery was investigated. A specially designed Electronic Satellite Image Analysis Console (ESIAC) was developed and employed to process data for seven ERTS principal investigators studying dynamic hydrological conditions for diverse applications. These applications include measurement of snowfield extent and sediment plumes from estuary discharge, Playa Lake inventory, and monitoring of phreatophyte and other vegetation changes. The ESIAC provides facilities for storing registered image sequences in a magnetic video disc memory for subsequent recall, enhancement, and animated display in monochrome or color. The most unique feature of the system is the capability to time lapse the imagery and analytic displays of the imagery. Data products included quantitative measurements of distances and areas, binary thematic maps based on monospectral or multispectral decisions, radiance profiles, and movie loops. Applications of animation for uses other than creating time-lapse sequences are identified. Input to the ESIAC can be either digital or via photographic transparencies

    Color space analysis for iris recognition

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    This thesis investigates issues related to the processing of multispectral and color infrared images of the iris. When utilizing the color bands of the electromagnetic spectrum, the eye color and the components of texture (luminosity and chromaticity) must be considered. This work examines the effect of eye color on texture-based iris recognition in both the near-IR and visible bands. A novel score level fusion algorithm for multispectral iris recognition is presented in this regard. The fusion algorithm - based on evidence that matching performance of a texture-based encoding scheme is impacted by the quality of texture within the original image - ranks the spectral bands of the image based on texture quality and designs a fusion rule based on these rankings. Color space analysis, to determine an optimal representation scheme, is also examined in this thesis. Color images are transformed from the sRGB color space to the CIE Lab, YCbCr, CMYK and HSV color spaces prior to encoding and matching. Also, enhancement methods to increase the contrast of the texture within the iris, without altering the chromaticity of the image, are discussed. Finally, cross-band matching is performed to illustrate the correlation between eye color and specific bands of the color image

    Characterization and Control of a Multi-Primary LED Light Lab

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    A new light lab facility has been commissioned at Rochester Institute of Technology with the research goal of studying human visual adaptation under temporally dynamic lighting. The lab uses five-channel LED luminaires with 16 bits of addressable depth per channel, addressed via DMX. Based on spectral measurements, a very accurate multiprimary additive color model has been built that can be used to provide “colorimetric plus” multi-primary channel intensity solutions optimized for spectral accuracy, color fidelity, color gamut, or other attributes. Several spectral tuning and multi-primary solutions are compared, for which accuracy results and IES TM-30-15 color rendition measures are shown

    Dynamically Tunable Plasmonic Structural Color

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    Functional surfaces which can control light across the electromagnetic spectrum are highly desirable. With the aid of advanced modeling and fabrication techniques, researchers have demonstrated surfaces with near arbitrary tailoring of reflected/transmitted amplitude, phase and polarization - the applications for which are diverse as light itself. These systems often comprise of structured metals and dielectrics that, when combined, manifest resonances dependent on structural dimensions. This attribute provides a convenient and direct path to arbitrarily engineer the surface\u27s optical characteristics across many electromagnetic regimes. But while many of these plasmonic systems struggle to compete with the efficiency of pre-existing technologies, the ability to tune plamsonic structures post-fabrication is a distinct advantage which may lead to novel devices. In this work, I will summarize fundamental and applied aspects of tunable plasmonic systems as applied to the visible and infrared regimes. I will demonstrate how liquid crystal may be used to dynamically and reversibly tune the plasmonic resonances of metallic surfaces on a millisecond time scale. For the visible, this results in dynamic color-changing surfaces capable of covering the entire RGB color space and which is compatible with active addressing schemes. I will then show the application of these concepts to infrared absorbers through the use of liquid crystal and phase change materials. The later of these devices can find use in infrared data/image encoding, thermal management and camouflage. Together, these works explore the limits of tunable plasmonic systems and the novel devices they might lead to

    Signal detection using pseudocolor scales

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    Historically, gray scale has been the standard method of displaying univariate medical images. A few color scales have been proposed and evaluated, but have had little acceptance by radiologists. It is possible that carefully desired scales might give lesion detection performance that equals gray scale and improves performance of other tasks. We investigated 13 display scales including the physically linear gray scale, the popular rainbow scale and the other 1 1 perceptually linearized scales. One was the hot body (heated object) scale and the other 10 were spiral trajectories in the CIELAB uniform color space. The experiments were performed using signals added to white noise and a statistically defined (lumpy) background. In general, the best performance was obtained using the gray scale and the hot body scale. Performance for the rainbow scale was very poor ( about 30% of gray scale performance)

    Multifocus HDR VIS/NIR hyperspectral imaging and its application to works of art

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    The authors would like to thank Mr. Francisco Fernández Fábregas, owner of the Transfiguration of Christ for allowing us the privilege of studying this painting. We also acknowledge the collaboration of Angela Tate.This paper presents a complete framework for capturing and processing hyperspectral reflectance images of artworks in situ, using a hyperspectral line scanner. These capturing systems are commonly used in laboratory conditions synchronized with scanning stages specifically designed for planar surfaces. However, when the intended application domain does not allow for image capture in these controlled conditions, achieving useful spectral reflectance image data can be a very challenging task (due to uncontrolled illumination, high-dynamic range (HDR) conditions in the scene, and the influence of chromatic aberration on the image quality, among other factors). We show, for the first time, all the necessary steps in the image capturing and post-processing in order to obtain high-quality HDR-based reflectance in the visible and near infrared, directly from the data captured by using a hyperspectral line scanner coupled to a rotating tripod. Our results show that the proposed method outperforms the normal capturing process in terms of dynamic range, color and spectral accuracy. To demonstrate the potential interest of this processing strategy for on-site analysis of artworks, we applied it to the study of a vintage copy of the famous painting “Transfiguration” by Raphael, as well as a facsimile of “The Golden Haggadah” from the British Library of London. The second piece has been studied for the identification of highly reflective gold-foil covered areas.Spanish Ministry of Economy and Competitiveness, DPI2015-64571-R, ECQM2018-004952-
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